848 Reviews standards of the Voltaire cEuvres compl'tes, which one might describe as cultivated formality. BIRKBECK, UNIVERSITY OF LONDON ROBIN HOWELLS Franfoise de Graffigny: Her Life and Works. By ENGLISH SHOWALTER. (SVEC, 2004:l i)Oxford: Voltaire Foundation. 2004. xix+374pp. ?69. ISBN o-7294 o847-7. The modern rehabilitation, which began over two decades ago, of Francoise d'Hap poncourt, Mme de Graffigny, as a significant literary figure of eighteenth-century France, is now almost complete. Six critical editions of her best-seller, the Lettres d'une Pruvienne (I 747), one of them including an English translation, since I966, the publication, edited by Jonathan Mallinson, of most of the papers delivered at amajor conference held atOxford in the summer of 2002 (SVEC, 2004: I2), and above all the ongoing edition of the Correspondance (I985- )all attest to the interest she has aroused among contemporary scholars of the Enlightenment. Principal among those scholars is English Showalter and, given his unrivalled knowledge of de Graffigny's life and work, it is entirely appropriate that he should have written the first biography of her to appear for nearly a century. The major source for details of de Graffigny's life isher correspondence with Francois-Antoine Devaux ('Panpan'), who remained behind in Lorraine after her departure for Paris in 1738. The events of her life as revealed in her long epistolary conversation with Devaux are exploited to the full by Showalter and yet this book is by no means a simple narrative chronology of those events. Showalter gives what must be the correct version of de Graffigny's so-called 'betrayal' of Voltaire and Mme Du Chattelet; he demonstrates a detailed knowledge of her financial affairs; he devotes a considerable section of thework to the delightful and sometimes hilarious efforts of both herself and Anne-Catherine de Ligniville ('Minette'), the daughter of de Graffigny's first cousin once removed, to secure a husband for the young woman, a campaign that culminated in Anne-Catherine's exceptionally happy marriage to Helvetius. Showalter also provides an assessment of de Graffigny's relationship with Devaux, who was a kind of provincial Thiriot, a spoilt child for his entire adult life who certainly did not deserve such a good friend although, as Showalter points out, the friendship gave 'purpose and meaning to everything else in her life' (p. 302). Showalter does not neglect the literary works, of course, especially the Lettres d'une Pruvienne and her successful play Cenie (I750), all of which are subjected to a fair and detailed appraisal. A writer of great talent, generous, compassionate, witty, Mme de Graffigny was one of the most appealing personalities of eighteenth-century France. She merited a sympathetic and knowledgeable modern biographer and in English Showalter she has found one. This is a very good book, thoroughly researched and admirably well written. UNIVERSITYOFWALES SWANSEA MICHAEL CARDY Les Marges des Lumieres franfaises (I750-I789). Ed. by DIDIER MASSEAU. (Bib liotheque des Lumieres, 64) Geneva: Droz. 2004. 284 pp. SwF 62. ISBN 2 600-oo96I-2. This book is remarkable, not just as a collection of contributions to a conference (organized by the Groupe de recherches Histoire des representations at Tours in MLR, IOI.3, 2oo6 849 200 I)which is also of a consistently high standard, but also because it so successfully stimulates reflection about what we mean by Enlightenment. Clearly, Kant's famous I784 work was not the end of the matter. A reviewer may therefore participate, after the fact, in the conference debate, which was clearly lively. For example, Jean-Marie Goulemot's article on parody (towhose bibliography of theory one might incidentally add Fuzelier's Discours . . ., appearing in its final form in Les Parodies du Nouveau Theatre Italien (I738 edition)) begins with doubt about defining Enlightenment at all, as well as about 'margins' which imply the existence of a 'centre': 'pour d&crire des marges, les reperer plus simplement, notons [. . .]qu'il faut un centre clairement delimite, parfaitement decrit et relativement homogene' (p. 202). This, however, per haps implies that definitions need to be closed and quasi-scientific if a notion such as 'Enlightenment' is to be of any critical use. But Wittgenstein has taught us that...