Audience Emotions Research Articles

Body Language and Emotional Transmission in Dance Movies

In dance films, body language and emotional transmission are important artistic means. Body language includes dance movements, facial expressions, and body language, which work together to shape character images, express emotions, and drive plot development. Emotional transmission is achieved through music, sound effects, camera language, and narrative storytelling, enhancing the audience’s emotional experience, resonating, and conveying the theme and values of the film. This article will focus on exploring the application of these elements in dance films and their impact on audience emotions, in order to promote the development of dance film creation.

An Aesthetic Exploration of Sound Illusion in David Lynch's Mulholland Drive

Mulholland Drive is the masterpiece of American independent director David Lynch; whose unique sound design constructs an illusory yet real soundscape. Transcendental meditation, polysemous themes, open text, uncontrolled narrative, and disorienting imagery are the keywords to understand the aesthetic characteristics of Lynch's films. However, so far there are few comprehensive and in-depth interpretations of this movie from the perspective of cinematic sound. Therefore, this study analyzes the film from the perspective of sound design and concludes that the unique sound effects in Mulholland Drive can suggest danger and subtly manipulate the audience's emotions. In addition, the human voice in Mulholland Drive has the characteristics of mixing and breaking, and the human voice can establish a new relationship between sound and picture through the audio intervention, and it can also make the character's identity "out of focus" and other artistic effects. Finally, the jazz music in Mulholland Drive can foretell the unknown and create a strong contrast with the narrative of the movie, and other styles of soundtracks in the movie can create a dreamy and perverse ambient space.

Smart Painting Exhibitions: Utilizing Internet of Things Technology Creating Interactive Art Spaces

INTRODUCTION: With the rapid development of science and technology, intelligent painting exhibitions have gradually attracted people's attention with their unique forms. This study aims to create an interactive art space using Internet of Things (IoT) technology to provide audiences with a more prosperous and deeper art experience. OBJECTIVES: The primary purpose of this study is to explore how to use IoT technology to transform a painting exhibition into a digital space that can interact with the audience. By fusing art and technology, the researchers aim to promote innovation in traditional art presentations and stimulate the audience's freshness and interest in art.METHODS: In the Smart Painting exhibition, the researchers used advanced Internet of Things (IoT) technology to incorporate the audience's movements, emotions, and feedback into the artworks through sensors, wearable devices, and cloud computing. The digital devices in the exhibition space could sense the audience's presence and generate and adjust the art content in real-time according to their movements or emotional state, creating a unique display that interacted with the audience. RESULTS: After implementing the Smart Painting exhibition, the audience's sense of participation and immersion in the art display was significantly increased. Through IoT technology, viewers can interact with the artwork in real-time and feel a more personalized art experience. The digitized exhibition space provided the audience a new level of perception, deepening their understanding and appreciation of the artworks. CONCLUSION: This study demonstrates the feasibility of using IoT technology to create interactive art spaces and shows that this innovation can inject new vitality into traditional painting exhibitions. Through digitalization, the interactivity of the art space is enhanced, providing the audience with a more profound art experience. This approach provides artists with new possibilities for creativity and opens up a fresh vision of participatory art for the audience. The Smart Painting Exhibition is expected to become a new model for integrating art and technology, pushing the art world towards a more innovative and open future.

The Influence of The Chinese Documentary A Bite of China Upon Short Videos of Food Scouts on Chinese Media Platform

In today's Internet fragmented information age, short video has become a popular information dissemination medium, and the short video industry also has a place in the category of new media. In short videos, the popularity of food shopping videos has been high. This paper mainly discusses the progress of short food shop video, and studies how it extracts inspiration from traditional documentary A Bite of China, emulates shooting methods, and integrates actual content with audience emotion. This can give people a better understanding of how short videos have improved by exploring the reasons for the popularity of food inspection videos. Through interviews with experienced food shop bloggers, this paper further explores the source of inspiration in the production of food videos and its impact on creators: Food documentaries, such as A Bite of China, help creators take many of the techniques of documentary and storytelling and apply them to their own video production, allowing creators to pay more attention to detail and personal style expression. The conclusion of this paper is that the blogger of food shop draws inspiration from A Bite of China, learns from the aspects of shooting more exquisite food scenes, video content and style, imitating the music, adding more science popularization, and integrating the audience's emotions, and has achieved great success in the short video of food shop.

