Theme Of Love Research Articles

Exploring Themes, Narrative Progression And Character Development In Hoover’s It Ends With Us: A Pragmatic Analysis

This study examines the impact of speech acts on character development, plot development, and thematic exploration in Hoover's novel It Ends with Us. The research examines how these speech acts shape the narrative and deepen readers' understanding of the characters' internal and external conflicts by utilizing John Searle's taxonomy of illocutionary acts—assertives, directives, commissives, expressives, and declarations. Commissives highlight promises and commitments central to character motivations, expressives reveal emotional depth, and declarations mark pivotal moments that alter the story's reality. Assertive speech acts reveal characters' beliefs; directives propel the plot through influencing actions. The study emphasizes the significance of expressive speech acts in reinforcing themes of love, resilience, and personal development and revealing the emotions of characters. This study contributes to literary linguistics by [1]demonstrating how speech acts function as essential tools for storytelling and meaning-making in contemporary literature by analyzing the nuanced interactions between language use and narrative construction. The results shed more light on how Hoover's thematic exploration, narrative progression, and character dynamics are influenced by language.

Romanticizing Sufism: Tracing Spiritual Echoes of the Divine between Sufism and Romanticism

The paper is a comparative study exploring the shared spiritual resonances between Sufism, a mystical branch of Islam, and Romanticism, a Western intellectual movement. Sufism, originating within Islam in the 7th century, seeks divine truth through direct personal experience, while Romanticism, emphasizing emotion and individual expression, emerged in the West. This research investigates how these seemingly disparate traditions echo similar themes of transcendence, love, and mystical experience. Through a comparative analysis of literary, philosophical, and historical sources, the study uncovers their interconnectedness, shedding light on mutual influences and contributions to spiritual discourse. By examining key texts and poetry, this research aims at deep understanding of the universal quest for divine connection while offering unique perspectives on this eternal pursuit.

Unraveling The Musical Tapestry Of Tazul Tajuddin’s Opera Puteri Saadong Through Freytag’s Pyramid

In the heart of Kanazawa, Japan, on May 3, 2016, the Kanazawa Opera House was the stage for an operatic spectacle that transcended cultural boundaries and took the audience on a profound emotional odyssey. Tazul Tajuddin’s “Opera Puteri Saadong” skillfully weaved together Malaysian and Western influences, creating a musical narrative that resonated with both heartache and desire. This article delves into the performance of the “Opera Puteri Saadong”, focusing specifically on its musical elements within the perspective of Freytag’s five-act structure. Through an exploration of the opera’s music, including its emotional depth, character development, dramatic tension, cultural influences, and vocal performance, this analysis seeks to uncover how the music enhances the storytelling and conveys the central themes of the narrative in each act. Outlining a moment of tragedy for the main character, Freytag’s pyramid was determined as the analytical approach to analyse the opera performance due to its emphasis on tragic narrative, which is applicable to the dramatic arc of the legendary story of Puteri Saadong. By examining a range of musical techniques and dramatic effects demonstrated throughout the opera, this paper also intends to provide insight into the significance of incorporating materials of Malaysian folk music and contemporary Western art music in bringing the tale of Puteri Saadong to life on the operatic stage. From the tender intimacy of a love scene to the epic grandeur of a battle sequence, this intercultural music enhances the overall impact of the opera, conveying its central themes of love, betrayal, resilience, and transformation with depth and resonance, engaging the audience with its unique blend of Malaysian and Western cultural impact.

The Canvas of Love Under the Light of Technology: An Analysis of Photography, Music and Narrative Techniques of Love Themes in Edward Yang’s Films

This article provides an in-depth analysis of the expression of love themes in Edward Yang’s films, especially through the use of photography, music and narrative techniques, and explores how these elements work together to construct a unique love narrative. Through case analysis of works such as The Murder of the Boys on Kuling Street, Yi Yi and Love in the Wind, this article reveals how Edward Yang used film technology to deepen emotional expression and theme exploration, thus leaving a mark in the history of Taiwanese films. An indelible mark.

