This “Of Note” installment continues the focus on new approaches to the archive from the “Of Note” section in volume 59, number 1. Here, however, we move from a concern with slavery and the archive to a concern with the archive of race and police violence. In contributions by two scholars of the subject, A. J. Yumi Lee and Bryan Wagner, we have a chance to assess some of the most recent and exciting work being done at the intersection of Black culture and police power. The work Lee and Wagner reflect on includes Angela J. Aguayo, Danette Pugh Patton, and Molly Bandonis’s “Black Lives and Justice with the Archive: A Call to Action” (Black Camera, Spring 2018); Elaine Richardson and Alice Ragland’s “#StayWoke: The Language and Literacies of the #BlackLivesMatter Movement” (Community Literacy Journal, Spring 2018); and David Ponton’s “Clothed in Blue Flesh: Police Brutality and the Disciplining of Race, Gender, and the ‘Human’” (Theory and Event, Summer 2016).According to Lee, these articles offer ways to “fashion new kinds of knowledge and narratives” out of unusual archival materials, including memes and hashtags, Twitter, and Instagram. These new archival materials, as Wagner notes, also prompt new styles of analysis and enable the success of social and political movements of protest and resistance “in part by their ready adaptation not only to new platforms . . . but also to new styles of communication.” But even as they note the currency of the multimodal means of expression at work in these three articles written before the George Floyd protests of the summer of 2020 and long after the civil rights protests of the 1960s, Lee and Wagner see significant connections in the archive past, present, and future of voices against racist police practices. I hope you enjoy the dialogue!