The writings of Franz Kafka open, perhaps precisely because of their temporal distance to our present, a unique window onto the nexus of power, material, and the human that constitutes AI today. Anxiety and Unbehagen [discontent] are states of mind that often grip both Kafka and his characters in an early-20th-century world increasingly dependent upon and perceived through the lens of disembodied communication and technology. But can we draw a line from Kafka’s reflections on analog media to the digital media that have come to dominate our lives in the 21st century, and whose effects are felt on a planetary scale? The short answer is “yes”. In Kafka’s analog world of technological horrors, glitches in the machinic administration of human life turn out to be not bugs, but rather features of the system; precisely the arbitrary effects that accompany the rigid implementation of rules and the slippages that occur during their merciless application enhance the power of the system as a whole. Kafka’s apparatuses and bureaucratic systems, in their powerful and toxic confluence of regularity and opacity, systematicity and arbitrariness, foreshadow the effects of AI upon our embodied existence in the 21st century.
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