Traditional Cultural Elements Research Articles

The Construction of Qixiu Tower in Leizhou in Ming Dynasty and its Integration with Traditional Culture

Kaiyuan Temple, which was first built in Leizhou, went through thousands of years, developed to the Ming Dynasty, and left only one stupa. At the beginning of the tower construction, it was based on the local geomantic omen, hoping that the imperial examination would be prosperous; The construction process was widely participated and actively assisted by officials, gentry, scholars and people; Multiple names coexisted, all loud and clear, all with good omen; The construction of the tower greatly promoted the prosperity of the local imperial examination, the reform of the scenery, the political clarity and the improvement of the atmosphere. It can be said that the construction of Qixiu Tower was all combined with the local conditions, fully absorbs the traditional cultural elements, and shown the psychological demands of various local classes in terms of geography, imperial examination, cultural movement, politics and atmosphere. The construction process of Qixiu Pagoda was the process of China Buddhism.

LOSSES OF THE WEST RUSSIAN VILLAGE DUE TO THE AXIS AGGRESSION: SCALE AND CONSEQUENCES

The article analyses the impact of human and material losses of the village of the West of the Russian Soviet Federative Socialist Republic (the RSFSR) on the peculiarities of reconstruction processes in the first post-war years in terms of the diverse sources, many of which have recently been introduced into the scientific turnover. The deficit of manpower, equipment, and capital investments in the region’s agriculture, including one due to wartime losses, significantly slowed down the agricultural production industrialisation completion, predetermined inability to solve key problems of life and labour of the population, became one of the important causes of low incomes of many collective and state farms, the reduction of arable land since the early 1950s, and the long dominance of extra-economic coercion and its supporting structures in the countryside. The consequences of the war devastation combined with the unpopular agrarian policy of the first post-war years brought to life the improvement of adaptive behaviour by the village, which the authorities spent a lot of energy and resources to combat. The losses of the war years and harsh agrarian policy were also the key reasons for the undermining of the preserved elements of traditional culture of the village of the West of the RSFSR.

Identification Model of Traditional Village Cultural Landscape Elements and Its Application from the Perspective of Living Heritage—A Case Study of Chentian Village in Wuhan

At present, there are limitations in the cognition of the elements of traditional village cultural landscapes, less excavation of the elements of production-type cultural landscapes, little attention to the layering of cultural landscapes in different periods and the correlation between the elements of different types of cultural landscapes, and insufficient research on the living continuity of traditional village cultural landscapes. In the context of rural cultural revitalization, it is necessary to explore strategies for the conservation and development of traditional village cultural landscapes from the perspective of living heritage. By interpreting the core connotation of the concepts of living heritage and cultural landscape, a model of traditional village cultural landscape elements and a framework for the identification of living elements are constructed. On the above basis, Chentian Village in Wuhan is taken as an example to identify its living cultural landscape elements, and to analyze the evolution of its cultural landscape elements from the dimension of “time-function”. In Chentian Village, a total of seventeen cultural landscapes were identified. Of these, ten were cultural landscapes with functional continuity and living heritage characteristics; three were cultural landscapes whose existing functions have changed significantly from their initial functions; and four were cultural landscapes that were inactive and have lost their original functions. Finally, this study proposes corresponding protection and development strategies for living heritage and non-living heritage of cultural landscapes.

Application of Traditional Chinese Culture in Cross-Cultural English Education: A Case Study of the Maritime Silk Road in Guangdong Province

The phenomenon of aphasia in Chinese culture is serious. The existing English teaching materials emphasize too much Western culture education and lack traditional Chinese cultural elements. Therefore, this paper takes the Guangdong Maritime Silk Road as an example to study the specific application of traditional Chinese culture in cross-cultural English education. This paper first summarizes the significance of cross-cultural integration into college English education and then points out the serious phenomenon of Chinese cultural aphasia. Next, the paper focuses on English education, using English textbooks as a starting point to explore and integrate strategies related to excellent traditional Chinese culture from the Guangdong Maritime Silk Road. By integrating traditional Chinese culture into business English classes (with the Guangdong Maritime Silk Road as an example), the study explores the influence of such cultural integration on students’ cross-cultural communication skills, cultural identity, and learning effects. The results showed that the P value of the experimental group and the control group was < 0.05, that is, cultural integration had a positive effect on improving the effect of cross-cultural English education. The overall scores and cultural confidence of the experimental group are higher than those of the control group, which proves that cross-cultural teaching has a positive effect on the improvement of students’ scores.

