Field Of Interior Design Research Articles

STUDY OF THE RANGE AND TECHNOLOGICAL FEATURES OF THE DERUFA DECODER SERIES FOR WALL DECORATION IN A MODERN INTERIOR

The use of the products of the well-known German brand – DERUFA DecoDer series in decorative wall decoration in a modern interior gives unlimited opportunities for one’s creativity and unique design. The range of products presented on the domestic market is distinguished by a wide range of colors, various environmental, operational, and technological characteristics, etc. Water-dispersed acrylic paints, decorative coatings, primers, and other DERUFA products of the DecoDer series offer unique innovative solutions with high-quality characteristics, focused on each client, following current market trends in the field of interior design and design. The available information about the finishing materials intended for wall decoration in modern interiors and represented by the DERUFA DecoDer series of products is insufficient and needs more clarification. The work presents the results of research related to the identification of the features of DERUFA products of the DecoDer series. The use of DERUFA water-dispersed acrylic paints of the DecoDer series has the following advantages: no smell when applying the paint to the wall, quick drying of the paint, and resistance to abrasion and moisture. Such paints are environmentally friendly and aesthetically attractive. DERUFA water-dispersed acrylic wall paints of the professional DecoDer series can be used together with decorative coatings, which are produced separately and can be applied to the painted surface to obtain a decorative relief coating on the wall surface in a modern interior. Such a coating is produced with various fillers imitating the effects of polished marble, velvet, suede, etc. To enhance the decorative effect, special primers of the DecoDer DERUFA series are used, the application of which, if a certain technology is followed, enhances the decorative effect. STUCCO PENELLO and STUCCO RILEVATO primers can be applied without restrictions on any mineral bases: plaster, brick, or plasterboard. However, it is not allowed to apply a primer on surfaces made with lime plaster, as well as on surfaces previously painted with oil, alkyd, or silicate paints. The primer is applied to the surface of the wall with a roller, and then the necessary relief of the surface is provided with a brush. To create relief, it is recommended to use chaotic cross-shaped or semicircular movements and special techniques. To add special decorative effects, it is possible to apply the material with a spatula or trowel. If you want to get a deeper relief, it is recommended to apply the material in two stages. POLICROMO BRILLIANTE primer can be applied with a brush, roller, sponge, or spatula on previously painted surfaces, except those painted with oil, alkyd, and silicate paints. When applying to the surface using a roller, the primer is first evenly distributed over the surface, and later the necessary effects are created using a spatula or brush. In addition, it is recommended to apply the material in limited areas to avoid its drying before the decoration begins. Thus, the considered studies presented in this work allow us to identify features related to the technological and operational capabilities of DERUFA products of the DecoDer series. The considered information is important for organizing the informative market.

A Data-Driven Intelligent System for Assistive Design of Interior Environments.

This paper analyses the design of a healthy interior environment using big data intelligence. The application of big data intelligence in the design of healthy interior environments is necessary because the traditional interior design approaches consume a lot of energy and other problems. Benefited by its strong ability of computation and analytics, artificial intelligence can well improve a series of problems in the field of interior design. The proposal summarizes the sources, classifications, and expressions of behavioral data in interior spaces, carries out analysis and research on behavioral data from two aspects: display space and supermarket space, summarizes the interior methods based on behavioral data, and analyses the visualization application of behavioral data in different interior scenes, to explore the application value of behavioral data in interior design. In contrast to it is the unconscious behavioral response, the biggest characteristic of which is that it is regulated by the behavioral subject's physiological factors or habits of the behavior issuer. In this paper, we convert the layout recommendation problem of a space into a functional classification problem of segmented segments and household segments on a plane. The scene layout features are extracted by binary coding, the abstraction of the cross features between the vector segments is achieved by using a word embedding algorithm, the feature matrix is reduced in dimensionality, and finally, the segmentation network model and the layout network model are constructed, respectively, by using a bidirectional LSTM. The experiments show that the accuracy of the layout recommendation model in this paper is 98%, which can meet the demand for real-time online layouts.

한스홀라인의 상업공간 작품에서 나타나는 오브제적 실내디자인 표현 연구

In the field of interior design, the object space that appears as a method of expression is attempting to express more sensuous space. The purpose of the study is to present the applicability of the concept of objects used as decorative and formative elements in art history as design expressions when designing spaces by applying them to spaces. This study analyzed the meaning and characteristics of objects in indoor design through Hans Hollein's commercial space, and summarized the role of objects in his work. As a result, the object expression of the interior design can organize material expression, morphological expression, and symbolic expression into main themes, and visualization of space through objects is achieved. In interior design, object expression is one of the design methodologies that has an important influence on spatial composition, and it is expected that major issues revealed through Hans Hollein's commercial space design cases will help establish the direction of design in the future.

