This research reads New Orleans’s North Claiborne’s 22-block landscape through a Du Boisian cartographic analytic that traces the ground rhythms of white supremacy and the syncopating daily life of Blacks residents’ resistance to racial oppression. Drawing on Du Bois’s The Philadelphia Negro as well as his work of speculative fiction, The Princess Steel, and cartographic experiments for the 1900 Paris World Exposition, and through textual and visual analyses of this critical Black geography, I argue that Du Boisian spatial analytics continue to be critical to how Black futures and freedom might be imagined. This Du Boisian analytic tends to archival and canonical absences; insists on the temporal, relational, and geographical dimensions of white supremacy; challenges the flattening of racial classificatory systems and cartographic logics; and represents heterogeneity as a rich and complex genealogical intermix of resistance across time and space. By reading North Claiborne for its geographical and temporal synergies, I draw on Du Bois to empirically grapple with and represent a capacious Black geographical imaginary and grounded praxis that blurs geographical and temporal delineations, contrasts white supremacy with freedom as a geographical praxis, and transposes abstract cartographies with Black life and placemaking.
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