Research on the Communication Techniques of the Official Language of the Two Sessions

The Premier’s answer to questions from Chinese and foreign journalists held after the “Two Sessions” is a typical foreign affairs occasion that uses official languages more frequently and involves a wide range of fields. Therefore, a large number of standardized and politically sensitive official languages are used in questioning and answering. Translators need to input and output two completely different languages and cultures during the process of consecutive transmission, and cultural differences will inevitably bring difficulties to translators during translation. The translation of official languages is undoubtedly a clear example. Translators can only successfully complete their interpretation work by finding the patterns through diligent training and extensive accumulation. By analyzing the official translation and the author’s translation, the author summarizes the six major characteristics of official language in press conferences, namely the extensive use of subjectless sentences, the extensive use of four character forms, the lack of coherence between sentences, the extensive use of verbs, the inclusion of a large number of idioms and idioms, and the inclusion of traditional Chinese cultural elements. The author attempts to explore the communication skills of official language in press conferences based on these six characteristics, in order to improve the quality of interpretation.

A Comparative Study of Media Symbols from the Perspective of Visual Grammar: A Case Study of Marine Ecological Protection Posters in China and Western Countries

Social developments are bringing about changes in how we communicate and represent ideas. With the tendency of globalisation, marine ecosystems are facing threats such as overfishing, pollution, and climate change, and marine ecological protection has become a focus of attention for all countries. This paper adopts Kress and van Leeuwen’s framework of visual grammar analysis to compare and analyse the use of symbols in Chinese and Western marine ecological protection posters from the perspectives of representational meaning, interactive meaning, and compositional meaning. Qualitative and quantitative analyses of 100 Chinese posters and 100 Western posters reveal similarities and differences in symbol selection, cultural context, and compositional approach. Results show that Chinese posters tend to integrate traditional cultural elements and natural symbols to convey the concept of environmental protection in a harmonious and warm way, such as the use of ink painting style and paper-cutting art to represent marine organisms, while Western posters focus on directly displaying the hazards of marine pollution by means of strong visual contrasts and modern design elements to stimulate the audience’s sense of urgency and responsibility, such as the display of marine animals trapped by plastic rubbish. This research not only deepens the understanding of the theory of visual grammar but also provides valuable references for the design of future environmental posters, emphasising the importance of using visual symbols and communication strategies in different cultural contexts in order to convey environmental messages more effectively and to promote the development of global marine conservation.

Efficacy of wooden toy training in alleviating cognitive decline in elderly individuals with cognitive impairment: A cluster randomized controlled study.

With the increasing global aging population, the health and welfare of elderly individuals, especially individuals with prevalent mild cognitive impairment (MCI) living in nursing homes, have become critical concerns. These concerns highlight the urgency of developing effective interventions to address the cognitive and psychological needs of elderly individuals, ensuring their well-being and alleviating the burden on their caregivers. This study investigates the impact of wooden toy training on mitigating cognitive decline in elderly individuals with cognitive impairment. It evaluates how this training influences cognitive functions and psychological well-being, exploring whether it can slow or reverse the progression of cognitive decline. This outcome will be assessed in a randomized controlled trial, in which changes in cognitive ability and psychological health indicators among the participants will be measured. A two-arm, open-label, cluster-randomized controlled trial. The study was conducted in two nursing homes, which served as both the recruitment sites for participants and the intervention locations. These nursing homes were selected for their ability to facilitate the intervention and for their representative demographic characteristics of the elderly population. The settings provided a controlled environment that was conducive to implementing the wooden toy training program and observing its effects on the participants. A total of 76 elderly participants with mild cognitive impairment but functional independence were recruited. Participants were randomized into an intervention group and a control group. The intervention group engaged in an 8-week wooden toy training program, whereas those in the control cohort received customary nursing care. Standardized cognitive and psychological well-being measures were used to assess improvements in cognitive performance and mental health. Significant improvements were observed in the cognitive functions of the intervention group from a baseline score of M = 13.11 to M = 16.29 postintervention (95% CI [-4.44, -1.93]), along with reductions in depressive symptoms from a baseline score of M = 8.63 to M = 7.18 (95% CI [0.38, 2.51]). Additionally, engagement in activities with wooden toys significantly satisfied their need for competence, increasing from a baseline of M = 16.29 to M = 20 postintervention (95% CI [-5.92, -1.51]), and relatedness, which improved from a baseline of M = 20.32 to M = 22.95 (95% CI [-4.73, -0.53]). This study underscores the potential of a wooden toy intervention in nursing homes that combines cognitive challenges with traditional cultural elements to improve cognitive functions in elderly individuals with mild cognitive impairment. Our findings suggest a novel method of promoting the cognitive and psychological health of nursing home residents through emotional comfort and social interaction.

