Lion Dance Research Articles

Analysis and Creation of the Lingnan Cultural Identity Handbook for Product Design

The primary languages used in this region are Cantonese, Hokkienese, and Hakka Dialec, each with distinct dialects and local vocabulary, reflecting the local lifestyle and culture. This study had three main objectives: 1) To Scope on important characteristic of Lingnan identity, 2) To create Identity of Lingnan to products and 3) To complete the design Handbook and product design. The study involved a sample group consisting of experts in Lingnan cultural identity, product designers, and entrepreneurs, and the overall research population included 400 individuals interested in these products. Based on insights from the Handbook for Designing Cultural Products, the study developed the Lingnan cultural identity Handbook for Product Design (e-book). The study utilized an experimental research design and employed interviews and a satisfaction questionnaire as research instruments. This study synthesized, analyzed, and translated the collected data into Lingnan symbols, then compiled descriptive interpretations. The statistical methods used. The research findings revealed prominent elements of Lingnan cultural identity, including Chen Clan Temple, Wo'er House, Manchuria Window, Dragon Boat, Suixi Lion Dance, and Guangdong Opera. The region's geography and history deeply ingrain these cultural elements, showcasing the adaptability and wisdom of the local population. The product design concept focused on the creative process, emphasizing the development of products that meet market demands while considering utility, beauty, and value for product users. The evaluation of the Handbook indicated a high level of overall satisfaction (x̄=3.53). Among the three forms of cultural products, the first had the highest level of overall satisfaction (x̄=4.06), followed by the second with a high level of overall satisfaction (x̄=3.83), and the last with a high level of overall satisfaction (x̄=3.73).

Refleksi Budaya Etnis Tionghoa dalam Kesenian Barongsai di Kota Singkawang

The lion dance is a form of ethnic Chinese culture with a beautiful variety of motion and visual ornaments. The purpose of this research is to serve as a reminder of cultural preservation and inheritance. The primary reflection resources paired with Feldman's art criticism method include a historical overview, performance dynamics, ritual/celebration procedures, and cultural heritage. This study also provides a glimpse into and description of ethnic Chinese's effort to express cultural arts following a time of prejudice. The dissection is carried out utilising descriptive qualitative methodologies, with data collected through participant observation, in-depth interviews, and documentation. Triangulation of sources with ethnomusicologists validates the data analysed using an inter-academic model. Cultural reflection produced by Barongsai arts for ethnic Chinese includes reminders and awareness of evaluative materials related to the struggle for discrimination in the historical context, entertainment and sports functions in the context of performance dynamics, meanings and symbols of happy and sad expressions in the context of ritual / celebration processes, and sorting out incoming outside cultures for the younger generation in the context of cultura. It is critical and beneficial that the findings of this study serve as a vehicle and platform for future attempts to maintain and enhance the Barongsai art form. In addition, there needs to be support between elements of the ethnic Chinese community and the government so that the art of Barongsai can be preserved and developed in the future.

Representasi Toleransi Beragama Dalam Film “Bidadari Mencari Sayap” Karya Aria Kusumadewa Tahun 2020

Indonesia is a country with religious diversity that can unite or divide. This research aims to analyze the representation of religious tolerance in the 2020 film ‘Bidadari Mencari Sayap’ by Aria Kusumadewa using Roland Barthes' semiotic analysis. The film was chosen because it depicts conflict and tolerance between religious communities, which is still an important issue in Indonesia. This literature research uses the film as the primary data source and books on religious tolerance as secondary sources. Data collection was done through literature study and documentation. Data validity was ensured through increased diligence and the use of references. The results showed four values of religious tolerance in the film: respect, respect, agree in disagreement, and sincerity. The film illustrates the implementation of tolerance in society, such as sharing angpao during the lion dance performance, advice on interfaith marriage, and sincere attitude towards differences in beliefs. The research also reveals that sincerity can solve the problem of intolerance, while religious discrimination can trigger conflict. This research provides insight into the importance of religious tolerance in strengthening the unity of the Indonesian nation. Through film analysis, this research highlights the role of media in learning the values of tolerance and understanding between religious communities.

