Reviewed by: Typescenes by Rodney A. Brown Jeffrey Cyphers Wright (bio) typescenes Rodney A. Brown Unlikely Books https://www.unlikelystories.org/unlikely-books/typescenes 70 pages; Print, $13.00 Welcome to a vision where the mirror is simultaneously melting and regenerating … an experimental exercise hijacking poetic forms and reimagining them as philosophical inquiries into social heteromorphoses … an equationary leveler where volition and entropy are conflated. Recent literature has reflected civil upheaval and racial oppression with responses that record and research the soul of a nation. Claudia Rankine's Citizen: An American Lyric, from 2017, is a seminal text that employs hybrid methods and reached a large audience. The Ferguson Project, a series of interviews conducted by Ama Birch, focuses on a single tragedy through the eyes of community activists. Now we have a searing new entry in an unfolding genre of reality-based and structurally diverse methodologies for addressing and overcoming disparities. Rodney A. Brown's Typescenes centers on what Brown calls "component parts of Black living_which when read together create some singular convent of Blackness." And the twenty-five list poems (presented in prose) are singularly unique. Theoretical underpinnings are outlined in a foreword, a publisher's preface, and an author's preface, which together comprise about a third of the book. In a rigorous exegesis of the text, Jonathan J. Detrixhe declares, "This is no katabasis." No, for while recognizing unjust incidents and weaving them into a loose narrative, Brown does not leave us with a descent. We are instead, [End Page 156] offered more, not less. The world opens rather than shrinks. The reader is given agency rather than being diminished. Detrixhe continues: "From the poet we get self-overcoming on a massive scale, but we also get the torture chamber in which the training for mastery took place." This book is built on one word: enter. This word is repeated about a thousand times, serving as a mechanism to introduce elements to the "typescenes." Yet exit, the natural obverse of enter, is scarce, implying that once entered, a mark remains. This a book you have to make space for, to let it enter you. And remember, enter has more than one meaning. An entry can be made into a place or an entry can be made into a diary or ledger. Brown plays with that duality between physical and verbal. A dancer (and founder of the Brown Dance Project) as well as a writer, the author originally created these "typescenes" as part of a performance, merging the meanings of enter. Multidisciplined, the work gives new ballast to the term "body of work." "Many beautiful minds continue to write about music," the publisher notes, "but fewer have the nerve to create a nonmusical work designed for dancing. Typescenes is such a work: some thirty-nine pages of dense language." Like good music without choreography, the book holds up without the accompaniment of dance. The subject matter and iterative rhythms call for contemplation about our evolution. It's worth quoting a longer sample from the first poem, "The Nightmare Passenger," to frame what will be an immersive, perhaps even cathartic, experience for a reader. In this opening salvo, Brown boldly outlines strategies, asking the reader what they might expect from this text and what's expected of them in return: Enter you own God. Enter words. Dance go. Enter worthlessness feelings. Enter the sound of your own voice. Mix that, the first, voice into a socratic seminar with the other voices present. Enter toy. Enter cultural trade. Enter aftermath. Enter activism. Enter results. Enter directions. The text confronts iniquity and suggests a capacity for responsibility. "Enter people in great financial need and those with lesser need." It reassembles iconic symbols of oppression: "Enter untaxed cigarettes." "Enter chokeholds." [End Page 157] The work stacks, fabricating a rich texture of wounds and resolutions, amulets and insults. "Black experience enter. Enter verdicts." "Enter selling cotton." Reminders of grievances mingle with chances for dignity. "Enter second chances. Enter third chances. Enter fourth chances." Brown finds the fracture points in the politics of our day … in the wake of the BLM movement … in the ongoing subjugation of minorities. The work offers a view...