Trends in Artificial Interior Lighting in the 2020s

The purpose of the study is to review and analyze the current state of the market of lighting fixtures for interior use, identify and describe trends and directions in the market of lighting fixtures for interiors, group them into major categories and give some predictions on the practical integration of innovation in design projects.
 The research methodology is based on the analysis of literature sources and sources on the Internet, systematization and organization of graphic materials. Scientific novelty. The typology of lighting fixtures for interior use is comprehensively considered. A simple and easy-to-use classification of interior lighting is offered, which allows both professionals in the field of interior design and non-specialists to programmatically and consciously equip the interior with lighting fixtures for maximum comfort and practicality. Current trends in the market of lighting fixtures for interior use have been identified, described and analyzed. The results have been grouped into five main categories, each with visual examples. Conclusions. The role of artificial lighting in the interior is fundamental and decisive in the further perception of space. Identified trends and their knowledge will help practitioners and theorists of interior design to successfully integrate innovative trends and capabilities of modern lighting in their projects. Environmental friendliness and economy, automation and optimization, flexibility and adaptability, mobility and portability, and synthesis of retro and innovation are the main categories that include the current state and the vector of innovation in the market of modern interior lighting. Knowledge of traditions, understanding and application of proven laws and canons allows experimenting more boldly with innovations in the projects for practising designers and achieve more expressive and effective results in their work.

Research on the Application of Green Building Decoration Materials in the Field of Interior Design

Research on the Application of Green Building Decoration Materials in the Field of Interior Design

Effect of Variable Conditions of Exposure on the Physical and Mechanical Properties of Blockboards

The growing demand for wood and the continued increase of the raw material price have resulted in companies using more efficient wood resources in wood-based products such as blockboard. These boards are used in the field of interior design, especially. The aim of this research was to evaluate the effect of variable environmental conditions on the physical and mechanical properties of blockboard (BK). Two types of commercial BK were exposed in variable environmental conditions (kitchen, bathroom and climatic chamber) for three months. The BK structures were composed of veneer (V) and high-density fibreboards (HDF) for the face sheets and glued, solid wood, resinous strips for the core. The temperature and relative humidity of the air (RH) ranged from 18 °C to 25 °C and from 25% to 90%, respectively. In the climatic chamber (CC), the dynamics of the parameter variations were different than in the other two exposure climates, being determined by the programmed cyclic changes in RH. The changes observed on physical and mechanical properties were more extreme for the blockboards tested in the CC than in the kitchen (K) and bathroom (Ba). After 3 months of exposure in the CC, the thickness and weight of the boards increased by 1.8 and 1.1 times, respectively, for veneered BK, and by 4.4 and 0.4 times, for BK with HDF faces, compared to values recorded in the kitchen. The panels exposed in the CC exhibited the highest increase in moisture content (MC): 41% for veneered BK and 82% for BK with HDF faces after three months of exposure, followed by those exposed in the bathroom and kitchen. Increases in MC determined decreases of flexural properties and soundness surfaces, more evident for HDF face structures compared to V ones.

The Effect of Technology in The Development of Interior Design in Today's Digital Age

In the digital era, technology is increasingly developing, affecting the development of science and various other aspects. The development of digital technology can have a big influence in the field of interior design, both in the field of education and the profession to help create works. In the digital era, manual methods are now being replaced by technology, even though the fact is that there are still some designers who use manual methods in creating their work. The purpose of this paper is to find out what are the effects of technology in the development of interior design in today's digital era. The method used in writing is a literature study, by conducting research from the related literature. From the results of the literature study, it can be concluded that digital technology has an effect on making it easier to make the interior design process as well as assisting in adaptability for the future. This paper discusses how the influence of technology in the development of interior design in the current digital era, both in the field of education and the profession. Technology in the development of interior design in the digital era now greatly influences a designer in helping to create works more easily and efficiently.

