Denotative Meaning Research Articles

The Symbolic Meaning of the Batara Munasiah Dance and Its Relevance to Generation Z Characters in South Sulawesi

The aim of this research is firstly to analyze and explain in a complex way the meaning of denotation, connotation, and myth contained in the Batara dance and secondly, namely the relevance of the Batara dance to the character of Generation Z in South Sulawesi. The research method used is qualitative from the perspective of Roland Barthes' Semiotics theory. The data collected also used a participatory observation process, structured interviews unstructured interviews, and content analysis which still has a connection and relationship with a dance performance, especially the Batara Munasiah dance. The results of the research explain the explanation of the meaning contained in the Batara Munasiah Dance performance in terms of denotation, connotation, and myth. Explaining the Batara dance starts from the history of the development of the Batara dance itself to its relationship and relevance to the character of Generation Z in South Sulawesi. As for the meaning contained in the Batara dance, as follows: (1) a feeling of gratitude towards God Almighty, (2) happiness when given a good life, (3) the process of approaching oneself with God Almighty, nature, and the social environment around (4 ) Respect for oneself/self-control in behavior and relationships, (5) respect for elders, (6) always involve God Almighty in all our activities both when starting and finishing them. The second covers a relationship or relevance to the lifestyle of Generation Z today: (1) Forms of worship of God Almighty, (2) Forms of socializing with the environment and surrounding community, (3) Maintaining the values of ancestors that are still relevant. and provide a positive reflection of life, (4) Always pray and hope only in God Almighty, (5) a simple lifestyle and character is a good thing.

The Meaning Of Signs In Expedition Advertisement

Language is one way to keep relationships in harmony. People use language to communicate, convey messages verbally and directly, and express feelings. Advertisements result from a combination of communication arts with aesthetics, are persuasive, and are aimed at some parts of society. This article analyzes the meaning of verbal and visual signs on the J&T Express Advertisement. It aims to identify the verbal and visual signs and explain the meaning of the verbal and visual signs in Expedition advertisements. This analysis used J&T Express advertisement as a primary data and documentation method to collect data. This article used a qualitative method, and the data was analyzed descriptively. The results show that five data points were discussed. The verbal and visual signs analyzed used semantic theory by de Saussure to find the signifier and signified; all data have the signifier and signified. This article used Barthes' theory to analyze the meaning and find the denotative and connotative meanings. In general, verbal signs have both denotative and connotative meanings. The two verbal signs discovered in the data, all the verbal signs have denotative and connotative meaning. Two visual signs in the advertisements also convey their meanings to enhance the delivery of the value of the products.

The Reality of Betawi Culture in the Film "si Doel the Movie" (Semiotic Analysis of Roland Barthes)

This study aims to interpret and describe the reality of Betawi Sarong culture in the film "Si Doel the Movie" and to find out the meaning of denotation, connotation, and myth in this film. This research uses qualitative and descriptive methods and semiotic analysis of Roland Barthes. In this case, Roland Barthes' semiotic analysis begins with the denotation meaning, which is the real meaning, then the connotative meaning, which has a double meaning. The connotation meanings attached and believed by the public will eventually become myths. The results obtained from this research from scenes related to the reality of Betawi culture in society in everyday life produce several concepts, namely that there is a shift in stigma and stereotypes towards Betawi people who are trying to be overturned by Doel's character who shows a calmer attitude in acting and speaking, like the character of non-Betawi people. Stigma and stereotypes that make Betawi people seem to be marginalized, through the character of Doel's figures, are shifted to become educated Betawi people. Meanwhile, from the scenes related to the concept of representing the identity and existence of the Betawi sarong, the concept is that the role and function of the sarong, in this case, is ultimately determined by the owner or user related to emotional ties and other elements of the culture, where the sarong can change its function according to changes, which underlies its initial function.

Semiotics in Qur'anic Interpretation: The Application of Semiotic Theory in the Tafsir of Jalalain, Ibn Kathir, and Al-Tabari on QS. An-Nur Verse 35

This study investigates methods of Qur'anic interpretation through a linguistic approach, with a focus on semantics and semiotics—both of which are essential for mufassirs (Qur'anic interpreters) in understanding Arabic. The primary objective is to explore how semiotic concepts are applied in interpreting the word نُور (Nuur, meaning "light") in verse 35 of Surah an-Nur. This research adopts a library-based content analysis with a qualitative descriptive approach. Semiotic theory is employed to examine the tafsir works of Jalalain, Ibn Kathir, Quraish Shihab, and al-Tabari. Semiotics, the study of signs and their meanings, reveals that these mufassirs have applied semiotic principles in their interpretations. In Tafsir Jalalain, Saussure’s semiotic theory is evident in the treatment of نُور, where the signifier represents meanings such as light, guidance, and Islam. In Tafsir Ibn Kathir, Roland Barthes’ semiotics is utilized, highlighting both the denotative and connotative meanings of the word. In Tafsir al-Tabari, Roman Jakobson’s communication model is applied, incorporating elements like sender, receiver, and message. In conclusion, this study demonstrates that semiotic concepts are widely integrated into the interpretative practices of mufassirs in their analysis of Qur'anic verses.

