Reviewed by: Monumental: Oscar Dunn and His Radical Fight in Reconstruction Louisiana by Brian K. Mitchell, Barrington S. Edwards and Nick Weldon Joshua Brown (bio) Monumental: Oscar Dunn and His Radical Fight in Reconstruction Louisiana. By Brian K. Mitchell, Barrington S. Edwards, and Nick Weldon. (Charlottesville: University of Virginia Press, 2021. Pp. 256. Paper, $19.95.) On March 18, 1873, the Louisiana state legislature passed Act 57, the goal of which was the erection of a monument in memory of Oscar J. Dunn, who had died suddenly—and mysteriously—two years earlier. That public commemoration of the first African American lieutenant government, and briefly acting governor, was never realized. And, in the wake of Democratic Redemption, Jim Crow, and the historiographical and popular desecration of Reconstruction, Dunn joined so many other Black southern lawmakers in the “cleansing” of the era’s past. Indeed, the unveiling twenty years later of an overtly white supremacist monument to the White League’s unsuccessful 1874 insurrection to overthrow the Republican state government could be interpreted as a final obliteration of the memory of Black Louisianans’ stalwartly “unselfish, incorruptible leader.”1 As we have recently seen, building monuments does not guarantee perpetual commemoration; the White League obelisk was removed in 2017. [End Page 294] While made of less durable stuff, the graphic biography Monumental: Oscar Dunn and His Radical Fight in Reconstruction Louisiana may serve as a more enduring tribute. It certainly is a significant act of documentary recovery, as well as a valuable scholarly study of a man, a place, and an era that, unusually, bridges the gap between popular history and rigorous academic research. Based on historian Brian K. Mitchell’s dissertation and written by Mitchell, visualized by artist Barrington S. Edwards, and edited by Historic New Orleans Collection’s associate editor Nick Weldon, Monumental is an often revelatory and, at times, evocative effort to restore Dunn’s place in New Orleans’s and Louisiana’s past. Rather than taking the tried-and-true path of a published monograph, Mitchell gathered his research and opted to collaborate on the labor-intensive project of a graphic history, seeking to use the accessibility and attraction of the form to extend his scholarship into the public arena. And for Mitchell, a descendant of Dunn’s, the project also consummated a personal quest that dated back to a second-grade class in New Orleans, when he learned that, contrary to his family’s proud memory, his ancestor’s achievements had been forgotten. Monumental carries out its mission with impressive intellectual rigor and admirable narrative vigor that rely on Mitchell’s extensive research into an often elliptical and elusive historical record. That research led to discoveries that revealed new aspects of Dunn’s life, such as his birth under enslavement and his emancipation. In addition, Mitchell corrected errors that have been repeated in historical accounts, such as the belief that Dunn fought in the Union army and, most persistent, the assertion that P. B. S. Pinchback, Dunn’s successor as lieutenant governor, was the state’s first Black acting governor. In eight chapters, most of which focus on 1866 to 1871, Monumental chronicles Oscar Dunn’s rise within the ranks of the New Orleans and Louisiana postwar Republican Party and his crucial role, especially as lieutenant governor, in promulgating and legislating equality and integration in the face of Democratic opposition, Republican divisions, corruption, and murderous racist violence. In the course of this chronicle, Mitchell dexterously charts Dunn’s efforts to bridge the long-standing tensions between New Orleans’s Anglo-African and Afro-Creole communities, as well as navigates the intricacies of Louisiana’s Republican Party factions, particularly the deceitful maneuvering of Dunn’s nemesis, Governor Henry Clay Warmoth. He also depicts Dunn’s personal confrontations with white supremacy (most powerfully captured in a section delineating the insults and obstacles he encountered on a spring 1869 trip from New Orleans to Washington, D.C., to meet with President Grant). In the [End Page 295] process, Monumental successfully links the city and state’s story to the larger history of Reconstruction. Monumental thus works as a lucid and engaging introduction to Reconstruction, assisted by the inclusion of supplementary resources...
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