Adaptive matching optimization and VR system for indoor music performance based on wireless sensors

With the continuous development of technology, music performances are gradually moving from the traditional stage format to the virtual reality (VR) environment to provide a more immersive experience for the audience. But traditional music performance lacks interaction and adaptability with the audience. This research aims to propose an adaptive matching optimization and VR system for indoor music performance based on wireless sensors to realize the interaction and self-adaptation between music performance and audience. The research uses wireless sensor networks to obtain audience behavior and feedback information, and matches it with music performance. By collecting physiological indicators such as the audience's movements, emotions and heartbeat, we can analyze and identify the audience's emotion and experience state in real time, so as to realize the adaptive music performance. The experimental results show that the adaptive music performance system based on wireless sensor successfully improves the audience's participation and emotional experience. The audience can interact with the musical performance through their movements and emotions, and feel a personalized musical experience that enables the audience to be more immersed and engaged.

Modeling a Novel Approach for Emotion Recognition Using Learning and Natural Language Processing

Various facts, including politics, entertainment, industry, and research fields, are connected to analyzing the audience's emotions. Sentiment Analysis (SA) is a Natural Language Processing (NLP) concept that uses statistical and lexical forms as well as learning techniques to forecast how different types of content in social media will express the audience's neutral, positive, and negative emotions. There is lack of an adequate tool to quantify the characteristics and independent text for assessing the primary audience emotion from the available online social media dataset. The focus of this research is on modeling a cutting-edge method for decoding the connectivity among social media texts and assessing audience emotions. Here, a novel dense layer graph model (DLG-TF) for textual feature analysis is used to analyze the relevant connectedness inside the complex media environment to forecast emotions. The information from the social media dataset is extracted using some popular convolution network models, and the predictions are made by examining the textual properties. The experimental results show that, when compared to different standard emotions, the proposed DLG-TF model accurately predicts a greater number of possible emotions. The macro-average of baseline is 58%, the affective is 55%, the crawl is 55%, and the ultra-dense is 59%, respectively. The feature analysis comparison of baseline, affective, crawl, ultra-dense and DLG-TF using the unsupervised model based on EmoTweet gives the precision, recall, and F1-score of the anticipated model are explained. The micro- and macro-average based on these parameters are compared and analyzed. The macro-average of baseline is 47%, the affective is 46%, the crawl is 50%, and the ultra-dense is 85%, respectively. It makes precise predictions using the social media dataset that is readily available. A few criteria, including accuracy, recall, precision, and F-measure, are assessed and contrasted with alternative methods.

Role of Emotional Appeals in International Advertising Campaigns in Cameroon

Purpose: The aim of the study was to assess the role of emotional appeals in international advertising campaigns in Cameroon. Methodology: This study adopted a desk methodology. A desk study research design is commonly known as secondary data collection. This is basically collecting data from existing resources preferably because of its low cost advantage as compared to a field research. Our current study looked into already published studies and reports as the data was easily accessed through online journals and libraries. Findings: Research on the role of emotional appeals in international advertising campaigns in Cameroon indicates that emotions play a significant role in influencing consumer behavior and brand perception. Emotional appeals, such as humor, nostalgia, and empathy, have been found to effectively capture consumers' attention and evoke positive attitudes toward advertised products or services. However, cultural nuances and socio-economic factors must be considered when crafting emotional appeals for international advertising in Cameroon. While certain emotions may resonate universally, others may vary in effectiveness depending on cultural values and preferences. Therefore, successful international advertising campaigns in Cameroon require a careful balance of emotional appeals that align with local cultural norms and resonate with the target audience's emotions, ultimately leading to increased brand engagement and purchase intent. Implications to Theory, Practice and Policy: Cultural dimensions' theory, elaboration likelihood model and cross-cultural consumer behavior framework may be use to anchor future studies on assessing the role of emotional appeals in international advertising campaigns in Cameroon. Marketers should prioritize crafting emotionally resonant narratives that are tailored to specific cultural nuances while maintaining a cohesive brand message. Policymakers should advocate for policies that promote cultural sensitivity and inclusivity in international advertising practices.

