Literature from the North-East has responded to national, global and local issues, including questions on immigration and ethnic violence. They have resisted the colonial framework of representation and have invoked a sense of “cultural and ethnic particularity” (Sarma, 2013). This literature has adopted a multilingual register to respond to 1) patriarchal and 2) ethnonationalist discourses that have a forced and overbearing presence in the everyday lives of people and their stories. These writings evoke an ethno-critical approach that “engages otherness and difference in such a way as to provoke an interrogation of and a challenge” to our familiar realms of experience and is “consistent with a recognition and legitimation of heterogeneity” (Sarma, 2013). Select stories from First Hand (Volume II, 2018) – The Lonely Courtyard (2018), My Name is Jahanara (2018), and A Market Story (2019) by Kumdo Yumnam provide the heterogeneity that is characteristic of the works of literature emerging from the North-East, thereby resisting the homogeneity often indicative of the term ‘North-East’. The analysis will explore how the selected texts negotiate textuality and visuality in a specific manner to present an archive of everyday life that humanises history.
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