The COVID-19 pandemic produced substantial and sudden changes in the reality of everyday life and in the collective construction of meaning. Questions arose: how should events occurring within an empty reality be broadcast? And, even before that, what structure is needed to make these events transmissible and interpretable, coping with the fact that they happen within a framework of lack of relationships and absolute silence? By analysing the worldwide live recording broadcast on 27 March 2020, commonly known as “the pope alone in Saint Peter’s Square during the pandemic”, this paper identifies a series of communicative solutions adopted by television. These range from making visible what should be hidden, to variously filling the emptiness by modifying the spatial colocation of the event, to an even more extreme solution, in which the emptiness remains as it is, and a rare semantic case occurs in which the sign coincides with its meaning. The latter is what I label the “pope of the rain” solution.