Themes of Love and Solitude in Contemporary Azerbaijani Women’s Prose

The article examines the representation of themes of love and loneliness in women’s prose in Azerbaijan. It is noted that the literary works of women in different countries have gained particular relevance at the end of the 20th and beginning of the 21st centuries. The novelty of the research lies in identifying key themes raised in the works of several leading Azerbaijani female writers, who are not well known to a wide circle of Russian readers. The creative works of A. Masud, Farida, and A. Gyulnel are analyzed, with themes of love and loneliness being the focus of the study. It has been established that the thematic content of the works exhibits a traditional character typical of women’s prose: the quest for love by women and men, contemplation of issues of loyalty and betrayal, and solitude. It is shown that the characters in their pursuits do not find understanding from those around them. The absence of love drives A. Masud’s characters to madness (“Fatima” novel), physical death (“Aysun” story), or moral decline (“The Boss” story). In Farida’s work “Silent Birds”, the issue of the influence of ancient cruel traditions on the relationships and fate of young people is raised. In “Cactus” by A. Gyulnel, the heroine suffers from loneliness due to the lack of parental love. The author concludes that the variety of issues raised by female authors is imbued with the idea of the tragedy of human existence without love.

The Different Facets of Love: Exploring Mandaya Love Songs

This study explores the cultural significance of Mandaya literary songs, particularly focusing on themes of love. Set within the context of the Mandaya community in Mindanao, the research aimed to interpret messages conveyed in these songs, describe the cultural expressions of love, and illustrate values through a comprehensive analysis using Braun and Clarke’s (2006) thematic analysis framework. The researchers transcribed and translated audio recordings of Mandaya love songs to facilitate analysis. Findings revealed a predominant focus on heartbreak, betrayal, unrequited love, and the yearning for reciprocated love. The songs also portray emotional depth, hopefulness, and resilience in the face of heartbreak, providing a nuanced understanding of Mandaya love and romantic indigenous culture. This research contributes to the appreciation of indigenous literature and art, understanding cultural diversity and preserving traditional practices, specifically regarding Mandaya love songs. Further research is needed to explore the discrepancy between expected and actual themes, enhancing comprehension of how romantic love is depicted in Mandaya songs.

A Philosophical View on Love and the Concept of Soulmates in Paulo Coelho’s Brida

Paulo Coelho’s novel Brida (1990) takes readers on a transformative journey of self-discovery and spiritual exploration. This paper delves into the novel’s profound themes of love, the protagonist’s quest for personal authenticity and the concept of soulmate. Brida, the young and curious protagonist, embarks on a voyage to uncover her true self and find her place in the realm of magic and spirituality. Throughout her encounters with wise mentors and spiritual experiences. This abstract examines how the concept of soulmate and love intertwines with Brida’s self-discovery, allowing her to shed societal constraints and discover her authentic identity. By analyzing the novel with applying Jean Paul Satre’s philosophical theories concerning love and existentialism. The study focuses on intricate narrative and poignant insights, it sheds light on the transformative power of finding the love for the being and the profound impact of self-discovery on one’s journey towards personal authenticity.

Diksi, Gaya Bahasa, dan Citraan dalam Cerkak Pacarku Aneh Karya Lina Maisaroh (Kajian Stilistika)

This study discusses diction, language style, and imagery in a story entitled “Pacarku Aneh” by Lina Maisaroh. The theory used is a stylistic study. The purpose of this study is to: describe the diction, style, and imagery contained in the cerkak. The method used in this study is a qualitative descriptive method, with the analysis technique carried out as reading and understanding the contents of the ingenuity. The research data is in the form of a short text sourced from the kompasiana web published in 2021 with the theme of love. The data collection technique used is a reading and recording technique. Data analysis techniques use interactive descriptive techniques that include data reduction, data classification, and conclusion. The result of this study is in a story entitled My Strange Boyfriend by Lina Maisaroh using denotative diction, connotative diction, auditory imagery, visual imagery, motion imagery, allegory language style, and affirmative language style.

