Movie Script Research Articles

A design of movie script generation based on natural language processing by optimized ensemble deep learning with heuristic algorithm

Movies offer users a huge range of visual information like attractive stories. The traditional approaches have demonstrated that knowing about movie stories via only visual information is complicated. The natural data of graphical texts play a significant task in portraying information in various domains like entertainment, education, communication, etc. Similarly, script generation by considering the earlier dialogue is more complex owing to the inherent nature of the text. Text identification in natural data considers script identification that needs localization of text. Especially for natural scene data, script generation is a complicated task due to different background/foreground components. The texts comprise varied textures, variations in size, orientation, colors, and fonts. It is essential to have a system that produces scripts or stories from a storyline automatically. However, this research is not emerging nowadays. While considering the dialogue systems would also help drive dialogues through a dialogue plan. Hence, a new movie script generation model is suggested through processing the movie text data. Initially, the text data is collected related to a different movie that consists of characters, scenes, genre, location, etc. Secondly, the data pre-processing is carried out to enhance data quality. Further, the significant features are extracted from the pre-processed data through Term Frequency-Inverse Document Frequency (TFIDF) and word2vector. The deep features are extracted to get the noteworthy features using a Deep Belief Network (DBN) from RBN layers. Finally, the deep features are given to the Ensemble-based Movie Scrip Generation (EMCG), where the Optimized hybrid script generation process using ensemble learning is performed by Bidirectional Long Short-Term Memory (Bi-LSTM), Generative Pre-Trained Transformer version 3 (GPT3), and GPT Neo X models, where the parameters of deep learning algorithms are optimized using the Adaptively Improved Cat and Mouse-based Optimizer (AI-CMO) algorithm. Here, the outcomes are attained through taking averaging among the classified outcomes. The standard performance measures are used for evaluating the effectiveness of the proposed method.

Movie Scene Event Extraction with Graph Attention Network Based on Argument Correlation Information.

Movie scene event extraction is a practical task in media analysis, which aims at extracting structured events from unstructured movie scripts. However, although there have been many studies regarding open domain event extraction, there have only been a few studies focusing on movie scene event extraction. Specifically aimed at instances where different argument roles have the same characteristics in a movie scene, we propose the utilization of the correlation between different argument roles, which is beneficial for both movie scene trigger extraction (trigger identification and classification) and movie scene argument extraction (argument identification and classification) in event extraction. To model the correlation between different argument roles, we propose the superior role concept (SRC), a high-level role concept based upon the ordinary argument role. In this paper, we introduce a new movie scene event extraction model with two main features: (1) an attentive high-level argument role module to capture SRC information and (2) an SRC-based graph attention network (GAT) to fuse the argument role correlation information into semantic embeddings. To evaluate the performance of our model, we constructed a movie scene event extraction dataset named MovieSceneEvent and also conducted experiments on a widely used dataset to compare the results with other models. The experimental results show that our model outperforms competitive models, and the correlation information of argument roles helps to improve the performance of movie scene event extraction.

DEPICTION OF FEMINISM CONCEPT IN DISNEY ANIMATED MOVIE: ENCANTO 2021

This paper is entitled "Depiction of feminism concept in Disney animated movie: Encanto 2021". The goal of this paper is to describe how the concept of Feminism is portrayed and which feminisms appear in the Disney animated film Encanto. As a result, the concept of Feminism is the object of this research. In this regard, the data used in this study are those related to the concept of feminism, and they are taken from a conversation between characters in the film. The movie script transcription is used to qualify this study in addition to the conversation transcription. The qualitative-descriptive method is used to describe data and analysis in a structured manner. The qualitative research method is used to generate descriptive data in the form of sentences and paragraphs. Based on the analysis, Encanto’s women characters are identified as independent woman and has a several feminism values in themselves, such as liberal feminism value, ecofeminism value, and also socialist feminism value. Keywords: Animated movie, Encanto, Feminism

An Analysis of Word Formation Process of English Slang Used in Camp Rock Movie Script

This study analyzes the process of forming words from slang words in the Camp Rock film script. This study uses the word formation process theory from George Yule (2014) to analyze how the process of forming slang words in the Camp Rock film script and find out which type of word formation is the most dominant used in the Camp Rock film script. The research method used is descriptive method, namely collecting data and then analyzing it descriptively. The researcher found 5 types of slang word formation in this film script, consisting of clipping, derivation, compounding, acronym and blending. This study found that the most dominant type of word formation used in this film was clipping with a percentage of 57%, then followed by acronyms with a percentage of 19%, then blending with a percentage of 14%, and the last two namely derivation and compounding which only had a percentage of 5 %.

