Literary Creation Research Articles

Integration and Innovative Application of New Media Technology in Literary Creation in the Digital Age

Abstract Based on the characteristics of digital literature, this paper proposes a new trend in the development of autonomy and human-computer interaction in digital literary creation. In view of the changes in the path of literary dissemination, it describes the mechanism of interaction between the digitization of literature and the audience, as well as the content. Taking the integration of literary creation and technology as an entry point, the Skip-Gram model is used to realize the parameter training of Chinese vocabulary, and combined with the binary language model, the joint distribution probability of each group of words is found and the optimal word splitting scheme with the highest probability is obtained. The attention mechanism of the improved channel effectively enhances the performance of the network model for the sequence learning task and predicts the currently occurring words according to the contextual features, realizing the automatic generation of literary creation content. To assess the effectiveness of the new media technology application, quality assessment indicators are introduced. Literary creation content on the two platforms has a mean value of 3.4 and 3.425, which are both of good quality. The overall user activity was above 20 and reached a peak of 45.265 in August, with a year-on-year increase ranging from 0.648 to 1.589, a significant increase in activity, and the integration of new media technology significantly enhanced the enthusiasm for literary creation.

Literary Creation and the Fusion of Critical Thinking: Project-Centered Teaching Strategies in Australian Higher Education at the Beginning of the 21st Century

This paper investigates the intricate relationship between literary creation, critical thinking, and project-centered teaching strategies within the landscape of Australian Higher Education at the onset of the 21st century. The study delves into the integration of literary creation as a catalyst for fostering creativity and critical thinking skills, with a specific focus on project-centered teaching approaches. Utilizing a mixed-methods research design, the study explores the challenges, opportunities, and successful implementations of these strategies across diverse disciplines. The findings shed light on the dynamic interplay between literary creation, critical thinking, and innovative pedagogical methods, providing valuable insights for educators, administrators, and policymakers in the higher education domain.

A Study on the Influence of Geographic Differences in China on Ancient Chinese Literary Creation in the Context of Deep Learning

Abstract In recent years, the examination of literary creation through the lens of the natural geographic environment has emerged as a focal point in literary studies. This study designates China’s geographic environment as the independent variable and ancient Chinese literary creation as the dependent variable. We employ Pearson’s correlation coefficient to assess the appropriateness of the selected variables. Following this, a linear regression model is constructed using the least squares method to explore the relationship between geographic and environmental differences and ancient literary creation. The findings demonstrate significant positive correlations between the characteristics of topography, climate, and soil and the thematic content of ancient Chinese literature, with significance levels below 0.05. Specifically, the Pearson correlation coefficients are 0.509 for topographic features, 0.366 for climatic features, and 0.418 for soil features. Furthermore, the overall regression model exhibits an adjusted R² value of 0.235 and an F-value of 80.759. This research delineates the regional attributes that impact literary creation, thereby enhancing our understanding of the interplay between geography and literary output in ancient China.

The Impact of Artificial Intelligence on Literary Creation and Criticism: Emerging Trends and Implications

This article explores the transformative impact of Artificial Intelligence (AI) on both literary creation and criticism, highlighting emerging trends and their broader implications for the field of literature. With AI technologies increasingly influencing the ways in which literature is produced and analysed, this study examines the integration of AI tools in the creative process, such as algorithmic writing assistants and generative text models, and their effects on traditional notions of authorship and creativity. Additionally, the article delves into how AI is reshaping literary criticism through advanced analytical tools and data-driven approaches, offering new methodologies for textual analysis and interpretation. By assessing the opportunities and challenges posed by AI, the article aims to provide a comprehensive overview of how these technological advancements are redefining the literary landscape and their potential consequences for future literary scholarship.

Analysis of Ancient Literary Creation and Literary Criticism in the Information Age

Abstract This paper discusses the characteristics of ancient literary criticism, including imagery criticism, intuitive thinking, and dialectical thinking, and explores the oneness of literary criticism and creation and its revelations in the study of modern critical history. The process of ancient literary creation is studied in depth, including using LSTM and BERT models to decode the formalized data of poems and control the metre. Meanwhile, the study of ancient literary criticism based on structuralist semiotics is introduced, exploring the operation mode of narrative grammar and two-layer narrative structure. Finally, old literary creation and criticism are discussed in depth through example analysis. By analyzing the course Appreciation of Ancient Poetry, the article demonstrates how literary criticism can enhance the understanding and evaluation of literary works from aesthetic and cultural dimensions. Overall, the article deeply analyzes the methods and theories of ancient literary creation and criticism and explores their application and development in the information age, providing valuable perspectives and tools for understanding and advancing the field.