Principal Results of the Project Implemented by the Research and Educational Center for Altaic and Turkic Studies “Greater Altai”

We outline the result of collaboration by a team of more than sixty researchers from 22 Russian and 13 foreign institutions under the project implemented by the Research and Educational Center for Altaic and Turkic Studies “Greater Altai” in 2022–2023. Six archaeological and four ethnographic expeditions were carried out in the Russian Federation, the Republic of Kazakhstan, and the Kyrgyz Republic. Findings concern the origin of the Turkic ethno-cultural complex and its spread across Central Asia. Archaeological surveys revealed new sites, many of which were excavated, and some were included in the museum projects. Extensive photographic and volumetric documentation was conducted. In the course of ethnographic expeditions, Turkic epic texts were collected, many elements of traditional culture were revealed, showing parallels between Altaic and Kyrgyzian traditions. Also ethnographic parallels were documented between Slavic and Turkic cultures of the Greater Altai. These were used to elaborate the concept of Slavo-Turkic unity, which has both theoretical and practical implications.

Application of Gan Embroidery (Yuzhang Embroidery) in Neo-Chinese-style Woolen Clothing with the Inheritance of Intangible Cultural Heritage

Abstract This paper investigates the emergence of Neo-Chinese-style clothing and the integration of Gan Embroidery techniques in the design of Neo-Chinese-style woolen clothing in the context of intangible cultural heritage. Neo-Chinese-style clothing represents a contemporary evolution of traditional Chinese attire, amalgamating elements of Chinese traditional dress culture and making a notable presence in the modern fashion industry. This study initiates by presenting the current status of Neo-Chinese-style clothing, encompassing its styles, patterns, techniques, and its influence on the international fashion stage. Subsequently, this research places a significant emphasis on the embroidery craftsmanship within the design of Neo-Chinese-style woolen clothing, emphasizing the importance of embroidery in conferring distinctive three-dimensionality and cultural aesthetics to the clothing. Through the synthesis and analysis of design cases from both domestic and international brands, this study illustrates the application of Gan Embroidery in Neo-Chinese-style clothing design. Finally, this research summarizes the primary contributions of the study, including an enhanced comprehension of the development of Neo-Chinese-style clothing and the burgeoning role of embroidery craftsmanship in the international fashion industry. Additionally, this research explores potential future research directions to deepen our understanding of Neo-Chinese-style clothing and traditional craftsmanship.

Отношение к оружию и военной культуре у адыгского населения Республики Адыгея

The article examines how modern Circassians living in the Republic of Adygea relate to the issues of carrying weapons, serving in the army, as well as elements of traditional military culture. The results acquired from two ethnosociological studies suggest that modern Circassians have nearly the same attitude toward weapons as the people of the Russian Federation as a whole, i.e. they mostly oppose the licensing of particular types of military weapons. It is also clear that, for re-spondents, traditional military culture has lost its relevance. The respondents believe that a man is a warrior, this is rather a spiritual state, while in traditional culture it was believed that this is a certain complex in which weapons play the crucial role. A whole range of reasons influenced such changes, including the standardization of the youth education system, a targeted disarmament pol-icy, and the establishment of relative calm in the region at the end of the 19th century.

