This paper investigates the intersection of architecture, philosophy, and sexual difference in Plato’s notion of khōra as it appears in the Timaeus. By engaging first with Jacques Derrida's deconstruction of Plato’s khōra, the paper shows how the interplay between architecture and philosophy not only reflects but also perpetuates patriarchal structures. Khōra, sometimes solely described as a passive receptacle, stages a complex relationship with femininity that challenges traditional notions of space and identity. Drawing on the works of feminist theorists such as Julia Kristeva and Fanny Söderbäck, the paper examines how khōra serves as a foundational moment in the construction of sexual difference within philosophical discourse. Ultimately, this exploration calls for a reimagining of khōra as a site of resistance and transformation—one that, while existing before the architect-demiurge created the universe, nonetheless conditions his work.
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