Literary Dialogue Across Cultures in the Context of Multiple Data Integration: New Essays on Comparative Literature and Poetics between China and the West

Abstract This study uses a two-stream multivariate data embedding network and FLAT model to effectively integrate text structure and linguistic information to enhance the performance of named entity recognition. In addition, named entity recognition and literary narrative analysis were carried out using linear chain conditional random field and Apriori algorithm, and literary character narratives and knowledge graphs were constructed. Finally, the characteristics and differences between Chinese and Western literature are deeply explored through econometric analysis and character similarity analysis, and it is found that the differences in geographic environment and socio-economic characteristics profoundly impact Chinese and Western literary art and poetics. The most fundamental difference between Chinese and Western societies lies in the commercial character of Western socio-economics, while China is more rural. The study reveals the uniqueness and intersection of the two civilizations in literary creation, providing a new perspective and theoretical support for cross-cultural academic dialogue.

Research on the Relationship between Ideology and Literature—Take Marcuse’s “One-Dimensional Man” as an Example

Research on the Relationship between Ideology and Literature—Take Marcuse’s “One-Dimensional Man” as an Example

SLIKOVITA IMENOVANJA U KNJIŽEVNOM STVARALAŠTVU ZA DECU DEJANA ALEKSIĆA

Children’s literature represents a part of the overall literary creativity in a specific language, therefore it should not be viewed as an isolated artistic phenomenon. On the other hand, literary pieces for children have self-acquired characteristics compared to other artistic texts. The subject of interest in this paper is recent linguistic research into the language and style of Serbian literature designed for children. The corpus includes linguistic works dealing with Serbian children’s literature, which were published after the year 2000. The corpus does not include examinations dedicated to folklore literature, Serbian language teaching, contras- tive and translation topics. The aim of this review is: (1) to highlight the scientific topics that were dealt with by scholars of Serbian literary creativity for children in the selected corpus; (2) to note linguistic approaches and achieved scientific results. The analysis showed that: (1) in the recent linguistic research of Serbian children’s literature it was stylistic features that were primarily investigated; (2) the stylistic approach was applied most often, but other linguistic approaches were represented, too, such as psycholinguistic and cognitive linguistic ones.

On the dual nature of creativity: Same same but different?

The creativity literature is replete with dualistic constructs, suggesting shared mechanisms but also tempting overinterpretation of their interrelations. An explicit list of relevant concept associations indicates substantial commonality, yet also exposes certain inconsistencies. Dual-process accounts (A and B is relevant) hold promise in resolving discrepancies to the extent that we understand the relative contributions and conditions of A and B.

ԱՐՔԵՏԻՊԸ ԼԵՎՈՆ ԽԵՉՈՅԱՆԻ «ՏԱՆ ՊԱՀԱՊԱՆ ՀՐԵՇՏԱԿԸ» ՀԵՔԻԱԹՆԵՐԻ ԺՈՂՈՎԱԾՈՒՈՒՄ / THE ARCHETYPE IN LEVON KHECHOYAN’S FAIRY TALES IN THE «GUARDIAN ANGEL OF THE HOUSE» COLLECTION

This article is an attempt to systematically research the features of archetypal structures in the fairy tales of the collection "Guardian Angel of the House" by the novelist Levon Khechoyan. Archetypes, as phenomena of the collective unconscious, are the prerequisites for image creation and are conveyed in the artistic consciousness through an image, symbol, metaphor. The purpose of the article is to highlight archetypal universal images in Levon Khechoyan's fairy tales on the basis of being a part of each literary creation. The fairy tale, as a genre of folklore, is the best medium for the manifestation of archetypes, full of archetypal "global" images. Archetypal images, in particular, appearing in fairy tales, are essentially the carrier of the general ideas of the literary work. Khechoyan's fairy tales are rich in "pearls of the soul" - archetypes, so the task was to highlight the archetypes in the comparative structures shown in the fairy tales of the "Guardian Angel of the House" collection, which are presented in the form of a table in the article, as well as to analyze the new ones, the author's individual archetypes. Analytical, interpretive, and descriptive methods were used in the article. If we parallel the fairy tales of other cultures, the Armenian literary fairy tale shows unique characteristics, and the fairy tales developed by Levon Khechoyan present a unique harmony of reality and fantasy. His fairy tales are a concentration of eternal beings: water, man, animal, etc. In addition, the author often refers to the representatives of the animal world in order to reestablish the interrupted connection between man and nature.

