REVIEWS Deconstructive readings of decadent texts throw a raking light over continual alterations of signification, the “perennial decay,” referred to in the book’s title: “Decadent textual strate gies interfere with the boundaries and borders (national, sexual, definitional, historical, to name but a few) that criticism nor mally relies upon to make its judgments, producing what we call a ‘perennial decay’ of those boundaries and borders” (11). This position implies that theory, at least in the form of decon struction, is likewise a mode of “perennial decay,” indeed, of decadence. In refraining from directing its attention backward (so to speak) upon its own theoretical premises and methods, Perennial Decay chooses not to name deconstruction itself as one of the latest and most potent articulations of Decadence, a truth that, from the mouths of academic humanists, has fre quently been hurled in the form of an accusation against deconstruction . Within the context of a volume such as this one, deconstruction needs to come out as decadent, even if doing so prevents it (and us) from ever safely exiting the purlieus of Decadence. Within this general set of parameters, readers with an inter est in literary and other modes of decadence will find a variety of items of interest in this collection: an essay on opera and disease by Marc A. Weiner; the art of posing in Latin American liter ature of the fin de siècle (Sylvia Molloy), and the connection between Dorian’s portrait and late Victorian and Edwardian portraiture practice (Dennis Denisoff). RICHARD DELLAMORA / Trent University Diane McGee. Writing the Meal: Dinner in the Fiction of Early Twentieth-Century Writers. Toronto: University of Toronto Press, 2001. 221. $60.00 cloth. Re-imagine Michelangelo’s Creation of Adam: instead of the masculine text of a finger-tip touch through which God dele gates authority to a lolling Adam, picture instead God’s ex tended arm in the act of handing over to a harried Eve the divine cooking pot so that she can assume responsibility for 539 ESC 28, 2002 whipping up mini-acts of Creation daily in order to re-vivify physically and spiritually all those gathered round the hearth for the dinner rites. A vision only slightly less ambitious is set up at the beginning of McGee’s study. The first chapter draws upon a variety of anthropological and sociological references to argue that meal preparation is not only a cultural text but also a site of origins: “Thus the roots of storytelling, art, and religion are linked to cooking,” and “Through this process of ordering and transforming the world, cooking can be viewed as the ba sis of thought” (13). Not only are food preparation practices “conveyers of meaning both to those within the group and to outsiders” (11), but also, “in that they create meaning, these activities are fundamental to thought and to language” (13). Before narrowing her scope to meals of various sorts (pri marily dinners because they are the most ritualized), McGee provides an overview of changing societal attitudes towards cooking and women’s domestic roles in the late nineteenth and early twentieth centuries. She thus establishes a historical con text for the argument to turn from the notion of origins to the specific time-frame of modernity. The dinner analyses that fol low are situated to be reflective of problems rooted not just in women’s social roles but also in western culture’s worried responses to a changing world. McGee’s approach to dinner as discourse concentrates on female characters acting in the broadly defined roles of host ess or guest in fiction by Edith Wharton, Katherine Mansfield, Virginia Woolf, and Kate Chopin (with the work of some other women writers mentioned in passing, along with that of an occa sional male author). Interactions of gender, class, and economics are convincingly examined in novels by Wharton, and Clarissa’s significance as hostess in Woolf’s Mrs. Dalloway gets a more sympathetic reading than is often the case. The chapters on Mansfield may be especially welcome to readers because, despite the steady growth in Mansfield studies over the last few years, there are fresh insights here. To close, McGee picks up on her...
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