СПЕЦИФІКА ТА РІЗНОВИДИ КІНОСЮЖЕТІВ В СУЧАСНИХ ЗМІ

The specifics of visual electronic mass-media and their influence on public opinion formation are considered in the article. Thanks to their technical abilities visual electronic publications ensure so-called “presence effect” – recipient’s feeling of their involvement to what is happening on a TV screen, a monitor or a display and ability to empathize. The publication states that cinema and its means of expression as art form and human activity branch which can create moving images thanks to modern gadgets. Movie plots became an important visual part of a today media product. Their demand requires not only magnification of quantity indicators in the process of production, but also new approaches to improvement of such products quality, due to the fact that quantity of financial benefits from advertisers and TV channels rating indicators depend on movie plots popularity among the audience. The publication contains a brief review of research problems source base. The main definitions and characteristic features of movie plots as one of the most important elements of modern visual journalism are considered. Attention is paid to movie plots varieties in modern mass-media. Classification of movie plots according to different characteristics is made. Movie plots specific features and their production basic elements are analyzed. The article states that another feature of a qualitative movie plot is ability to create its scenario correctly and competently. Views of modern TV journalism theorists and practitioners on movie plots creation according to drama and stagecraft rules are reviewed. The summary emphasizes on professional aspects of preparation of journalists who would like to specialize in movie plots creation for modern mass-media. Using modern means of information transmission and visualization of events, phenomena and facts, it is possible to change the consciousness of the audience, propagandize political, cultural, social and moral values. But to do these qualitatively and to interest a potential audience journalists need to know the main points of drama, laws and rules of writing movie scripts and varieties and specifics of movie plots.

Educational Values in Finding Dory Movie Script and Teaching Speaking Application

This research aimed to analyze types of educational value found in Finding Dory movie script and its application in teaching speaking for vocational high school students. This research was a qualitative research. The instrument of the research was the researchers. The object of the research was movie entitled Finding Dory. The data were taken from the dialogues performed by the characters in the movie. In analyzing data, the researchers took some steps such as: watching the movie and downloading the movie script, taking the utterances, and transcribing the data. There were some procedures in analyzing the data. They were describing the data into dialogue form, describing the context, and analyzing the types of educational value. The result of this research showed that Finding Dory movie script contained 175 data of educational value. There were: honesty 7.43%, brave 5.14%, peace 4%, confidence and potential 26.29%, self-discipline and moderation 11.43%, purity 2.29%, loyalty and trustworthiness 5.71%, respect 12%, love and affection 6.85%, unselfish 6.29%, kind and friendly 12%, and fair and humanist 0.57%. Confidence and potential were the most dominant types of educational value that often found in Finding Dory movie script. Educational value found in Finding Dory movie script could be applied in teaching speaking in asking and giving opinion at the eleventh grade of student of vocational high school. Keywords: Educational Value, Movie Script, Teaching Speaking.

A SEMIOTIC ANALYSIS OF ALADDIN MOVIE BY USING ROLAND BARTHES THEORY

Movie is a picture or life event that is brought to the screen as a means of communication and entertainment. Messages or signs contained in the movie can be analyzed using semiotics. Semiotics is the study of signs. The aims of this research is to determine the types and meanings in semiotics by using Roland Barthes Theory. Roland Barthes developed the theory of semiotics into three stages, namely, denotation, connotation and myth. This research uses descriptive qualitative method. The data taken from scenes and script of Aladdin movie 2019. The researcher collect data by watching movie, observe main characters in scene and movie script, make take note and categorize sentence of semiotics by Roland Barthes theory and analyzes the results data. The types of signs found are denotation, connotation and myth. The researcher found 38 types and meanings of semiotics by Roland Barthes consisting of 21 types and meanings of denotation, 13 types and meanings of connotation and 4 types and meanings of myth. From the explanation above, the types and meanings of denotation is more dominant and the least is myth. The results of this study state that the type of semiotics by Roland Barthes can be used to explain the meaning of semiotics contained in it. The type of Semiotics by Roland Barthes in this movie also has different meanings in describing something according to the reference to the word or phrase used in the movie scene.

Deixis in Raya and The Last Dragon Movie Script

Some difficulties of the speakers in using the diexis in the social interaction, and make the speakers misunderstand the message of utterances. The research aimed to find out the types and function of deixis in the Raya and The Last Dragon movie script. The deixis are always found in the daily interaction. The deixis were analyzed in the interaction or the utterance in which related to the people, something, place and time. The research applied qualitative descriptive through pragmatic approach in analyzing the data. The data were obtained by reading, identifying, highlighting the words that contained deixis in the utterance based on Levinson theory. The results show that there were five types of deixis used in movie script namely person deixis, time deixis, place deixis, discourse deixis and social deixis. Person deixis was the most dominant types used in movie script. Every deixis has different functions based on the types of deixis such as: person deixis has 6 functions, time deixis has 3 functions, place deixis has 3 functions, discourse deixis has 2 functions and social deixis has 5 functions.