Bhakti Blossoms: Tamil Poetry’s Journey into Spiritual Depths, Unraveling Devotion and Cultural Significance

Purpose: Tamil Bhakti Poetry is a captivating exploration of devotion and spirituality found within the depths of Tamil literature. Emerging from the Bhakti movement these poetic compositions beautifully delve into themes of profound love and unwavering dedication to deities providing a unique glimpse into the spiritual landscape of historic Tamil Nadu. Methodology: The exploratory research method is used where the relevant information are collected through keyword-based search using search engines like Google, Google Scholar, and AI-driven GPTs and analysed, compared, and evaluated using suitable analysing frameworks. Analysis & Findings: The evolution of Bhakti in Tamil literature mirrors the historical changes of that era nurturing a vibrant tradition of poetic expression. This paper delves into the themes of love and devotion woven within Bhakti poetry analysing the distinctive contributions made by revered poets like the Alvars and Nayanars. Originality/Values: The paper examines how Tamil Bhakti Poetry extends beyond its influence to shape religious practices, and rituals and imbue ancient Tamil society with its spiritual ethos.

BTS Beyond Beats: Disclosing Semantics Through Lyric Analysis

In the contemporary music landscape, BTS (Bangtan Sonyeondan) has risen as a global phenomenon, captivating audiences not only with mesmerizing beats but also through conveying profound messages in their lyrics. This article explores the multifaceted journey of BTS, emphasizing their impact on global pop culture, significant achievements, and role as cultural ambassadors. The study addresses three key research questions focused on how BTS lyrics reflect profound messages, identifying hidden meanings through semantic analysis, and appreciating music as an art form. "BTS Beyond Beats" serves as an invitation to appreciate music as an intricate art form, transcending the auditory experience to unravel the beauty and depth within BTS's crafted words. The study sheds light on the artistic depth and cultural impact of BTS's lyrics, offering a captivating journey into their semantic landscape. This research contributes to a deeper understanding of the wisdom and hidden meanings in BTS lyrics, fostering a richer appreciation of music as a profound art form that goes beyond mere melodic hums. The semantic revelation invites listeners to connect with BTS on a profound level, recognizing the cultural significance and wisdom encapsulated in each lyrical masterpiece. The research methodology integrates linguistic and cultural semiotics, content analysis, and qualitative research methods, aiming for a systematic exploration of nuanced meanings, metaphors, and connotations within BTS's lyrics. Results consistently highlight themes of self-discovery, resilience, love, and societal critique, showcasing the group's ability to navigate diverse emotional and social landscapes. Cultural nuances and references to Korean history, folklore, and societal norms contribute to BTS's identity as cultural ambassadors.

Не вполне русская любовь в русской исторической драме и опере. Царская невеста – Василиса Мелентьева – Царская невеста

In Russian historical drama of the nineteenth century, The Tsar’s Bride (1849) by Mey and Vasilisa Melentieva (1868) by Ostrovsky and Gedeonov stand out for unusually complex and developed love themes. It has recently been noted that Mey’s play was influenced not only by Walter Scott’s novel The Bride of Lammermoor, but particularly by Donizetti’s opera Lucia di Lammermoor, which is based on the novel. I show that Gedeonov, the original author of Vasilisa Melentieva, was inspired not so much by Shakespeare’s Henry VIII, but by Donizetti’s Anna Bolena. As in Mey’s case, this explains the special importance of female characters and romantic conflict in the play. The experiments of Mey and Gedeonov led Rimsky-Korsakov to compose an opera (1898) – based on and named after Mey’s The Tsar’s Bride – which was the most Italianate of Russian operas dedicated to the national past. In other words, the composer gave the love theme from ancient Russian history a musical beauty that elevated the theme to the highest level of artistic hedonism. But the main focus of the article is on Vasilisa Melentieva by Gedeonov and Ostrovsky.

A Comparative Study of Conceptual Metaphors in Ghani Khan and John Keats's Poetry

This research study is an attempt to examine lovely metaphorical tapestries in the selected poems of Ghani Khan and John Keats. Ghani Khan's poems Marg and Reidi Gul, are compared with two masterpieces by John Keats, namely La Belle Dame Sans Merci and Ode to a Nightingale. This study is scaffolder by the conceptual metaphor framework proposed by Lakoff and Johnson (1980). The study unweaves the metaphorical motifs displaying the essential and underlying themes of love, death, and nature in the selected poems. The qualitative analysis has revealed the richness, beauty, and artistry in the poems of both poets. Ghani Khan's poem Marg presents a comprehensive image of death figuring out its aura, mystique, and philosophy. On the other hand, Keats painted vivid imagery of love and nature imbued with melancholy. While highlighting the similarities and differences, this study also argues about the creative and cultural forces pervading these works.