Penerapan Dutch Angle Dalam Enggambarkan Emosional Pada Film “Tolong Aku”

Film, as a genre in the world of cinema, offers a short but captivating audiovisual experience. Films have the potential to create creative, entertaining works and have high artistic value. In the filmmaking process, various techniques and elements are used to improve the quality of the final result. Films are able to convey messages and emotions through various means, including dialogue, visuals, music and special effects. This research focuses on the important role of shooting techniques or cameras in film making. One of the techniques taught is Dutch Angle or Dutch Tilt, which involves tilting the camera angle on a vertical or horizontal axis. This technique is often used in the thriller and horror genres to create a dramatic effect on the audience. The film "Help Me" is an interesting case study, utilizing the Dutch Angle to produce emotions such as sadness, fear, anger, and surprise in the audience. The story of this film tells the story of a student named Dinda who is trapped in an organization that adheres to devil beliefs. Through the use of Dutch Angle, the audience is presented with an unstable atmosphere, creating tension and anxiety that blends with the main character's experiences. The aim of making the film "Help Me" is to apply the Dutch Angle technique to arouse the audience's emotions. In this way, the author hopes to strengthen the message and emotional nuances conveyed through this film. This research also aims to provide an overview of how shooting techniques in films can influence the audience's perception and emotions towards the work.

Analisis Tone Warna Dalam Sinematografi Dalam Menciptakan Efek Bahagia Pada Film Dokumenter “ Permata Di Tengah Danau Toba” Sutradara Andi Hutagalung

This research investigates the role and impact of the use of color tones in documentary films. Through analysis of a number of leading documentary films, this study aims to understand how choosing color tones can influence the audience's experience and convey messages more effectively. The research results show that color tones can create atmosphere, highlight themes, and influence audience emotions. These findings provide additional insight for ocumentary filmmakers to enhance the power of their visual narratives through intelligent use of color palettes

Evaluating Body Rhythm Elements as Applied in Classical Dance Teaching Topic for Thesis

Focusing on the application of rhythm in Chinese classical dance, this article deeply explores the importance of rhythm in Chinese classical dance by analyzing its expressive forms and artistic effects. The article first analyzes the characteristics of rhythm in Chinese classical dance, including diversity, hierarchy, and close integration with music. Furthermore, this article elaborates on the role of rhythm in shaping dance images, expressing themes, and guiding audience emotions, revealing how rhythm enhances dance expression through change and control. In addition, the article also explores how dancers can enhance their dance skills and artistic appeal by accurately grasping and applying rhythm.

News Frames Emotion: Analyzing How Audience Are Influenced by News Frames

Purpose: As a persistent pattern of selection, interpretation, emphasis and presentation, news frames is very fundamental in influencing individual emotions. News is the construct and presentation of the news media. The study examines how audience emotions are influenced by news frames.
 Materials and Methods: The study is anchored on the theory of media framing, which deals with how the media package and present information to the audience or how audiences feel about an issue. Using analytical review of literature, the paper is exploratory and explanatory in nature as it adopts the gathering of relevant literature data with the sole aim of interpreting these data in order to achieve the desired aim of the study.
 Findings: Arising from the analyses of data, the study submits that news frame as the construct and presentation of the news media is capable of influencing audience’s emotions. Individual’s perception and reaction to news is a product of the journalistic news frame. This is because news frames involve selecting and emphasizing words, expressions, and images and these are capable of influencing audience’s cognitive, attitude and emotional effects.
 Implications to Theory, Practice and Policy: However, audience emotions to news largely depend on the state of the audience’s selection, interpretation and perception processes of the news.

The Role and Impact of Social Media Data Analysis in Art Event Planning

Abstract The proliferation of rich social data sources in the big data era offers a valuable opportunity for studying the planning of art events. In this study, we harvested data on art activity planning from social media via microblogging API calls, converting and analyzing this data through a novel methodological framework. Specifically, we employed the Sentiment-Enhanced Deep Graph Convolutional Network (SEDGCN) model to extract and identify sentiment features associated with art activity planning from social media datasets. Sentiments were categorized using the softmax function. Subsequently, our analysis integrated these findings into the art activity planning process. By conducting a correlation analysis between positive and negative sentiments on social media and various elements of art activity planning, we found a significant correlation (p < 0.005) with all six examined elements of art planning. Furthermore, an effectiveness analysis conducted post-implementation of the planned art events revealed predominantly positive emotional responses among attendees. Notably, 325 art professionals reported a sense of healing as a result of their participation. The methodology proposed in this paper for analyzing social media data effectively captures audience emotions, thereby assisting planners in crafting art events that resonate with and fulfill the emotional needs of the audience.

