Based on Elizabeth Barrett Browning's The Runaway Slave at Pilgrim's Point (1847), and trusting, at the same time, existential phenomenology and deconstruction, this paper aims at investigating a guilty individual's impulse for self-authorization (and self-narration). It discusses infant mortality, motherhood, and suffering, in which Elizabeth Barrett Browning's oeuvre abounds. Despite the unceasing critical interest in the poet's abolitionist leanings, the ontological uniqueness of The Runaway Slave is yet to be explored, having been dominated so far by militantly politicized researches on women's rights, the religious incongruities of Victorian culture, and the wavering solidarity that nineteenth-century England demonstrated for nations struggling under foreign despotism and illiterate self-government. Infanticide could be perceived as an act of self-de-facement, rather than of self-declaration. Considering muteness against the voicedness of the Face, this paper reveals the travail of a Self's inevitable sacrificial exposure to an Other, and by extension, the foundational role of alterity in authorial intentionality.
Read full abstract