Social Aspect Of The Main Character In Encanto Movie Script

The script made the audience confuse and the actual social influence of the literature. The research aimed is to identify the social aspects that appeared in Encanto movie script and to found out the impacts of the main character to the society in Encanto movie script. The research applied descriptive qualitative method in order to explain the types of social aspects that are found in the Encanto movie script and the impacts of the main character to the society in Encanto movie script with sociological approach. The writer found there are 3 types of social aspects; culture aspects, social environment aspects and economic aspects. The writer also found the impact of the main character to the society which was the main character could influence other character which has an impact of changing people’s perspective on being positive in every way, to not judge book by its cover.

Account in "The Devil All the Time" Movie Script

This research aims to discuss Account in The Devil All the Time movie script, based on Scott and Layman’s theory on the Justification and excuses aspects. Data was collected through searching, downloading, reading, watching, and coding, and the data collected was analyzed through several steps; presenting, describing, interpreting, classifying, and concluding the results of this research. The results showed that the account exists and is applied by the character. The researcher finds several types of accounts, namely justification 5, defeasibility 3, scapegoating 3, and biological 2. One type of account was not found, namely an accident. In the finding, the researcher finds that every excuse contains justification but every justification does not contain an excuse. Moreover, the justification aspect is more dominantly used because the character always justifies the bad behavior of others or themselves. In excuses, the defeasibility aspect is used because many murders are committed based on victims who deserve to be killed. The scapegoating aspect is used by the character to accuse others of the mistakes he made so as not to become a suspect of his actions and the biological is the last factor that causes Account’s behavior in this movie script.

Greek Myth and Fantasy as Portrayed in "Black Swan" Movie Script by Andrez Heinz

This study aimed to analyze racism in The Man Who Knew Infinity movie using Paradies, Harris, and Anderson's theory. The Man Who Knew Infinity released in 2016 is a film directed by Matthew Brown that features the character of a genius mathematician from India named Srinivasa Ramanujan who wants to publish his formula about mathematics at Trinity College. As an Indian, Ramanujan experienced various acts of racism committed by the British, both mentally and physically. This study used a descriptive qualitative method. The data was collected through four steps, such as watching, screenshotting, note-taking, and identifying the data. The result of this study showed that the main character experienced racism because of his race and nationality. The kinds of racism that the main character experienced namely stereotypes, prejudice, and discrimination.

THE OBSERVANCE OF IMPOLITENESS FOUND IN THE UTTERANCES PRODUCED BY THE CHARACTER OF PARANORMAN MOVIE

This research used a qualitative method. The data were utterances uttered by characters in the Paranorman movie, whereas the contexts were dialogues. The research used the Paranorman movie script and movie as sources. The researcher was the primary instrument, with the data sheet as a secondary. The researcher collected data through analyzing documents by note-taking. The data were analyzed using a reference. The results of the research are as follows. First, other characters in Paranorman use four types of impoliteness strategies. They are bald on record impoliteness, positive impoliteness, negative impoliteness, and sarcasm. Second, each impoliteness strategy has its own representation. Direct, clear, and unambiguous statements are used to express impoliteness. Positive impoliteness occurs as disassociating from others, calling the other names, and using of taboo words. Negative impoliteness occurs as condescending, scorning, or ridiculing the other. Sarcasm or mock politeness is only performed by using insincere politeness. This is the most representation. Third, the movie shows three responses: no response, accepting, and countering the face attack. Countering a face attack has two parts: offensive and defensive.

Одноактные пьесы как часть творческого наследия Раймонда Карвера

Raymond Carver is a master of the short story and has also written three one-act plays exploring themes of infidelity, communication in marriage, and people's acceptance of their own roles and bodies. He has also collaborated with poet Tess Gallagher on a movie script about Dostoevsky. Carver's plays and screenplays have never been published or staged on, but his experiments with the genre helped him to learn how to use dramaturgical techniques to create the texts of his stories, which makes his creative legacy interesting to analyze in terms of assessing their stage potential.

