ABSTRACTThis article discusses the process of refinding the initial location of the Bishop Museum’shale pili(Hawaiian pole and thatch house) and an archaeological investigation of the site’s surface architecture, use of space, and subsurface activities. The study touches upon themes relevant to representations of culture and place in museum exhibits, analysis of existing museum collections to holistically interpret material culture, and the history of anthropological collecting. Thehale pilirepresents a “hybrid” form, with elements of precontact Hawaiian folk housing and European concepts introduced in the postcontact period. This problematizes the notion of “traditional” when used in relation to indigenous cultures in settler societies and the practice of exhibiting unique examples of “authentic” housing in isolation. Such analyses increase our interpretive abilities for museum collections and exhibits in the long term, particularly in reunifying folk housing and other material culture with location, a sense of place, and locale.