<font size="3"><font face="Times New Roman"><span style="font-weight: normal">Up until the Crusades, it was <em>al-Rūm </em>who were universally seen by Arab writers and Arab poets in particular as the Other <em>par excellence</em>. Nowhere is this more conspicuous than in the sub-genre of <em>Al-Rūmiyyat </em>(poems about the Byzantines), namely as found in the <em>Rūmiyyat</em> of Abu Firas al-Hamdani(d.968), and in the poetic responses of al-Qaffal(d</span><span><strong>. </strong></span><span style="font-weight: normal">946</span><span style="font-weight: normal">) and Ibn Hazm(d.</span><span><strong> </strong></span><span style="font-weight: normal">1064</span><span style="font-weight: normal">) to what was described by several medieval Muslim chronicles as <em>Al-Qasida al-Arminiyya al-Malʿuna </em>(The Armenian Cursed Ode). By exploring the forgotten views of the Byzantines in medieval Arabic poetry, this article </span><span style="font-weight: normal">purports to demonstrate that </span><span style="font-weight: normal">contrary to the impression left after reading Edward Said&rsquo;s groundbreaking <em>Orientalism: Western Conceptions of the Orient</em> (1978) and other postcolonial studies, Orientals have not existed solely to be &lsquo;orientalized&rsquo;. Perhaps even before this came to be so, they too had &lsquo;occidentalized&rsquo;</span><span><strong> </strong></span><span style="font-weight: normal">their Euro-Christian Other(s)</span><span><strong> </strong></span><span style="font-weight: normal">in a way that mirrored in reverse the subject/object relationship described as Orientalism.</span></font></font> <h1 style="margin: 0in 0in 0pt 0.5in; direction: ltr; unicode-bidi: embed; text-align: center" align="center"><strong></strong></h1><h1 style="margin: 0in 0in 0pt 0.5in; direction: ltr; unicode-bidi: embed; text-align: center" align="center"><strong></strong></h1>
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