A Semiotic Analysis on Atlas Beach Club Advertisement in Canggu

This study aims to identify the denotation, connotation, and myth meaning in Atlas beach club advertisement. This study used the theory of Roland Barthes Semiotic (1988). He stated there are two layers of sign meaning the first layer is denotation meaning and the second layer is connotation meaning. Denotation is the real meaning then connotation is the meaning that related with culture or language users and can become myths. The qualitative method was used in this study where the data was taken from the content on the flyers of Atlas Beach Club using documentation and note-taking technique. The analysis showed that the contents of the flyers from Atlas Beach Club, there were: in the first flyer there are 6 signs such as color, logo, picture, text, table and symbol.

Gender Semiotics in the Film "The Breadwinner"

The Breadwinner film is one of the films that have elements related to gender in it. The approach of this research is a qualitative descriptive research type, with data analysis using the method of Miles and Huberman. The semiotic analysis used the Roland Barthes analysis model which divides the stages into three, namely denotation, connotation, and myth. The results of this study are that gender in this film has a denotative meaning where women have demands to behave and act according to their environment, a connotative meaning where people put a lot of emphasis on how women should behave through verbal utterances, and myths about culture taken from one interpretation of the verses of the Al-Quran regarding women.

MÜASİR İNGİLİS DİLİNDƏ HƏRƏKƏT BİLDİRƏN FEİLLƏRİN FUNKSİONAL-SEMANTİK XÜSUSİYYƏTLƏRİ

Functional and Semantic Features of Action Verbs in Modern English Summary This article is devoted to the study of functional-semantic features of action verbs in Modern English. The article uses the opinions of linguists on the classification and functional-semantic characteristics of action verbs in the English language. It has been determined that action verbs are classified according to three principles – thematic, paradigmatic and syntagmatic. The denotative principle refers to the classification of action verbs based on their primary denotative meaning, the paradigmatic principle refers to the meaningful properties of verbs, and the syntagmatic principle refers to the valence of verbs. Key words: thematic principle, syntagmatic principle, paradigmatic principle, semantic field, frame

A SEMIOTIC ANALYSIS OF VISUAL ELEMENTS ON SLIDE PRESENTATIONS USED IN COLLEGE ENGLISH CLASS

The purpose of this study is to establish that visual elements found in slide presentation used in College English Class convey mean-ing by its interpretation through semiotic analysis. Using the semiotic analysis, fifty-one (51) visual elements were identified and underwent in-depth analysis and interpretation. The study’s findings revealed that the visual elements carry meaning and can be interpreted in various ways. The study obtained significant information that helped derive the semiotic features of the visual ele-ments based on their signifier, signified, denotative meaning, connotative meaning, and myth. Moreover, the signifier interpretation of the visual images provided information on how each visual element were classified into- icon, symbol, and index. It was also dis-cussed in the study the detailed description of the signified meanings of each visual element. Additionally, the relevance to the social context of the college English class were examined intensively by analyzing its denotations, connotations, and myths. Indeed, visual elements carry meaning; thus, there is a need for close monitoring and evaluation of the visual elements used in slide presentations as it could affect the learning of the students. Ultimately, the study suggests that the incorporation of visual elements in instructional materials should be carefully considered because this may affect how students learn and perceive the subject matter and discussion in class. KEYWORDS: Semiotic Analysis, visual elements, slide presentations, signifier, signified, denotation, connotation, myth, Davao de Oro

MITOS DALAM KAMPANYE POLITIK

One form of audio-visual mass media that is capable of conveying information effectively is a film, both in the form of fiction and documentary. Mass art, especially film, can bring a picture of the contemporary world to the public at large, increase political awareness, encourage world surveillance, and bring social critical images. Through film, directors can convey messages and raise a phenomenon that occurs in society. Roland Barthes's semiotic analysis is very relevant to use in studying a film because a film consists of various interrelated signs. The signs include various sign systems that work together to achieve the desired effect. In Roland Barthes' semiotic analysis, the film has a meaning consisting of a signifier and a signified. The research method used is qualitative with primary data sources from the film Our Brand Is Crisis. Researchers used data collection techniques through observation and documentation. Roland Barthes' Semiotic Analysis in this study is used to interpret the meaning of the signs in the film, which consists of five stages: identifying signs, analyzing denotative and connotative meanings, determining social, cultural, and historical contexts, and analyzing the myths contained in signs. the. The goal is to understand and express meaning in film and how the social and cultural context shapes it.