프로젝트 기반의 협력적 CPS를 적용한 실내디자인 서비스러닝 교과 운영 사례 및 교육효과

A key task for universities to prepare for the future in the face of rapidly social changes after the decline of the school-age population and the COVID-19 outbreak is the development of innovative curriculum. While the development of class in majors is becoming more important, this study looked at the case of experience-oriented education that can be growed self-directed creative talents in the field of interior design through specific curriculum operation. The interior design service learning using project-based cooperative CPS curriculum at Gachon University highlighted the various educational effects required for interior design majors. The characteristics and educational effects of the class are summarized as follows. First, it was possible to systematize the educational performance that was easy to miss in the non-course as the service learning class was operated as a subject in which individual interests and public purposes create mutual value. Second, as the class was organized based on projects, students were able to develop practical skills while solving and operating practical problems. In addition, they were able to reflect on their future improvement points by using their existing major knowledge. Third, through the class, students were able to learn the process of creatively exploring problems and solving cooperatively. Professors and university were also able to implement the goal of cultivating creative talents in cooperation through this class. In conclusion, this class provides students with project-based practical courses, experiences to collaborate creatively and problem-solving, and provides opportunities to contribute to society through their efforts. In this respect, the class can be evaluated as one of the meaningful class models.

Exploring Google Reverse Image Search to Detect Visual Plagiarism in Interior Design

This study aims to explore the ability of Google Reverse Image Search (RIS) to detect plagiarism in images in the interior design field. Several image modifications were introduced by retaining the basic concept of the original image. These changes were classified into three categories as follow: a change in the design elements, introduced random changes by adding different objects to the existing image contents, and introduced various image effects. findings show that Google RIS does not take long to find newly uploaded images. Although it cannot detect changes related to the image contents, it can detect changes related to image size and contrast. Overall percentage of the modified images that were detected as matching the original image was only 5%. By contrast, the net percentage of images retrieved by Google RIS with contents actually related to the uploaded original image was 58.5%. Therefore, Google RIS is inaccurate in detecting any changes in the image contents irrespective of their simplicity, which implies that it cannot help in detection of visual plagiarism.

The Product of Formal Innovation in Contemporary Interior Design Techniques

The product of formal innovation has become a strategy in itself, and because the design development with a technical dimension has become a feature of human life, so the concerned institutions have been referring to this through architecture, including the interior spaces it contains, especially at the level of all materials and raw materials.Therefore, in recent years a phenomenon has emerged that is characterized by the innovation of new design techniques, as the interior designer began to realize the importance of innovation, renewal and development through aesthetic and creative data that takes into account the formation of a future vision in which factors concerned with technical development in contemporary interior design overlap, and by informing researchers about foreign design techniques .Therefore, the problem of the research study was formulated with the following question: Does the product of formal innovation have a role in contemporary interior design techniques? While the importance of research contributes to supplying libraries, especially in the field of interior design, with valuable information that can be referenced by specialists in the field of interior design.While the current research aims to reveal contemporary interior design techniques to reach an innovative design product that achieves the functional and aesthetic aspect of the interior space, while the third chapter includes defining the topic of the research procedures represented by the research methodology based on the descriptive analytical approach, while the research community focuses on adopting the eclectic method Finally, the fourth chapter included extracting the results and conclusions of the research study in addition to the recommendations and suggestions.

Students' Attitudes toward Plagiarism in the Interior Design Field

Plagiarism is an important issue, with which students need to get acquainted before they start practicing as professionals after graduation. This study aimed to identify students' attitudes towards plagiarism in the interior design field. It identified three aspects of visual plagiarism according to students' perceptions: students' knowledge and understanding of the topic, causes of plagiarism, and the time when plagiarism typically occurs during a project. The participants were interior design and furniture students (n=59) from King Abdulaziz University, Jeddah, Saudi Arabia. Data were collected through a questionnaire. The results revealed that students understand the general meaning of plagiarism but lack clarity regarding its finer details in the field of interior design. Five reasons, related to accidental plagiarism, were found to drive student to plagiarize. Furthermore, coping was most likely to occur in specific project phases. This study provides information that will help facilitate better practices for preventing visual plagiarism in various artistic fields. It will also make faculty members aware of students' perceptions of plagiarism in the field of interior design, along with the need to include this issue in the curriculum to ensure academic integrity, foster creativity, and provide a clear understanding of plagiarism before students commence their professional careers.