Pengelolaan Kampung Pecinan Sudiroprajan Sebagai Daya Tarik Wisata Budaya Di Surakarta

Sudiroprajan Chinatown has tourist attractions that can support cultural tourism attractions in Surakarta City. With multi-ethnic acculturation in terms of annual celebrations to the special foods available in Sudiroprajan Chinatown Village. However, due to the pandemic the Sudiroprajan Pokdarwis was no longer active and resulted in the paralysis of the tourist attraction icon in Sudiroprajan Chinatown Village. The purpose of this study is to find out what attractions exist in Sudiroprajan Chinatown Village and then to analyze the inhibiting factors for the development of tourist attractions and come up with some suggestions so that they can attract tourists to visit. To get the data in this research is to do direct observation, documentation, and direct interview with the Head of Pokdarwis Sudiroprajan and look for literature studies related to the research problem. The results obtained are many tourist attractions in the form of the Kali Pepe and Grebeg Sudiro river crossings. See the Lion Dance and various culinary delights. The obstacles found were regarding inconsistent management due to the large number of youth volunteers who have their own busy lives and finally the Covid-19 virus. Further research is suggested to expand the attraction of cultural tourism around the Surakarta City area.

Constructing ethnic consciousness: the role of cultural heritage in Malaysia

ABSTRACT The Chinese community’s unique position in Malaysian inter-ethnic relations weaves through intricate interactions with other ethnic groups, maintaining distinct cultural identities amidst Malaysia’s diverse ethnic fabric. This study explores the intricate relationship between ethnic consciousness and cultural heritage among Malaysian Chinese people, examining, within a historical context, how this community maintains its distinct identity within a multi-ethnic society. Utilizing focus group discussions (FGDs) with Chinese independent schools (CIS) students, the study delves into their identity perceptions, influenced by both “authority-defined” and “everyday-defined” social realities. The findings reveal how cultural heritage, particularly through lion dance activities, reinforces ethnic consciousness while contributing to a broader national identity. This study elucidates the complex dynamics of ethnic identity formation in a multicultural context and advocates for an inclusive heritage management. Such an approach fosters dialogue, respects diversity, and enhances our understanding of the role of heritage in shaping a cohesive, multicultural society.

The Role of Quanzhou Taishi in the Revitalization of Rural Culture under the Perspective of Semiotics

The purpose of this paper is to examine the role of Quanzhou Taishi in the process of revitalizing rural culture from the semiotics perspective. Quanzhou Taishi (a local folk art Combining Quanzhou Southern Shaolin Martial Arts and Lion Dance), has unique cultural characteristics and can serve as a cultural symbol. This paper will study its visual and auditory symbolic composition, explore its referential, symbolic, and value functions, delve into its spiritual connotations and significance in the new era, and develop the role of the Quanzhou Taishi in the process of rural cultural revitalization. Specifically, we will focus on the role of Quanzhou Taishi culture in revitalizing rural culture.

A Study on the Colour Elements and Symbols of Foshan Awakening Lion Head

This paper studies the colour symbolism of the Foshan awakening lion head, a key element of Foshan’s cultural heritage and the lion dance. The lion head’s colours are closely tied to the region’s history, culture, and community beliefs. The study examines various colours and their meanings, exploring how they contribute to the lion head’s visual and symbolic impact. Using qualitative methods, including literature reviews, artisan interviews, and field observations, the research looks at traditional and evolving colour schemes in Foshan Awakening Lion Heads. The findings show that each colour and pattern holds specific cultural significance, symbolising values like auspiciousness and prosperity. The paper stresses the importance of preserving these colour symbols to maintain the cultural identity of the Foshan lion dance, while also recognising the need for respectful evolution in response to contemporary tastes.

The correlates of coach leadership behavior and athlete competence motivation towards a sports mentoring program

This study assessed the factors associated with coach leadership behavior and athlete competence motivation, focusing specifically on Chengdu Sport University. The ultimate goal was to suggest a sports mentoring program based on the findings of the study. The respondents of the study were 152 student-athletes engaged in leisure sports and martial arts at Chengdu Sport University, encompassing disciplines such as sport climbing, ice hockey, judo, taekwondo, wushu routine, wushu sanda, martial art qigong, dragon and lion dance, cheer dance, and dance. Based on the conclusions derived in this study, the following are the recommendations: Sports organizations should prioritize diversity and inclusivity to accommodate all student athletes, regardless of age or gender. Emphasize diverse leadership styles, including training and teaching methods, and teach coaches to balance authoritarian and democratic systems. Coaches should aim for consistency and adaptability in their coaching methods to suit varying demands. Programs should focus on increasing competence motivation among student athletes, particularly in cognitive and social dimensions. Comprehensive athlete development programs should cater to both male and female athletes. Coaches should demonstrate leadership qualities, including good training, social support, and constructive criticism. Schools should develop a coach leadership development program to improve coaching effectiveness and overall well-being.

