Abstract
This article provides an in-depth analysis of the expression of love themes in Edward Yang’s films, especially through the use of photography, music and narrative techniques, and explores how these elements work together to construct a unique love narrative. Through case analysis of works such as The Murder of the Boys on Kuling Street, Yi Yi and Love in the Wind, this article reveals how Edward Yang used film technology to deepen emotional expression and theme exploration, thus leaving a mark in the history of Taiwanese films. An indelible mark.
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