Aesthetic dominance and expressive influence in a taste for green indoor environment

The aesthetic dominance emphasizes sensory pleasure through what is perceived from an aesthetic experience, and this is based on three main elements, Creative designer, design work and recipient, which means that the design work does not express its aesthetic level, as it is not a subject of aesthetic dominance. The aesthetic dominance within the green internal as well as function of expressive influence through symbols. In fact, the moments of aesthetic dominance that we experience are closely intertwined through aesthetic enjoyment, which means that the aesthetic sense is an integral part of our taste for design work. Were it not for this aesthetic feeling, we would not have been able to see the interconnectedness of the multiple parts within the green inner environment. Thus, the aesthetic dominance achieved here means visual beauty that makes the viewer (recipient) spend a pleasant time in this experience as a result of the act of taste based on the aesthetic experience of the interior designer within the green interior environment. The importance of this topic, the problem of this study was formulated with the following question: - What is the role of aesthetic dominance and its expressive effect on the taste of the green internal environment? While the importance of research lies in establishing a theoretical and cognitive base that enriches its scientific material to be of benefit to designers and specialists in the field of interior design and agricultural engineering. In light of this, the goal of the research was determined by revealing the role of aesthetic dominance and its expressive effect in the taste of the green interior environment. While it included the limits of spatial and temporal research study of internal spaces represented by: the building (Eden Project)- England- 2001) and the building (Valley of Butterflies)- Konya- Turkey- 2015). This study will also include the theoretical framework, with defining the topic of the research procedures represented by the research methodology based on descriptive analytical approach (content analysis), while the research community will focus on adopting the intentional selective method, reaching the results of the research study.

Interiorist interventions and archival strategies: Contemporary terms for museums and creative practitioners

The contested interior space of the museum and its artifacts are receiving due attention. Museum objectors are altering content, examining unacknowledged assumptions and biases, and developing new ways of seeing and experiencing that will act as new models for critical, creative discourse. Museum objectors range from entire countries (notably Greece, which has been asking the British Museum to return the marble gods of the Parthenon since 1833), to community groups and creative practitioners. A prime example of the latter type of museum objector was Marcel Duchamp. His interiorist interventions of the 1930s and 1940s set the tone for creative practice within the notion of interiority, informed exhibition display and experience, and expanded museum discourse. This paper proposes that Marcel Duchamp extended his creative artistic practice into the field of interior design to subvert critical discourse on authoritarian aesthetics and display. Within this context of critical reflection, the museum as an artistic medium is also fast becoming an accepted methodology of creative practice. To examine this practical, creative work, we first draw on Jacques Derrida’s theoretical discussion about the concept of ‘the archive,’ to acknowledge the language of interiority and to focus on the ‘curated interior’ by juxtaposing the domestic and institutional interior and the notion of topology as a form of creative methodology. As a stepping-off-point, we will explore Marcel Duchamp’s conceptual nuances of the interior, specifically his La Boîte-en-valise, as a masterful blending of the archive (collection), the melding of creative disciplines, and commentary on the museum practices. We will then examine the challenges faced by two American and one Canadian museums’ exhibitions in the 1980s, followed by a review of more recent works highlighting progressive change within these museums. The works by Spring Hurlbut in 2001 and Kent Monkman and Wangechi Mutu in 2019 illustrate evolving discussions about the use of creative practitioners working with museum collections and interiors. As the landscape of the curated interior within the institutional setting (museum) has changed, it is a crucial time to take stock of the different possibilities when addressing the spaces between the memories of the archive: what is remembered, how it was/is remembered? This new methodology of museum as artistic medium is substantially expanding modern critical discourse on the interiority and the archive.

Biological Mimicking of natural environment chromatic formation and their application in the field of interior design

Biomimicry of color configurations in the natural environment has attracted great interest in research fields in recent years, as colors are produced in the natural environment through three main sources: bio-pigments, bioluminescence and structural colors. Structural color is a special color produced by micro or microscopic structures in living organisms where structural colors arise from complex interactions between microscopic structural surfaces and visible light and are related to the rapidly evolving field of photonics, and in principle they depend mainly on many elementary optical processes including interference Thin layer, diffraction, light scattering, optical crystals etc. In nature these processes are mixed together in multiple ways to produce complex color optical phenomena. Textured colors collaborate with pigment colors to enhance or reduce glossiness and produce special effects. It seems that structure-based optical phenomena in the natural environment are multifunctional, the diversity of which is very far from our understanding. In this research, we review these phenomena that appear in living organisms, to shed light on this rapidly developing field of research and its applications in the field of interior design and furniture. .