K-means 알고리즘을 기반으로 한 야오족 자수 색상 추출 및 가상 캐릭터 의상디자인 응용

To promote the digital preservation and transmission of traditional cultural elements, this study focuses on Yao embroidery as a case study, combining digital technologies and algorithms to extract and analyze its color characteristics. These extracted color features were applied to the design of virtual character clothing. First, a bilateral filtering algorithm was used to preprocess the images of Yao embroidery, reducing noise while preserving intricate details. Subsequently, Euclidean distance was calculated in the Lab color space, and the OSTU adaptive binarization method was employed to separate the image from its background. Additionally, K-means clustering was applied multiple times to the color data, and the optimal result was achieved when the number of clusters was set to eight. Through this process, eight major colors of Yao embroidery were extracted. Based on these extracted colors, 3D point cloud analysis was conducted to study the three-dimensional spatial distribution of color points, and a color combination model based on hue, brightness, and saturation was constructed. The results revealed that the color composition of Yao embroidery predominantly consists of high-saturation colors, with strong color contrasts and distinct ethnic characteristics. Ultimately, this study demonstrated the applicability of integrating the color model and design patterns of Yao embroidery into virtual character clothing design, showcasing the potential for incorporating traditional embroidery into digital design. This contributes to the preservation and promotion of intangible cultural heritage and serves as a valuable reference for further research on the color systems of traditional ethnic costumes.

From Traditional Perspectives to Design Innovation

This paper elaborates on the process of digital restoration and redesign of the konghou depicted in the murals of Mogao Grottoes' Cave 465 from a product design perspective. Through an in-depth analysis of the konghou's form, precise application of digital technology, and the clever integration of modern design concepts, this study not only achieves effective protection and inheritance of ancient cultural heritage but also explores innovative applications of traditional cultural elements in contemporary product design. This research is significant for promoting the digital preservation of cultural heritage and fostering the fusion of tradition and modernity.

The impact of verbal behavior on audience engagement in Chinese talk shows: Based on a novel mediation model

This study employs the Stimulus-Organism-Response (SOR) model to construct a new mediation framework, examining the impact of Chinese stand-up comedians' language on audience engagement from both quantitative and qualitative perspectives. Statistical analysis of data from 415 online viewers of stand-up comedy shows revealed that comedians' humorous language significantly enhanced audience engagement by positively influencing their enjoyment. Based on this, in-depth interviews were conducted with 8 viewers to understand their specific perceptions of different types of humor. The analysis results showed that Chinese audiences had a higher acceptance of affiliative humor, self-deprecating humor, and humor incorporating traditional cultural elements, while they had lower acceptance or even rejection of aggressive humor, political satire, and vulgar humor. This study enriches the research on the relationship between Chinese stand-up comedy shows and audience engagement, providing insights for improving the production of Chinese stand-up comedy shows and for Western entertainment programs entering the Chinese market.

New Media in Visual Communication Design and the Information Representation Skills of Art Students

This study examines the interplay between challenges and opportunities in the application of new media in visual communication design among art students. Through qualitative analysis of participant narratives and quantitative evaluations, the study identifies significant challenges related to adapting to new technologies, maintaining creativity, and integrating traditional cultural elements into modern frameworks. Key difficulties include resistance to change and gaps in technical skills, which hinder the effective use of new media tools and the incorporation of cultural symbols. Conversely, the study highlights several opportunities presented by new media. These include the flexibility to work beyond traditional constraints, a diverse array of technological tools that enrich the creative process, and the ability to preserve and promote traditional Chinese culture. New media’s dynamic and adaptable nature enables students to engage audiences more effectively and creatively while maintaining cultural relevance. The synthesis of challenges and opportunities reveals a complex landscape where the benefits of new media are counterbalanced by significant obstacles. Addressing these challenges through improved educational strategies and support systems is crucial for maximizing the advantages of new media. By bridging technical skill gaps and fostering adaptability, students can better utilize new media to enhance visual communication and cultural representation, ultimately leading to more impactful and meaningful creative outputs.