Four Contemporary Love Poems by Zhang Zhihao

Zhang Zhihao (张执浩), poet and novelist, was born in 1965 in Jingmen, Hubei. He graduated from the history department of the Central China Normal University in 1988. Author of nine poetry collections, several novels, and some influential essays, Zhang has won numerous poetry awards, including Poet of the Year (2014), the annual Chen Zi’ang Poetry Award (2016), and the Luxun Literary Prize for poetry (2017, Chinese equivalent to the Pulitzer). He is currently editor-in-chief of Chinese Poetry, a quarterly poetry magazine in Wuhan, China. The four poems translated here center on the theme of genuine love and the yearning for such love; they provide an opportunity to access the writings of a major poet in the contemporary Chinese poetic landscape.

An Inclusion of Societal and Cultural Sensitivity Inbhagat’s Two States

This paper deals with societal and cultural sensitivities in the novel 2 States: The Story of My Marriage. Bhagat’s novel Two States is partly an autobiographical novel focused on the theme of love and marriage, which relates cross-cultural encounters and explores two states, namely Punjab and Tamil Nadu. This story significantly represents issues related to the middle-class sensibilities and multicultural sensitivities of contemporary Indian society. The novel Two States also mirrors the Indian mindset; conflicts between South and North India point to inter-community and inter-state marriage. Furthermore, the paper sheds light on the socio-cultural clashes arising out of socio-cultural diversities.

Gender Violence in the Film Posesif by Gina S. Noer and its Relevance as Indonesian Language Teaching Material

Violence against women encompasses any kind of behavior that inflicts physical, sexual, or psychological damage against women. This study investigates the narrative structure of Gina S. Noer's film "Possessive," explores gender-based violence through the lens of feminist studies, and analyzes its significance to Indonesian language education. This research employs a descriptive-qualitative approach. We use an integrated and case study research methodology. This research investigates the film "Possessive" directed by Gina S. Noer, with a specific emphasis on the themes of gender-based violence and narrative structure. This research focuses on the portrayal of gendered violence against women in Gina S. Noer's film "Possessive" and its narrative structure. This inquiry used the film "Possessive" and literary literature. Information was gathered via library research. Data was confirmed using triangulation. Data analysis employs heuristic and hermeneutic approaches to interpret semiotic models. The research revealed that Gina S. Noer's film "Possessive" revolves on themes of love and violence, the narrative structure, the characters of Lala and Yudhis, as well as Lala's domestic and professional environment. Gina S. Noer's film "Possessive" depicts a total of five instances of verbal violence, three instances of psychological violence, three instances of physical violence, and three instances of power-based violence. (3) The findings of this research may be used to develop comprehensive Indonesian language teaching materials for high school students, including language, psychology, and culture.

“Una libidine di saggezza”: Amelia Rosselli’s Documento

This study of Amelia Rosselli’s third major collection follows the chronological order of the poems’ composition, clarifying the poet’s intentions to embark on a path that privileges internal objectivity and communication. Careful attention is paid to the derivation from Petrarch and medieval Italian love poetry. The love theme is tied to a spiritual problematic evident in the book’s extensive use of sacred and Christological imagery. This finds the subject in often ambiguous situations of tension and trial that nevertheless express her goal of freedom in defense of the dignity of the person. This religious-philosophical vein is likened to the current of personalism that emerged in France and Europe in the years of Rosselli’s formation.

