With unerring hands German literary criticism has inadequately characterized Peter Weiss' novel Die Asthetik des Widerstands. Critics have compared it to Joyce and Musil, to the roman fleuve, to the paradigmatic aggregates of free associations, whereas any attentive reading of the text would convince us that Weiss neither had, nor intended to have, anything to do with the arabesques of associations. A very consistent, sometimes even mathematically constructed blueprint can be uncovered from the novel's thousand pages. This apparent irresistible tide has many facets, several constituents, all kept in careful and calculated balance, and the overriding element, the author's voice, is invariably under control. primary component of the structure is montage a gesture of deliberate recourse to the traditions of the 'proletarian novel' of Ottwalt, and the political photomontages of the 1920s and 1930s, above all to those of Heartfield. One longer quotation may stand here for the hundreds of pages composed in the same vein, a montage fusing together the writer's mother during her long day's journey into night with the feverish plundering activity of German capital under the protection of the Nazi conquerors: The chants of chauvinism would resound through the cities while they were secretly preparing themselves to loot and were aligning themselves with the v6lkisch demagogue's greed for conquest. Slowly, my mother went over to the kitchen counter, stirred a pot and chopped vegetables on a board. In her thoughts, she went back eight years to the time preceding the Civil War in Spain. In negotiations with Gil Robles, the conservative minister president, they had already secured concessions in the mines and steelworks of the northern provinces, and after fascism had been brought to Spain and been victorious due to the help of arms and their troops sent from Krupp and Thyssen, they could move into the coal mines of Leska and Ollarean, into the ammunition plants of San Sebastian and Bilbao, while Wolff appropriated the silver and lead of the mines at Jaen, Linares and Vilches and IG Farben controlled the copper at Huelva and the wolfram and antinomy in Galicia. At that time in Austria, Krupp, Thyssen, Kirdorf, V6gler, Flick and Wolff had already divided up among each other the Alpine mining 157
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