Fusing Tradition and Modernity: A Strategic Marketing Approach for TCCEC Brand

This paper examines the TCCEC (Traditional Chinese Culture Element Clothing) brand's challenges in integrating traditional Chinese cultural elements within a modern fashion context. Despite a unique artistic appeal, TCCEC faces market performance issues due to unclear positioning, misaligned product development, unengaging marketing, and subpar customer service. The study identifies these shortcomings using qualitative research methods and proposes strategies to enhance brand resonance, product relevance, marketing creativity, and customer satisfaction. The recommendations aim to improve TCCEC's market adaptability and serve as a guide for other brands blending tradition with modernity.

Traditional Chinese Cultural Elements in Ceramic Tea Set Design Based on Morphosemantics

The evolution of ceramic tea sets continues to the present day. The integration of traditional Chinese cultural elements into the design of ceramic tea sets serves to enhance the aesthetic function of the design and expand the design elements, while also improving the cultural connotation of the tea set products. This study employs the theory of morphosemantics to examine the integration of traditional Chinese cultural elements into ceramic tea set design. It proposes a methodology for combining conventional cultural elements with modern design in novel ways, thereby facilitating the inheritance and innovation of cultural heritage. Guided by the theory of morphosemantics, this study presents a synthesis of the morphological principles, meanings, and design methods associated with traditional cultural elements in ceramic tea set design. It underscores the value of innovative design based on inheritance and advocates for the effective integration of cultural inheritance and modern design.

Impact of Social Media on Cultural Identity in Urban Youth

Purpose: The aim of the study was to assess the impact of social media on cultural identity in urban youth. Materials and Methods: This study adopted a desk methodology. A desk study research design is commonly known as secondary data collection. This is basically collecting data from existing resources preferably because of its low cost advantage as compared to a field research. Our current study looked into already published studies and reports as the data was easily accessed through online journals and libraries. Findings: Social media platforms serve as significant spaces where urban youth engage, express, and negotiate their cultural identities. These platforms provide access to a diverse range of cultural expressions, facilitating the blending and reshaping of traditional and modern cultural elements. Studies have shown that social media influences urban youth by offering a sense of community and belonging, where they can connect with like-minded peers globally, thus fostering a globalized cultural perspective. However, this exposure also poses challenges, such as cultural homogenization and the potential loss of distinct local cultural identities. Additionally, the curated nature of social media content often promotes idealized cultural norms, influencing youth to conform to certain stereotypes and societal expectations. Despite these challenges, social media remains a powerful tool for cultural expression and identity formation, enabling urban youth to navigate and redefine their cultural landscapes in dynamic and innovative ways. Implications to Theory, Practice and Policy: Social identity theory, uses and gratifications theory and cultural convergence theory may be used to anchor future studies on assessing the impact of social media on cultural identity in urban youth. Practically, there is a pressing need for digital literacy programs that educate youth on critical engagement with social media. From a policy perspective, integrating cultural education into school curricula is essential.

The Application of Chinese Traditional Decorative Culture Elements in Interior Design

The Application of Chinese Traditional Decorative Culture Elements in Interior Design

Analysis of the Integration Strategy of Chinese Excellent Traditional Culture and University Ideological and Political Education

With the rapid development of society and cultural diversity, Chinese excellent traditional culture and the integration of ideological and political education in colleges and universities is particularly necessary and important, not only help to inheritance and carry forward the excellent cultural heritage of the Chinese nation, and help to cultivate students national confidence and a sense of pride, improve their cultural accomplishment and ideological and moral level. This paper aims to explore and analyze the effective strategies to achieve this goal. Based on the educational background of moral education, it clarifies the basic principles of integration, and identifies the deficiencies in the process of integration, such as the weak curriculum content, traditional education methods, and the lack of teachers in traditional culture. In view of the problems, the strategies of interdisciplinary integration curriculum design, optimizing the curriculum education mode, improving the traditional cultural level of teachers, and adding the traditional cultural elements in the campus culture are put forward, in order to promote the indepth integration of Chinese excellent traditional culture in the ideological and political education in colleges and universities.

Analyzing the Application of Traditional Chinese Cultural Elements in Brand Packaging Design With Design Semiotics: A Case Study of Modern China Tea Shop

Analyzing the Application of Traditional Chinese Cultural Elements in Brand Packaging Design With Design Semiotics: A Case Study of Modern China Tea Shop