On Listening and Failure: Roger Laporte with Marcel Proust

Abstract: This essay reads Roger Laporte’s Une voix de fin silence (A voice of fine silence), the second volume of his idiosyncratic work Une vie (A life), in dialogue with the early volumes of Marcel Proust’s A la recherche du temps perdu ( In Search of Lost Time ). A constellation emerges from the analysis that allows us to consider the interrelations and interdependence of Laporte’s text, his work as a critic on Proust, and the Recherche itself. The essay argues that Laporte’s textual engagement with Proust allows us to re-evaluate notions of literary failure so as to redefine what counts as the success of a literary project conceived as a writing about writing and becoming a writer. Both Proust and Laporte practice a literary writing that evokes mental experience while never being synonymous with it because, as their texts demonstrate, mental and literary experience can never coincide perfectly. Laporte labels the writer’s search a “listening,” a precarious activity which, like failure, is impossible to summon on command and which can only be recognized as such in retrospect as a motor of literary creation.

SLIKOVITA IMENOVANjA U KNjIŽEVNOM STVARALAŠTVU ZA DECU DEJANA ALEKSIĆA

One of the fundamental characteristics of Dejan Aleksić’s literary works for children is play, which is why this multi-awarded children’s writer is considered a successor of Dušan Radović. Proper names in children’s literature do not often have a naming function only, but contribute to the characterization of characters or provide the reader with important infor- mation about the place where the action takes place. The aim of the paper is to show how picturesque names produce an expressive value in different genres of Dejan Aleksic’s literary creation for children. The paper studies the functional significance of antonomasia, kenning, and tmezic puns for the interpretation of literary texts. The analysis was carried out using the linguistic method, and the corpus consists of genre-bending works for children by Dejan Aleksić. The aim of the paper is to point out the stylogenicity of antonomasia, kenning, and tmezic puns in the examined corpus and to show that playing with linguistic structure in names is one of the reasons why we consider Aleksić a new classic, a continuation of not only D. Radović but also J. Jovanović Zmaj, B. Ćopić, D. Maksimović, and Lj. Ršumović, in whose literary works for children we have already analyzed the aforementioned stylistic figures. Picturesque names produced using antonomasia, kenning, and tmezic puns have a very important role for the interpretation of literary texts for children. Antonomasia can give infor- mation about the main characteristics of the character and produce plenty of associations, kenning introduces a child-recipient into the fabula, and the tmezic pun is used to achieve a comic effect.

An analysis of the value and linguistic features of contemporary literary texts based on knowledge graph

Abstract In this paper, we crawled and analyzed the dataset of contemporary literature works through Python technology, and after preprocessing the data with the use of the word splitting algorithm, we applied the CasRel entity-relationship extraction model based on the Transformer and the BERT model to efficiently extract the entity knowledge in contemporary literature works. Then, a knowledge map of modern literature was established by combining the Neo4j graph database. Several novels by Mo Yan, Jia Pingwa and Chen Yan were selected as cases to analyze the textual values and linguistic features of contemporary literary works. The Analysis reveals significant differences in the linguistic features and connotative values of works by different authors. For example, the average frequency of periods per thousand words in Mo Yan’s works is 0.2187, while the corresponding frequency in Jia Pingwa’s works is 36.06% lower than that of Mo Yan. The cumulative application frequency of monosyllabic and disyllabic words in Chen Yan’s works exceeds 80%, and the lexical density ranges between 67.5% and 71.5%. By clarifying the linguistic features of different contemporary literary works, it can help academic creators better find the resonance point with readers and provide diversified innovative paths for literary creation.

Рецензия на книгу «“К Вам с письмом советский читатель...”: письма читателей М.А. Шолохову: 1956–1984» (отв. ред. Н.В. Корниенко. М.: ИМЛИ РАН, 2022. 1120 с.)