Exploring the Evolution and Cultural Significance of Guangdong Lion Dance in Chinese Traditional Culture

Exploring the Evolution and Cultural Significance of Guangdong Lion Dance in Chinese Traditional Culture

Conveying Spirit Through Form: An Exploration on the Shape Symbols of Foshan Awakening Lion Head

This study begins by focusing on the shape elements of the Foshan lion head, aiming to understand the unique design symbols and cultural significance of the vibrantly colored Foshan Awakening Lion. The research delves into the distinct features of the Foshan lion head, examining its role as a confluence of historical heritage, regional characteristics, and folk beliefs. Through an analysis of various visual elements of the lion head, such as size, shape, and decorative patterns, the study unveils the embedded cultural narratives and historical significances. Additionally, this research discusses the evolution of these elements within the Foshan lion dance culture, highlighting their importance in the preservation and development of Southern Chinese lion dance traditions. The findings of this research contribute to a deeper understanding of the artistic value and cultural implications of the Foshan lion head. This work is of significant importance for the preservation of cultural heritage in the Foshan region and provides theoretical support for the research and inheritance of Southern Chinese lion dance culture. By offering a comprehensive cultural interpretation of the Foshan lion head’s stylistic features, this study enhances the reader’s understanding of its role and significance in the traditional culture of the Foshan area, offering valuable insights and directions for future research and practices in related cultural fields.

The Meaning of The Shen Nong Da Di's (神农大帝Shen Nong Da Di) Birthday Ceremony at Ngo Kok Ong Temple Cibarusah, West Java

<p>This article discusses the meaning of the tradition Shen Nong Da di’s birthday ceremony (sejit) at Ngo Kok Ong Temple, Cibarusah, West Java. Ngo Kok Ong temple put Shennong Dadi in Hokkien dialect is called Sin Long Tay Te which means Agricultural Emperor as the main deity. The research methodology and data collection techniques used are qualitative methods. Data collection by indepth interviews and participant observations. Observations and participant observation carried out during the ceremony of Shen Nong's birthday from 26 June 2019 to 29 June 2019 with a descriptive analysis design. The purpose of this research is to describe the meaning of traditions at the Shen Nong’s birthday ceremony. The results of the research show that there are various traditions during this ceremony, prayer together, mediumship such as making amulet, slashing the tongue, stamping on coals lion dance and liong performances, and the tradition of electing locu. These various traditions have religious functions, social functions and psychological functions. Apart from that, the contained meaning in this tradition is the symbolic meaning and philosophical meaning for every Chinese community.</p>

A Study On The Cultural Memory Of Thai-Chinese Lion Dance In Bangkok, Thailand

This study emphasizes how important the Thai-Chinese lion dance culture is to Bangkok, Thailand, and how long-lasting it is. The lion dance, which is a pillar of Chinese cultural heritage and has been painstakingly passed down through the centuries in the Bangkok area, is a monument to the diverse range of Chinese customs and the appeal of their cultural manifestations. Through an exploration of the several functions of the lion dance in the Chinese community, this essay clarifies how it serves as a link between historical legacies and modern realities, promoting a feeling of cultural continuity and development. The inherent worth and significance of lion dance tradition are being recognized more and more in this globalized age, supporting Thai-Chinese people's sense of cultural pride and identity while promoting cross-cultural interaction and mutual enrichment. This essay explores the lion dance's smooth fusion with Thai local culture, highlighting its unique performance techniques and subtle modifications in the energetic setting of Bangkok. It also critically evaluates the limits of the existing research and plots a route for further investigation with the goal of providing a more thorough and nuanced knowledge of Thai-Chinese lion dance culture. Readers are encouraged to explore the lion dance's significant significance and transforming influence within Bangkok's Thai-Chinese community through this scholarly undertaking, which will heighten their understanding of the ongoing appeal of this beloved cultural phenomenon. In order to preserve and innovate upon lion dance culture, this article promotes a balanced approach that embraces modernity to accommodate changing dynamics and sensibilities while still retaining historic components. It also emphasizes how important it is to promote intercultural dialogue and cooperation in order to advance Thai-Chinese lion dance tradition internationally. It is anticipated that with coordinated efforts in these areas, Thai-Chinese lion dance culture would continue to grow and spread, adding priceless pieces to the dynamic tapestry of international cultural exchange and legacy.

