[1],this paper examines Nyugat [‘West’], the premier journal ofmodern Hungarian literature published from 1908 to 1941 and edited by ErnőOsvát (1876-1929), Ignotus (1869-1949), and Miksa Fenyő (1877-1972) until 1917.Although Hungarian scholarship has detailed the role played by Osvát andIgnotus, Fenyő’s contribution to this triumvirate has received less attention,a lack that may have hindered literary historians’ understanding of the morewidespread, sociological reasons underlying Nyugat’s long-lastingpresence in a highly competitive book market. Rather than rely exclusively uponthe sources (correspondence, personal journals, memoirs, reports bycontemporaries, etc.) commonly used to investigate the editorial decisionsunderpinning a journal’s trajectory, I argue that examining Fenyő’s editorial positiondemands the inclusion of marginalia, the term this study utilises to denotethe factory advertisements, banking-related notifications, military supplyannouncements, railway schedules, and eulogies that display Fenyő’s ties to theindustrial lobby organisation GyOSz [‘National Association of HungarianIndustrialists’, also referred to as ‘the Association’] within the pages of ajournal dedicated to promoting fin-de-siècle aestheticism. Although the connectionbetween GyOSz and Nyugat has been examined from the perspective ofpublishing strategies or patronage systems, it has not been detailed within thecontext of the era’s expanding market economy. Exploring what Bernard Lahire woulddescribe as Fenyő’s ‘double life’[2] therebypaves the way to theorising what beliefs and ‘rules of the game’ (illusio)may have determined the connection between Hungary’s wealthiest industrialistsand Nyugat during a period when the journal’s editors and authors soughtto attain both authorial and financial autonomy.[1][2] Bernard Lahire, ‘The Double Lifeof Writers’, New Literary History, 41.2 (2010), 443‒465.