The second volume of the peer-reviewed edition completes the project of publishing readers’ letters to Mikhail Sholokhov. The texts prepared by the compilers represent one of the largest collections of readers’ correspondence to the writer (1,162 letters). Most of the letters are in the personal archive of Sholokhov’s family. The phenomenon of fan mail developed in Russia in the early 1870s. It became particularly widespread in the Soviet period due to a number of cultural initiatives in the early years of Soviet power. Letters to Sholokhov appear not so much as signs of his reputation, but as material for the study of the Soviet reader and his era. This is especially evident in the letters included in the second volume: they were written from 1956 until the end of the writer’s life. At this time, people wrote to Sholokhov not only the writer, but also the deputy of the Supreme Soviet of the USSR. Materials from different years clarify the general cultural, political and literary context of these letters. The compilers distinguished groups of letters to Sholokhov by subject matter: letters from readers of the USSR, foreign readers, and representatives of emigration; letters from novice writers; letters to Sholokhov as a public figure; letters from participants in World War II; letters from prisoners; and requests for material assistance. The main topics include requests to send books, autographs, photographs, to tell about the fate of heroes (primarily Grigory Melekhov); appeals for help in solving private and public problems; complaints about the lack of books in libraries, bookstores and at private sellers. Chronologically and compositionally, the letters caused by Sholokhov’s speech at the 20th Congress of the CPSU on the problems of literary creativity and the work of the Writers’ Union are singled out. The awarding of the Nobel Prize to Sholokhov in 1965 caused a reaction of readers. Letters with negative reviews either did not survive in the archives or were not included in the edition. In general, the letters to Sholokhov appear as a subject of general interest of the humanities in collecting, preserving, and publishing documents that reflect the perception of contemporaries of an event or phenomenon. They could become the material for history of reading in Russia. For this purpose, at the first stage, it is necessary to create digital copies of the letters, do their markup and statistical processing according to the main parameters: the letter’s author, date, address, and topic. The next stage could be the correlation of the results obtained with data on letters to other writers. A thematic index could be the first step in this direction and, at the same time, a help in using the existing edition. The author declares no conflicts of interests.

Роль Жана Шаплена в развитии французской литературной теории и критики первой половины XVII века

The main objective of the article is to present the multifaceted figure of Jean Chapelain as the foremost French critic and literary theorist of the first half of the 17th century. Significant attention is given to Chapelain’s connection with his time, during which the function of literature and the position of the writer were evolving, as well as his substantial contribution to the establishment and consolidation of classicist aesthetics on a national level. The article addresses the critic’s role in the development of literature, his influence on the formation of aesthetic taste, his mediation between the author and the audience, and the nature of the political engagement in literary creativity demanded by the time, as well as the relationship between the creator and power. Chapelain’s texts are examined in their entirety, allowing for the tracing of the development of guiding ideas and the deepening of fundamental concepts in his theorizing, such as “verisimilitude”, “taste”, “decorum”, “utility”, “morality”, “erudition”, “fashion”, “clarity”, and “novelty”, which gain semantic complexity depending on their application to different — fictional and non-fictional — genres. Through the analysis of specific works by Chapelain, the article traces the nature of the unfolding of his critical-theoretical discourse, reflecting the principle of aesthetic-philosophical thinking of French classicism as a whole.

La funzione metapoetica del mito di Giasone nella Commedia di Dante

In this article I analyse and interpret three passages from Dante’s Paradise containing more or less explicit allusions to the myth of the Argonauts, which Dante knew from Ovid’s Metamorphoses. All three are intertextual and occur at key points in the Canticle of Light, performing a meta-poetic function. They pertain to the essence and objectives of Dante’s poetry and its pioneering character, both in terms of subject-matter and means of expression, particularly for the depiction of the visions of Paradise. Dante makes use of the metaphor of sailing the seas, which had been a topos of literary creativity since ancient times, and compares his own poetic exploit (The Divine Comedy) with the quest for the Golden Fleece conducted by Jason. Yet at the same time Dante distances his own work from the feat accomplished by the captain of the Argonauts.

Artificial Intelligence Application In Telling Stories Without Words The Effectiveness Of Visual Rhetoric On Comprehension Of The Novel

This period has witnessed an increasing increase in the speed of means of communication, methods, and rules of design, so the transition from the search for workmanship to creativity as well as employing many other sciences, a technological development that occurred in the field of visual arts, especially graphic design, such as the emergence of computers and programs (the digital medium) and entering a field Graphic design, with its capabilities to develop the aesthetic and creative side, including these technical programs and the designer’s impressive capabilities. The image occupied a large part of human history, starting with cave drawings and pictorial languages. The image is an important part of the creative worlds, and the novel as part of literary creativity has its pictures, colors are wavy, so the writer draws his image in his narration by showing part of it, to allow the imagination to complete the other part. Therefore, literature and graphic design technology are two closely related worlds that depend on the image and make them the backbone. The writer has his image, the designer has his image, and each of these pictures has points of encounter and points of difference. Therefore, designers resort to Visual Rhetoric shapes as a medium of expression with the aim of increasing the effectiveness of the process of mutual meaning, adding implicit values to the visual image, and enhancing the communication process. So The study deals with the use of digital technology in the production of a graphic vision of the novel "maktub" for the international writer Paulo Coelho, in an attempt to display the novel in a modern graphic graphical way, by analyzing the novel and drawing it with a philosophical vision to integrate Arab history, novel, and art with technology, by integrating digital art techniques with Traditional Arabic graphic arts techniques with their visual elements. It monitors the relationship between graphic design technology and its new technical techniques to reveal the ability of Graphic Design and Visual Rhetoric to comprehend literary works. To form a step in the approach between graphic design and novel art, making use of theories of formation, design, gestalt, and their tools that coordinate the scene and its paintings so that the visual vision arises with its implications.