Analysis of Choreography of Self-selected Dragon Dance Routine—Take the 15th National Dragon and Lion Dance Championship as an Example

Analysis of Choreography of Self-selected Dragon Dance Routine—Take the 15th National Dragon and Lion Dance Championship as an Example

ANALYSIS OF THE INFLUENCE OF SELF ESTEEM, SELF EFFICACY, AND JOB SATISFACTION ON PERSONNEL PERFORMANCE IN THE KSATRIA LION AND DRAGON DANCE ORGANIZATION SURABAYA

Ksatria Lion and Dragon Dance is one of the lion dance organizations located in Surabaya which is engaged in the preservation of arts and culture. The organization itself has a strength that lies in human resources. However, in reality not all of these human resources can carry out their roles properly. This is supported by its relation to self-esteem, self-efficacy, job satisfaction, and job performance. The number of respondents in this study was 42 respondents, according to the number of team members. The sample used in this study uses a saturated sample technique, which means that the population is the same as the sample. Based on the results of data processing using the SPSS software application version 25.0, the results obtained were that all items for each variable were declared valid with rcount > rtable of 0.3044 and a Sig. < 0.05. All items on the reliability test were declared reliable with a Cronbach's Alpha value ≥0.60. The results of the Kolmogorov – Smirnov method normality test show that the data is normally distributed. The results of the multicollinearity test showed no symptoms of multicollinearity. The heteroscedasticity test showed that in this study there was no heteroscedasticity. The results of the t test show that all of the variables in this study have an effect on personnel performance with a Sig value. < 0.05.

Sign Reading of the Meaning of Shape and Color in the Lion Dance

One of the foreign artistic and cultural heritages that has become part of Indonesian culture, namely the lunar New Year celebration where there is a tradition of Barongsai dance performances. Barongsai is an animal found in Chinese mythology that resembles a lion and has two forms, the Northern Lion and the Southern Lion. Each form has a different meaning based on its visual elements. This research on the lion dance raises the issue of how to read the visual elements in the lion dance, both in terms of the shape and color of the lion dance. The purpose of this research is to identify the meaning content in the visual elements of the lion dance, namely through shape and color so that the meaning of the lion dance can be known. Qualitative methods are used in this research and in color analysis using the Chairunnisak and Choirul color sign study method in analyzing color meaning. Observation, interviews, and literature were used to obtain data. The results of the analysis of the meaning of shape and color in Barongsai, found the same meaning, namely stability, courage, excellence, strength, leadership, wisdom, justice, knowledge, enthusiasm, longevity, women, charm, welfare, luck, cheerfulness, happiness, health, black and white colors also have the meaning of death. the results of the study are expected to be useful for other researchers in researching Barongsai in the future.
 
 Keywords: Barongsai; Culture; Imlek; Visual; Color; Lunar year

Spatial distribution and driving factors of Chinese dragon and lion dance athletes based on GIS

As the common wealth of all mankind, intangible cultural heritage carries the memory of history. The implementation of dragon and lion dance technical grade evaluation can be called pioneering work for the legacy inheritance. The purpose of this study is to analyze the distribution characteristics, trends, types, and driving factors of dragon and lion dance athletes. Athletes who were awarded a grade certificate by Chinese Dragon and Lion Dance Sports Association from 2018 to 2021 were taken as the analysis objects. In ArcGIS10.8, trend surface analysis and standard deviational ellipse are used to study the spatial distribution characteristics. Using the global and local Moran's I in GeoDa, this paper explores the concentration degree and types of dragon and lion dance athletes. The factors driving the distribution difference are analyzed with the help of geographical detectors. Continuous data such as total GDP, sports field areas, permanent populations, and altitude are taken as the software input after preprocessing. The results show that there are significant differences in the distribution of provinces and four geographical regions. For dragon dance athletes, there is a linear growth trend in the west-east direction and an inverted U-shape trend in the south-north direction. For lion dance athletes, there is a trend of log function in the west-east direction and an inverted U shape in the south-north direction. The global Moran's I is 0.2386, and there are obvious characteristics of H–H, L-L, and L-H aggregation types. Nomination of sports intangible cultural heritage, total GDP, permanent resident population, urbanization development level, the number of colleges and universities, and the proportion of tertiary industry are the leading factors, and the explanatory power of interactive factors is significantly enhanced. Therefore, it is suggested to strengthen the cultural heritage protection of dragon and lion dance, increase capital investment, enhance public participation, and raise government attention.

