This is a first investigation of musical life in the city of Douai (flemish: Dowaai) in the second half of the sixteenth century. The study of music and musical activity in the earlier Flemish cities of the present-day Northern France is in its infancy, because only Cambrai (flemish: Kamerijk) has received any attention thus far, and this primarily due to Guillaume Dufay's presence there1. Douai only became French territory around the middle of the seventeenth century, after Louis XIV moved the border between France and the Netherlands to the north. In the Middle Ages, the famed and widely distributed Flemish cloth made Douai one of the most flourishing cities in the county of Flanders. Economic decline followed, and com merce was then restricted mainly to grain. At the end of the fourteenth century, Douai became the property of the Burgundi?n dukes, who used astute politics of matrimony and conquest to acquire the medieval principalities of present-day Belgium and then to weld them into a whole. After the death of Charles the Bold, duke of
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