항주(杭州) 서호(西湖)와 지역문학 교육

The aim of this paper is to probe into the cultural consciousness and identity of the Chinese people through one of China’s most emblematic humanistic landscapes, Hangzhou’s West Lake. Additionally, it aims to broaden the scope of Chinese classical literature education by introducing cultural content-based educational approaches centered around the poetry of West Lake. The main text initially presents a variety of literary works associated with West Lake, serving as valuable textual resources. These include poetry depicting the Ten Scenes of West Lake, compositions by renowned poets, and literary creations by female writers. Furthermore, the paper proposes two educational approaches for teaching regional culture and literary texts related to West Lake: employing storytelling as an educational method and incorporating cultural content creation into the curriculum.

Toponyms as constructs of military dimension in the Ukrainian poetic discourse of 2022–2023

Background. The onym dimension of artistic expression undergoes noticeable transformations under the influence of important historical events. The armed aggression of the Russian Federation, which began in 2014, and especially its full-scale period, could not help but affect the mentality of Ukrainians, and their literary creativity, and, accordingly, the selection, organisation and coding / recoding of linguistic means in lyrical texts.Contribution to the research field. The author’s scientific interests are focused on literary onomastics and the study of changes in the Ukrainian discourse of the modern era. The analysis of toponyms in the Ukrainian poetic discourse of the period of the full-scale armed aggression of the Russian Federation has not yet been the subject of close research attention. These findings raise intriguing questions regarding the extent of society’s diverse speech response to the colossal tragedy.Purpose. The purpose of this research is to investigate the peculiarities of the development of toponymy in modern poetic discourse using the example of the latest constructions of military dimension.Methods. The article uses the sampling method, method of classification description, comparative-semantic method and contextual-interpretive analysis.Results. Modern poetic discourse has significantly expanded its placename dimension with the latest markers of the Russian-Ukrainian war, which are structured into the opposition “own – enemy” / “own – foreign.” The appearance of such precedent units is determined by an extralinguistic factor, and their choice is determined by the authors’ artistic guidelines and the personal perception peculiarities of the tragedy. The highest productivity in the construction of military dimension is shown by oeconyms represented by the largest number of lexemes denoting the places of hostilities (Bakhmut, Beryslav, Burluk, Bucha, Borodianka, Brovary, Volnovakha, Vorzel, Horenka, Hostomel, Enerhodar, Izium, Irpin, Kakhovka, Kyiv, Konotop, Kramatorsk, Kupiansk, Manhush, Mariupol, Mariinka, Mykolaiv, Moschun, Olenivka, Oleshky, Okhtyrka, Romanivka, Soledar, Kharkiv, Kherson, Chernihiv, Shchastia, etc.), rear (Lviv, Chernivtsi, Uzhhorod, Ivano-Frankivsk, Ternopil), places where the enemy is located (Perm, Irkutsk, Rostov) and places where refugees are sheltering (Krakow, Warsaw, Lisbon, Cascais). It is natural that the toponymic constructs of the military dimension consistently actualize the semantics of martyrdom, suffering, and death, often against the background of sacralization.Discussion. We see research prospects in the continuation of the study of the open toponymic dimension of modern Ukrainian poetry as a powerful construct of the artistic understanding of war.

الطريق إلى الإيمان بالعقيدة المسيحية الارثودوكسية من وجهة نظر الكاتب الروسي فيودر ميخائيلوفيتش دستويفسكي

يعكس هذا المقال موقف الكاتب الروسي الشهير فيودر ميخائيلوفيتش دستويفسكي من إحدى الديانات العالمية الثلاث، , وتحديدا المسيحية الأرثوذكسية.وذلك من خلال توظيف النصوص الدينية لبلورة نتاجاته الادبية الخالدة.