Constructing an Innovative Interactive Experience of Stage Visual Design for Augmented Reality in Costume Performance

Abstract Augmented reality (AR) technology has rapidly advanced across various domains, propelled by its robust interactive immersion and the seamless integration of real and virtual environments. However, its exploration and deployment in theatrical contexts remain limited. This study leverages the Kinect system to capture images during costume performances, employing algorithms for dynamic frame difference merging and human-computer interaction to detect performers’ body movements. Building on this, the study constructs a visually innovative stage for costume performances that enhances the interactive experience for the audience. Additionally, a multimodal emotion analysis model is utilized to assess audience emotions, demonstrating significantly higher accuracy and F1 scores compared to other emotion analysis models. This model effectively integrates speech, expression, and action, surpassing the performance of unimodal analyses in emotion recognition. Furthermore, the audience's experiential perception of stage lighting effects notably exceeds expectations (P=0.013 < 0.05), underscoring an enhanced interaction experience. This research substantiates the transformative potential of AR technology in stage design, offering audiences a more innovative visual and interactive experience, and serves as a valuable reference for future applications in this field.

EMOTIONAL SOUNDTRACK: INFLUENCE OF MUSIC COMPOSERS ON AUDIENCE EMOTION

Music has the unrivalled ability to elicit emotions and change human experiences. This study explores the complex interaction between music composition, attendance behaviour, and mood during musical events. Music’s significant effect on human emotions has been the focus of much study and intrigue. Music composers use the emotional power of music to elicit profound reactions from their audiences. In the context of soundtracks, this study explores the complex link between music creators and listeners’ emotions. This study investigates the methods, plans, and underlying psychological processes that composers use to affect the emotional states of their audience by carefully examining previous research and studies on music, emotion, and soundtracks. The study’s methodology is based on an extensive literature assessment, empirical investigations, and theoretical frameworks exploring the mutual relationship between music and emotion. It examines how different musical components, including instrumentation, rhythm, melody, and harmony, can influence listeners’ emotions over time. Furthermore, the study explores how the musical element interacts with contextual factors in cinematic narratives and visual cues to enhance emotional engagement. The study’s findings demonstrate how emotions and music interact with soundtracks. Composers utilize various strategies to alter and shape the listener’s emotions to fit music to the intended emotional arc of the lyrics, pitch, storyline, and melodies. This study synthesizes the plethora of data and ideas from studies on music, emotion, and soundtrack to further the understanding of the complicated relationship between music and emotion. It also highlights the artistic and mental prowess of composers who employ music as a powerful instrument to evoke intense emotional reactions in their listeners. By shedding further light on the impact composers have on the emotional landscape of music and the cinematic experience, this study contributes to the ongoing discussion regarding the art and science of music composition and how it impacts audience emotion.

“You’re Too Pretty to Be a Challenge Runner”: Changing “Gamers” in an Age of Live Streaming

Persistent misogyny in video gaming spaces has motivated calls for broader recognition of female players and the development of protective, welcoming spaces. Yet even recognition of female gamers remains elusive. By allowing individuals to broadcast themselves playing games, Twitch has greatly enhanced the visibility of players, including high-skill, hard-core female gamers developing dedicated viewer audiences. This study investigates the community management of female streamers who focus on high-skill “challenge running” and participate in hard-core challenge run communities. Regularly encountering online misogyny, these streamers have developed four distinct strategies in reply: overcoming antagonistic audiences, capturing audience emotion, anticipating antagonism, and combating misogyny through humor and recontextualization. Streamers learn to anticipate negative, misogynistic attention and, in collaboration with supportive viewers, creatively transform it into positive channel content for their benefit. By visibly challenging games and antagonistic viewers alike, these streamers provide new methods for responding to misogyny in online gaming spaces.

EMOTIONAL DESIGN OF CHINESE ANIMATION IMAGE BASED ON AUDIENCE'S PSYCHOLOGICAL LEVEL

Рurpose. Study the underlying logic of shaping the image of Chinese animation with the help of emotional design, on the basis of respecting and understanding the transformation of audience's psychological needs. Starting from the psychological level of Chinese animation audience, analyze the aesthetic tendency and characteristics of Chinese animation image-building. 
 Methodology. In the way of combining theory with demonstration, the relationship between the psychological transformation of animation audience and animation image is deeply discussed. It includes case analysis and comparative analysis.
 Results. Animation creation is deeply influenced by the audience's psychology and emotion. On the basis of understanding the audience's aesthetic experience, have been analyzed the different emotional needs of Chinese animation images in the audience's instinctive level, behavioral level and reflective level, which are embodied in the tendency of "popularization", the combination of realism and freehand brushwork. By comparing the successful and classic animation images, have been researched the internal emotional connection between the audience and the animation images, indicating a tendency for future creation of animated images.
 Scientific novelty. In terms of studying the image of Chinese animation, this paper proposes to correspond the three levels of emotional design theory to different levels of emotional needs of animation audiences, and focuses on summarizing new phenomena in animation image from the perspective of audience psychology.
 Practical significance. Relying on the emotional design of animation images caused by the psychological needs of the audience, this paper makes an in-depth analysis of Chinese animation image design, providing new ideas for the design and creation of animation images, opening up a new situation for the animation market in China and creating new animation images for more audiences.

