Many new digital television emission formats, including digital video disk (DVD), community antenna TV (CATV), direct broadcasting by satellite (DBS), and terrestrial television, incorporate the Dolby Digital (AC-3) low bit-rate audio coding system. This system is capable of delivering discrete multichannel audio to the consumer, and also offers several unique features such as dialogue normalization and dynamic range control. The Dolby Digital is intended for use in emission, which is defined as the final link in the delivery path to the consumer Many of the features of Dolby Digital are best controlled in the post-production process. A distribution path is required between the output of post-production and the input to the final AC-3 emission encoder Although the handling of multichannel audio is routine in the post-production area, the infrastructure needed to distribute multichannel audio in the broadcast environment is currently lacking. This paper will describe some of the unique features of Dolby Digital that should be understood and managed by those in post-production. The paper also illuminates some of the problem areas in distribution of the completed multichannel audio program to the actual point of emission to the final consumer.
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