This essay argues that the India-born expatriate writers Salman Rushdie and Amitav Ghosh, and the Afghan-American writer Khaled Hosseini have built fictional worlds consisting of people of diverse nations, races, colours, and religions in their respective novels Midnight’s Children (1981), The Glass Palace (2000), and The Kite Runner (2003), and many of these immigrant characters maintain sustainable connections with their countries of origin across borders. This study highlights the fact that British colonialism played a crucial role in large-scale movements of people, and many of the postcolonial countries are still struggling with myriad internal and external problems. As a result, countless people of these countries are eager to shift to economically advanced and politically stable countries. Yet, these same people are unable to disconnect from their original society and remain emotionally and psychologically moored to their roots. Drawing on the theoretical apparatus of transnationalism, this essay explores the reasons behind mobility outside one’s nation-state and the subsequent economic, political, and social impacts of transnational relationships ensuing from that. The study also examines how the characters adapt themselves to and whether they are permanently secured in a transnational space. Spectrum, Volume 18, June 2023: 40-48
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