The article discusses the experience of the National Park "Russian Arctic" and the Arctic Museum and Exhibition Center in creating a museum and tourist complex and carrying out emergency work at a number of historical sites of the high-latitude polar station “Tikhaya Bay” on Franz Josef Land (Arkhangelsk region of the Russian Federation). The polar station, created in the initial period of the development of the Soviet Arctic (1929), has been preserved almost in its original form and was declared in 2015 “a newly identified object of the cultural heritage of the Russian Federation”. The polar station is visited by tourists on Russian nuclear-powered icebreakers during their trips to the North Pole in the summer. Since 2011, work has been underway at the station to restore it and create an open-air museum and tourist complex in order to demonstrate it to tourists. Particular attention is paid to the issues of emergency response work at the largest object of the station - an aircraft hangar, which was built in 1932–1933 under the guidance of the famous Soviet polar explorer Ivan Papanin. This is one of the most recognizable buildings in the high-latitude Arctic, associated with the first steps of Soviet aviation in the Polar Regions. At the start of work in 2017, the building was in disrepair and required urgent measures to strengthen it. For the 2019–2020 seasons, work was carried out to replace the rotted parts of the hangar, physically remove the resulting glacier and sheath the hangar with waterproof plywood. Completion of the work was planned for 2020, but due to the outbreak of the COVID-19 epidemic, tourist flights to Franz Josef Land were canceled. In 2021, the situation repeated itself, it was only possible to monitor the state of objects, which showed that they are in a stable state. The article highlights the methods and approaches to the preservation and presentation of the historical complex of the station in the face of a number of restrictions due to the inaccessibility of the station, complex natural and climatic factors and the need to combine the functions of preserving objects with their further utilitarian operation as household objects. The main conceptual approach in such conditions is the desire to create not a Skansen-type open air museum showing “frozen time”, but to create a “living museum”, an eco-museum, a museum of activity that respects the historical and cultural heritage, strives to preserve the historical appearance of the station, while saturated with various activities, including the display of modern and historical life at the station, the organization of various kinds of observations and research, including the cultural and natural heritage of Franz Josef Land.
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