D. Michael Quinn: Mormon Historian

D. Michael Quinn: Mormon Historian

AN ANALYSIS OF LANGUAGE STYLES USED IN ‟TO ALL THE BOYS I‟VE LOVED BEFORE” MOVIE

This thesis is entitled An Analysis of Language Style Used in ‟Too All The Boys I’ve Loved Before‟ Movie. The objective of study is to describe language style using movie data through an informal style which can be categorized into slang style and colloquial style, to find out the most frequently used language style in the movie. The research design is a qualitative descriptive based on Mandell and Kirszner's theory about the types informal in the form of slang, and colloquial styles and data source are the types of data taken from the dialogue. Language is one part of human life when interacting and taking our everyday activities with other people. The language style is the variety of language used to communicate between individuals, situation and context affect the use of language style when communicating. The researcher focus on slang style and colloquial style that i found in a movie script. The author is Jenny Han, and the published is Susan Johnson. This data was published on Netflix in August 2018 in season 1 and season 2 in 2020. Then, season 3 was released in 2021. This study found that there are 22 slang style and 39 colloquial style and the characters used in the movie different language styles in different situations.

COMPARATIVE ANALYSIS ON TABOO WORDS IN HOKKIEN MEDAN AND ENGLISH

Using descriptive qualitative approach, this study describes taboo words in English and Hokkian. This study aims to investigate taboo words in Hokkien and English based on Wardhaugh theory and to figure out the similarities and dissimilarities of taboo words by using contrastive analysis. There are two sources of data, namely: the transcript of the interview and the observation for Hokkien and movie script for English. The result shows there are similarities and dissimilarities between English and Hokkian Dialect. There are six classifications in English and Hokkian Dialect. While in Hokkian Dialect there is one classification of taboo that is not contained in Wardhaugh theory. In addition, there are two additional classifications. The authors suggest further researcher to discuss taboo in other languages.

Speech Acts of The Main Character in Anomalisa Movie Script by Charlie Kaufman

The research aimed to find out the types of speech acts and the function of speech acts produced by the main character which contained in Anomalisa movie script written by Charlie Kaufman. The researcher used qualitative descriptive and pragmatic approach in analyzing the data. The data were obtained by reading, identifying, classifying the words that contained speech acts in the main character’s utterance in the movie script by applying the Austin and Searle’s theories. The results show that there were three types of speech acts used in Anomalisa movie script, they were (1) Locutionary(2) Illocutionary (3) Perlocutionary, each speech acts have functions, they were (1) Locutionary which consisted of imperative, interrogative and declarative. (2) Illocutionary which consisted of directive, assertive, commissive and expressive. Then, (3) Perlocutionary which consisted of act of laughing, act of asking, act of scaring, act of inviting and act of persuading. The dominant speech act used in the movie script of Anomalisa is Illocutionary.

Behaviouristic Model of the Main Character Speech Behaviour in Split Movie Script

The research aims to analyze the speech behavior of the main character, Kevin, who has a psychological issue, namely Dissociative Identity Disorder (DID) in Split movie script, which causes Kevin to have several different characters in one body. The data analyze the process of forming and trigger factors in speech behaviour in the Split movie script using qualitative descriptive method with B.F Skinner’s theory. The result shows there are two process of forming behavior namely classical conditioning, each of them has its own purpose in taking the main personality based on their will and operant conditioning process of each character that appears to takes control of the main personality because of the response from someone who makes them have to take control that emerges through this process is due to response given by others. The trigger factor in speech behaviour based on three process namely natural selection, each character taking control of the main personality due to their own desires, cultural control triggered each one of them to takes control through the main personality that control from people around and internal condition takes control due to encouragement by someone who makes them feel fear, anger and anxiety.

Family Conflict in Marriage Story Movie Script by Noah Baumbach

The aims of this study were to identify types of family conflict and identify factors also the impact of family conflict on the main character in the Marriage Storymovie script by Noah Baumbach. The author uses descriptive qualitative research with a sociological approach and the theory of types of family conflict by Ursula Lehr and the theory of factor of family conflict by Sadarjoen. The results of the research show that in Marriage Story movie script, there are six types of family conflicts, namely; conflicts with parents, conflicts with child, conflicts with other people, conflict among husband and wife, conflicts of job selection and inner conflicts. Then, there are four factors that influence family conflict namely; economy, child, communication failures and jealousy. This type of family conflict and its factors then have an impact on the breakdown of marriages, fights in the divorce process, struggles for child custody, and distribution of assets.

The narrative arc: Revealing core narrative structures through text analysis

Scholars across disciplines have long debated the existence of a common structure that underlies narratives. Using computer-based language analysis methods, several structural and psychological categories of language were measured across ~40,000 traditional narratives (e.g., novels and movie scripts) and ~20,000 nontraditional narratives (science reporting in newspaper articles, TED talks, and Supreme Court opinions). Across traditional narratives, a consistent underlying story structure emerged that revealed three primary processes: staging, plot progression, and cognitive tension. No evidence emerged to indicate that adherence to normative story structures was related to the popularity of the story. Last, analysis of fact-driven texts revealed structures that differed from story-based narratives.