პირველი „აქტუალებიდან“ სატელევიზიო დოკუმენტალისტიკამდე (თეორიული და მეთოდური მიდგომები)

The earliest instances of cinematography can be traced back to "Actuality Films" which portrayed the everyday lives of society. These films mechanically captured genuine footage, providing an accurate depiction of fleeting moments in existence that were brought into the limelight. Numerous endeavors aimed at capturing and presenting reality were eventually recognized as the birth of cinema in 1895. Although the initial films had a documentary nature, the term "cinema" itself emerged several decades later, becoming linked to the authenticity, credibility, and educational aspect of the content. Over the course of time, the narrator's voice and background noise were incorporated into the footage, while the shooting techniques, angles, and perspectives underwent improvement. The introduction of editing provided authors with even more powerful means to communicate their message to the viewers. Collectively and individually, these elements have given documentaries an immeasurable opportunity to influence the audience's emotions, knowledge, and sentiments. The historical analysis uncovered that inventors' aspiration to portray events with utmost precision in motion went far beyond the initial objective of creating cinema. In fact, it was solely through concentrated efforts on technical advancements that the first "actualities" emerged. This paper consistently demonstrates, through the content analysis of documentary films, how the stages of technical development have impacted the forms and methods of depiction as well as the dissemination of socio-cultural trends in society over time. It also sheds light on how the authors' visions, aspirations, and objectives underwent transformation. In parallel with irreversible technical and technological progress, the media landscape witnessed the emergence of new genres. Documentaries gradually embraced contemporary storytelling techniques. Eventually, by blending journalistic approaches with cinematography, a novel hybrid form known as "television documentary" emerged.

상황 묘사를 위한 효과적인 영상음악 제작 기법 연구

This study investigates effective video music production techniques for depicting situations in videos through music analysis of music libraries widely used by video workers. When creating music for a video, we start from the stage of creating the music by considering how it can fit the audience's emotions through methodological and musical techniques. In addition, Dramativ, a representative mood, was selected from the universal music library commonly used by video workers, and various detailed elements, including its musical characteristics and instrument composition, were analyzed to suggest music production techniques suitable for the scene. As a result, although there were many areas in which the music production technique vaguely came to mind from the word 'dramatic', there were many similarities, but there were some differences in tempo settings and other areas, as well as specific instrument composition and development methods, tempo settings, Along with tone selection, it was possible to suggest a production method that took advantage of the characteristics of the dramatic mood.

Exposing the world through Emanuel Lubezki's method

This article is based on the concept of exposing the world through the lens of cinema by a cinematographer. Without a cinematographer, movies are not as visually and emotionally impactful on audiences. Cinema is trying to penetrate beyond things and create an utterly phenomenological experience. Cinematographers are responsible for creating the audience's emotions through various cinematic techniques. It is perhaps one of their most significant roles is to promote the cinematic frame as a mediator. This research claims that the cinema’s camera illuminates the world through focusing and framing components. It provides the cinematic image with a cinematic presence and makes it feasible in a phenomenological sense (return to things themselves). And eventually, this leads to viewer buoyancy and immersiveness.

Indeixicality in Political Discourse in Ghana: The Case of Former President John Mahama’s Speech at the National Memorial Service for Victims of June 03, 2015 Flood and Fire Disaster

This paper examines the indexicals in President John Dramani Mahama's speech, which was given on June 3, 2015, amid the flood and fire incident in Ghana, which resulted in the deaths of over 150 people. The speech's use of various indexicals—including their types, frequency, and effects—is covered. The study makes the case that, by using first-person pronouns like "I" and "my," the speaker successfully achieved self-projection and demonstrated empathy in his speech. The speech also used all indexicals, including person, spatial, temporal, discourse, and social, at different rates. Additionally, Deixis was used to make emotive appeals to the audience's emotions, an elusive emotional scale that compels one to support him. Without considering the value of their discourse, politicians frequently employ this tactic to gain the public's trust.