Punden terraces on the Gunung Padang Site, Cianjur, West Java is archaeological evidence about the existence of prehistoric humans. This Megalithic Age heritage building is a form of cultural reality that must be cared for and preserved. During this time, there have been many acts of vandalism against cultural heritage objects, so that a site guard is needed called a keeper. The role of the keeper includes establishing social interaction with tourists to socialize the importance of prehistoric sites as a national asset. This study aims to visualize the activity of keepers as a form of self-actualization through human interest photography. Quantitatively, the data shows that 62% of tourists consider that media information is still limited in the area of the site, so 92% of tourists consider the importance of a keeper. Qualitatively, the discussion of photography design uses a visual narrative theory that refers to elements of plot, viewpoint, character, event, time and place, and causal relations. The human interest photography presents a variety of self-actualization of keepers in interacting with nature and humans, as a choice, responsibility, intentional nature, search for meaning, value, and creativity, which are included in humanistic postulates. The study results can be a reference to the application of visual language in conveying messages about the values of social life keepers in carrying out their role as cultural heritage guard.
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