Research on Interior Design Optimization based on Virtual Reality Technology

The professional knowledge structure system of interior design pays attention to the continuous improvement of the comprehensive quality of interior designers. Interior designers should not only master the traditional design skills, but also master the most advanced and cutting-edge new technologies, so as to apply them to the practical projects of interior design. Virtual reality technology based on building digitization is being applied in various types of high-end indoor and outdoor construction projects, which builds a real bridge between designers and users and greatly enriches the interior space art. Research on the application of virtual reality technology in the field of interior design will guide the development of interior design industry better, more scientifically and systematically.

Biotechnology and its applications in interior design and furniture

With tremendous technological progress ,that has occurred in the fields of genetics and biochemistry; research has tended recently to find materials that are organically degradable , it degrade in the soil after being buried Like living creatures after their death, and it is also useful for the soil . This is what biotechnology has produced in a world where sustainable development has become the password. Biotechnology is best defined as applied science based on the study of chemical and biological processes that take place inside the cells of living organisms, and then take advantage of those processes in multiple fields, such as medicine, agriculture, industry and the environment. This benefit is achieved through modern engineering techniques related to genetic engineering, which opened new horizons and wider applications. This research aims to shed light on this technological progress in the field of biotechnology in order to nominate multiple examples of biomaterials that can be used in the field of interior design and furniture, including for example bio-textiles and bio-leather. The research problem is that the health and environmental impacts of internal pollutants such as industrial materials used in interior spaces; is more influencing and multiple pollutants from the external environment. The research is based on the analytical descriptive approach to replace the pollution sources represented in the industrial materials used in interior design and furniture with other sources “biological materials “ that are safer on human health and more safety on internal and external environment.

Designing Brand Experience in Interior Space

With fast globalization, comes competitive marketing and brands have begun to use experiential design as a marketing strategy. Experiencing spaces creates a signification in people’s lives, and spaces can have a particular role in originating specialized experiences. Therefore, there is a key role for interior designers, because they design experience through space. Understanding how to design a perceived space for the purpose of brand strategy becomes significant at this point. The research aspires to analyze the role of interior space in experiencing corporate identity. Moreover, it explores how interior space is being shaped by firms who are designing the corporate identity with all design elements together, from graphic design for the logo, to the software design for the website, to interior design for the design of the corporate space. Integrating interior space within the development of corporate identity is a new and effective approach in understanding the experience of the corporate identity. Schmitt’s [1] Experiential Marketing model is used to analyze the works of the design companythat uses this approach. The model is adapted to the field of interior design to provide a link with marketing and to eliminate deficiencies between professional life and the existing literature.

THE ROLE OF DESIGN IN MAXIMIZING THE BENEFIT OF THE OPTICAL ILLUSION ART IN THE FIELD OF INTERIOR DESIGN

The art of optical illusions is considered one of the creative formations that are used in various fields of arts such as painting, sculpture and graphics. It is known as Op Art which started with the painters Victor Vasarelli and Louise Riley in the thirties of the last century. The art of visual deception depends on unreal perception and geometric abstraction, and therefore this art can be utilized in the field of interior design aesthetically and functionally, where it is possible, for example, to visually merge between specific and closed spaces to create a feeling of space expansion. Hence, the research deals with delving into the study of the art of visual deception, getting acquainted with its fundamentals and structural laws, and an analysis of how it is used in the internal spaces, whether as an aesthetic or functional standard.

실내디자인 서비스러닝 교육프로그램 운영 사례 및 효과

In recent years, interest in personality education and social service education programs linked thereto is increasing in general. However, most universities have not yet been able to professionally develop or operate curriculum or educational programs related to service. Therefore, this study presented the possibility and direction of a service-learning instructional model suitable for the interior design major through an actual case. Service-learning in the field of interior design can be defined as an educational volunteer activity that helps the socially underprivileged in need of space improvement by cooperating with various organizations in the local community based on the design ability and construction technology of the interior space. The case of service learning education of competency-based in the Department of Interior Architecture at G University is a case in which service and education are ideally combined. This was confirmed through the satisfaction survey of participating students. College students who are struggling to collaborate naturally learn the meaning of teamwork and communication, receive feedback on the direction of learning by checking the utility of their majors in the field, and gain pride that their efforts have substantially contributed to the local community. If there is such an educational program, it will be worthwhile to implement despite the difficulties of operation. In the field of interior design, service learning is a program that can create the above educational effects, so the development of instructional models within the subject is also required in the future.

Sustainability by Reuse in The Field of Interior Design and Furniture "Study Applied to the Polytechnic in Damietta" (Dept.A)

Sustainability by Reuse in The Field of Interior Design and Furniture "Study Applied to the Polytechnic in Damietta" (Dept.A)