Cross-century, Together with the Lions Journey: A Case Study of Lion Dance Practice in Wuzhou, Tengxian Secondary School

As a traditional Chinese folk art that often appears during important festivals or commercial activities, the cultural value and influence of the lion dance is very far-reaching. In the past 20 years, with the rapid development of society, the protection and inheritance of traditional Chinese culture have become a top priority on the road to preserving historical memory, and the lion dance culture popular in southern China and Southeast Asia, like many other traditional Chinese cultures, is facing the challenge of how to continue passing on. By reviewing the materials, this study learned that there is a lion dance cultural hall in Wuzhou, Guangxi, which has a history of nearly 200 years - Bilin Tang, which has received the support of the Wuzhou Municipal Government to deliberately establish the first professional lion dance major in the Tengxian Secondary School. Out of a desire to gain a clearer understanding of the current status of the preservation and inheritance of this traditional Chinese culture, the author finally contacted Mr. Zhong Dao Ren, the current director of Bilin Tang, and with his support, the author went to Tengxian Secondary School to interview in person. The author communicated with Mr. Deng and the students of the lion dance troupe and obtained a lot of valuable information and materials. Meanwhile, the author conducted more in-depth research under the guidance of Professor Bradd Shore at Emory University, resulting in this paper. The inheritance of the lion dance culture encounters not only the problems of funding, government support, and motivation for an inheritance but also the problem of how to make the inheritance of traditional Chinese culture and the development of the trend of the times mutually integrate into the current social context. To avoid the extinction of traditional Chinese folk art like the Southern Lion culture, it is necessary to attract more attention and resonate the interest of young people in such culture. Only the organic integration of traditional culture with modern elements can be an effective means for the long-term survival of traditional Chinese culture.

EMBRACING TRADITIONS AND INNOVATIONS OF SUIXI LION HEADS IN LION DANCE PERFORMANCES IN CHINA

This study investigates the incorporation of traditions and innovations in the use of Suixi Lion Heads in lion dance performances in China. Suixi Lion Heads are a form of folk art that has been passed down through generations, and their design incorporates new elements while still maintaining their traditional essence. Through an analysis of the visual symbols and production process of Suixi Lion Heads, this study explores how the balance between tradition and innovation has contributed to their popularity and success in lion dance performances. The simplified production process of Suixi Lion Heads allows for faster and more cost-effective production, resulting in streamlined designs that are better suited to contemporary aesthetics and market demands. Furthermore, this study highlights the importance of promoting and developing Suixi Lion Head culture through lion dance performances, which can facilitate the preservation and evolution of the tradition. By embracing both traditions and innovations, Suixi Lion Heads continue to play a vital role in the cultural heritage of China, providing a link between the past and the present in lion dance performances.

Barongsai Form and Color at the Cap Go Meh Festival in Singkawang City

The aim of this study is to identify the significance of the visual elements of the Barongsai In Singkawang City, West Kalimantan during the Cap Go Meh festival. Qualitative methodologies were used to perform research on the Barongsai visual aspects. Observation, interviews, and documentation are used to acquire data. Due to the predominantly Chinese population, Singkawang City is also known as Amoy City. One of the inherited legacies of art and culture in Singkawang City that is still being preserved today is the Barongsai Dancing Art, which can be seen at the annual Chinese New Year celebrations planned by the Chinese community. According to research, the Barongsai is a mythical animal from Chinese mythology that resembles a lion and comes in two forms: the North Lion and the South Lion. Each form has a distinct meaning based on the visual elements it has. The findings of this study can help comprehend how each Lion Dance performed at the Cap Go Meh festival differs from one another in order to show respect for one of Indonesia's cultural traditions. This study was conducted in the hopes that it will be useful to researchers who study lion dances in the future. It can be concluded that the visual components of the lion dance are created by paying attention to their beauty as well as considering every meaning that will be associated with them.

Sisterhood in the City: Creating Community through Lion Dance

This article examines notions of “sisterhood” by focusing on an all-women's lion dance company called Gund Kwok, based in Boston's Chinatown. Gund Kwok, which limits membership to those who identify as female and Asian American, provides a space for women to perform this traditional male-only dance style. Company members have created a community of “sisters” to address layers of gendered and racial oppression. Despite concerns that scholars have raised about how community formations, such as sisterhoods, can be overly idealistic and potentially harmful, this study highlights the role of sisterhood in Gund Kwok and the important functions it serves for the group. It argues that Gund Kwok is a diverse community that draws from the ideology of sisterhood as a way of articulating Asian American cultural identity outside the scope of Western cultural frameworks and the dance's patriarchal tradition.