Black Women’s Commemorative Recovery: Strategic Ambiguity as a Rhetorical Resource in The Embrace

When The Embrace, a monument to Martin and Coretta King, was unveiled in Boston in 2023, it drew mixed reactions from various quarters of the public. Some observers praised the statue for its representation of the Kings as a couple and praised the universal themes of love and unity they read into it, while others criticized its disembodied presentation and suggested it was not an appropriate commemoration of the work performed by such venerated figures. A significant element in the public’s interpretation of the monument involved its location in Boston, a city widely perceived to be uniquely plagued by memories of racist reaction. In this essay, I argue that, in a discursive context in which enduring memories of racist reaction constitute part of the city’s place meaning, the monument’s ambiguous presentation functions as an important rhetorical resource in recovering narratives of Black women’s agency during the civil rights movement. The resourcefulness of this form of strategic ambiguity is strengthened when the erection of monuments in prominent public spaces comprises an important element of contemporary campaigns to achieve racial justice.

Hemchandra Goswami’s Beloved’s Letter and William Shakespeare’s Sonnet 116: A Comparative Analysis

Hemchandra Goswami (1872-1928), representing a vibrant voice- being one amongst the Romantic-trio of Jonaki Era of Assamese literary world establishing a new spirit and William Shakespeare (1564-1616), the greatest dramatist and poet of the Elizabethan Age of British literary world predicate ample scope to investigate exploring various literary aspects though belonging to diverse world spatially and temporally. So, here in this research paper it is endeavoured to make a comparative analysis of the two poets considering chiefly the dominant thematic aspect of love along with stylistic aspects characterizing the poetic world of both the poets like style and form with reference to the two specific poems Hemchandra Goswami’s Priyotomar chithi translated as The Beloved’s Letter and Shakespeare’s Sonnet 116. The passion of love emanates from human heart as spontaneous expression and therefore its literary manifestation is very obvious in any genre of literature-whether it is poetry, novel, drama, short story or any other. The theme of love has a universal appeal- from temporal point of view, this theme is found in the creations of any age as well as its prominence in the creations of all literary manifestations irrespective of space such as in British, American, Indian, Assamese etc. Moreover, Hemchandra Goswami’s The Beloved’s Letter is regarded as the first Assamese sonnet and Shakespeare’s sonnets have always been widely acclaimed and acknowledged as the classic creation. So, understanding of the two sonnets belonging to diverse space and time would be an impelling force to negotiate the ideas impartially and scientifically which may have a substantial bearing on the existing knowledge. Thus, this paper is an attempt to make a comparative analysis of these two literary stalwarts exploring the literary realm of Hemchandra Goswami and William Shakespeare particularly taking into account The Beloved’s Letter by Hemchandra Goswami and Sonnet 116 by William Shakespeare.

Forbidden Love in Arundhati Roy’s The God of Small Things

While shared beliefs, standards, and norms can often influence our perception of what is morally right or wrong, it is necessary to question the origin of certain cultural ideals. Arundhati Roy’s The God of Small Things (1997) questions the importance of adhering to the status quo as the novel explores the theme of forbidden love. The use of heterotopic spaces in the book produces variations of the real world where characters can explore their forbidden love interests and challenge societal constraints. These heterotopias are environments that are characteristically 'other' because they represent ideas which are intense, incompatible, or transforming (Foucault 4). Central characters in Arundhati Roy's The God of Small Things use these spaces to interrogate the complexity of forbidden love and disrupt the status quo.

Greek Tragedies and Pottery

This paper explores how Greek pottery from the fourth century reflects a historic perception of Greek tragedies that differs significantly from that of modern times. By analyzing Euripides’ Medea and Hippolytus, the study contends that the modern interpretation of these two tragedies is centered on the personality of tragic characters and the emotionality of the tragic plot. It is also evident that, by examining modern productions and adaptations of Euripides’ plays and relevant literary studies, the modern audience is particularly perceptive of the themes of sex, love, and marriage, which are often incorporated into discourses on contemporary issues. An investigation into the depiction of tragedies in classical pottery, however, highlights the significance of divinity in the historic understanding of the plays, reflecting the Athenian audience’s prioritized interest in religion. This paper thus argues that the thematic perception of Greek tragedies is ever-changing throughout ancient and modern times and is greatly influenced by the current of contemporary cultures. The paper also proposes that a theatrical emphasis on religion is conducive to forming a new modern perspective on Greek plays as well as social issues.