Codex 23 Framing Kian Gary Devilles Fear history, for nothing can be hidden from her. — Gregoria de Jesus, wife of Filipino national hero Andres Bonifacio The late art critic John Berger (1991, 48–50) said that photography always flirts with death because it stops the flow of life. And in Raffy Lerma’s photograph of Kian Lloyd Delos Santos lying in a coffin with a chick pecking at its glass pane, this flirtation becomes interminable, a constant play of sound and death. The chick’s pecking is unceasing, long, and acute. This Filipino custom is meant to shame the killers of the deceased, so the chick “pecks” at their conscience. On one hand, a feeling of indignation is evoked, but as the number of killings rises, and the photographs become all too familiar, our senses are dulled. Kian’sdeathmayhavesparkedanationwidecondemnationofDuterte’s war on drugs, as this happened during a bloody week of police operations Figure 5. Online version of the photograph of Kian Lloyd Delos Santos. Photograph courtesy of Raffy Lerma. 24 Codex and extrajudicial killings from August 14 to 18, 2017. At least eighty- one people were killed nationwide. However, at the same time, these reports and photographs were also being used by the state to justify its drive to clean up, to make the streets safe of drug users and pushers, telling us that the likes of Kian are the enemies, the real menace, the ones who have to be eradicated. At first, such news can be shocking, but soon, we accept and rationalize this state- sponsored violence. The statistics and the safe distance also afforded by TV screens at home somehow made us complicit with the state. We remained unperturbed as the police released recently that they had conducted 134,583 antidrug operations from June 2016 to July 2019. They visited 6,097,672 houses as part of Project Tokhang, which involves police officers going around communities across the country to persuade suspected drug users into drug rehabilitation programs. The word tokhang is derived from Cebuano, a language very distinct from Tagalog and the current president’s first language. Toktok-hangyo, meaning “to knock and plead” (or to make a polite request to surrender or stop using drugs), led to arrests and killings. The police claimed that 1,020,244 people had surrendered from June to December 2016. They also said that only 4,049 of the dead were victims of extrajudicial killings (Bueza 2016). Despite these figures, Kian and the rest remain faceless, but the knocking amplifies to something strident and thunderous. Last November 29, 2018, police officers Arnel Oares, Jeremiah Pereda, and Jerevin Cruz were found guilty of killing Kian and were sentenced to life in prison without the possibility of parole (Gavilan 2018). This could have been justice for Kian, yet he remains a restless ghost who continues to haunt us to this day. Among the little that we know about him is that he would have graduated from Our Lady of Lourdes College in Valenzuela City and might have applied to the Philippine National Police Academy. He would likely have continued to work in the sari-sari store and to text his mom, Saldy, who works in Riyadh, Saudi Arabia, about his future. But since such stories are the stuff that we watch too often on telenovelas or soap operas, we forget Kian and the many like him too easily. The recent Brilliante Mendoza’s Amo (pronounced “ah- moh,” meaning “boss” or “lord”) serialized in Netflix is about a high school student, Joseph, who gets involved in a drug- running operation of his family, with his uncle, who is a cop and profits from corruption, and with a brother- in- law, Bino, who helps cover his tracks. Filipino viewers easily recognized Kian in Joseph, and the director of the series is known as an unapologetic advocate of the brutal suppression of drug pushers and users. Mendoza even said that Duterte’s campaign is necessary for his own country and Codex 25 other countries afflicted with the drug problem. Human Rights Watch deputy Asia director Phelim Kine says that several sequences in Amo appear to be deliberate efforts to reinforce the government’s willfully deceptive...