Visual significations of Monkey King: Hero is Back and Nezha: Birth of the Demon Child

Visual signs can be differentiated into denotative and connotative messages, where denotative messages form the perceptual foundation of an image, and connotative messages engage with a deeper, culturally cognisant layer, imbued with subjective interpretations and aesthetic significations. This study embarks on a qualitative textual analysis with the main aim to elucidate the connotation and denotation of visual significations in two pivotal Chinese animated films, Monkey King: Hero is Back and Nezha: Birth of the Demon Child. Guided by Roland Barthes’ Semiotic theory and Chen’s study, the research delves into the connotative and denotative meanings embodied in the films’ visual elements. The focus is primarily on facial design, physical appearance, clothing, and props, providing a comparative analysis of how these elements function within each film’s narrative framework. The key findings reveal that the visual significations in both films are not merely aesthetic choices but serve as substantial cultural and narrative tools. The characters’ faces, physical appearances, clothing, and props are intricately tied to themes like Chinese opera masks, subversive reconstructions, natural elements, and intangible cultural heritage. These visual cues play a crucial role in reinforcing cultural heritage, spurring innovation, invoking nature reverence, and bolstering national sentiment within film storytelling. Contrasting with previous research that predominantly focused on characters, this study expands the analytical scope to include props, recognising their significance as visual signs in animation. By expanding the analysis to include props alongside characters and visual elements into the analysis, this research offers a more comprehensive and nuanced understanding of Chinese mythological animations. It enriches the academic discourse on animation studies, demonstrating how visual elements can profoundly influence narrative interpretation and cultural representation. The research affirms the cultural and narrative potency of visual signification in animation and underscores the dynamic interplay between tradition and innovation within the realm of Chinese animated films.

Words, Sense, and Denotation Meaning in Pupuh Ginanti “Saking Tuhu Manah Guru”

This study aims to analyze words, sense, and denotation in Pupuh Ginanti, entitled "Saking Tuhu Manah Guru". Pupuh is one of the Balinese poem that is still preserved nowadays. This pupuh has a moral value that needs to be conveyed to listeners. The message is conveyed through the form of the words that compose it. Every word or sentence in a literary work has meant that unknowingly, so an analysis of the word, sense, and meaning of denotation in Pupuh Ginanti needs to be discussed more deeply. Data was initially categorised for this study using some kind of word classification. Start data coding after categorization. By analysing text-based data, data analysis techniques employ qualitative methods. The researcher also employed documentation strategies to obtain the data. The theory used in this study is (Allan, 2014) to analyze sense meaning and supported by theory from (Kreidler, 2002) to analyze denotation meaning. This study uses a descriptive qualitative approach. The result of this research is that the meaning of the poem in Pupuh Ginanti entitled "Saking tuhu manah guru" has a denotative meaning and sense meaning in each line. Sense meaning in this poem was used to clarify the message to be conveyed by the author.

Semiotic analysis of gender bias in news coverage of Reog Ponorogo art

The focus of this research is to analyse the semiotic meaning conceptualised by Roland Barthes, which includes denotative and connotative meanings. This also delves into the myths constructed by the media-related representation of gender switching in Jathil Dancers in Reog Ponorogo and its relationship with the Media Coverage of Gemblak. Researchers extracted data by collecting news from mass media portals that discussed Gemblak Ponorogo. The results showed that mass media significantly maintains people's views on culture and tradition. In Roland Barthes' semiotic analysis, some media employ negative language that can influence a negative view of Gemblak. The media, with its point of view, news sources, and characterisation of those in the news, can significantly affect people's perceptions, and it continues to maintain these assumptions until now.

Visual Communication of Murals

The aim of this study is to describe the visual communication of mural in Tamanbali village, Bangli-Bali. The mural in Tamanbali village is a visual communication work that conveys information and persuades the public to always follow the health protocols during this Covid-19 pandemic. This study used a qualitative design. Everything related to the mural made by the 2021 Community Services Programme students of Indonesian Institute of the Art Denpasar in Tamanbali village, Bangli regency will be describe qualitatively. The subject of this research is a mural made by the 2021 Community Services Programme students of Indonesian Institute of the Art Denpasar inTamanbali village, Bangli. The object of this research focus on analyzing the illustration, typography, colour, and layout as well as the denotative and connotative meaning. The presence of the mural in Tamanbali village, Bangli made by the 2021 Community Services Programme students of Indonesian Institute of the Art Denpasar is a form of visual communication work that effective in conveying messages. The mural that presents the social problem related to the corona virus becomes an effective way to persuade and inform the public to always be aware of the spread of the corona virus. This mural reminds Tamanbali residents and the people in general to always follow the health protocols in various actions. The health protocols mentioned above, such as maintaining distance between one another during meetings, always wearing a mask, and also washing hands regularly to maintain cleanliness.

PESAN DAKWAH DALAM ANIMASI NUSSA OFFICIAL EPISODE ADAB MENGUAP DAN JANGAN TIDUR SETELAH SUBUH

Islam is a regligion that calls on its followers to carry out da’wah, one of the da’wah contained in the film nussa and rarra is da’wah in the form of animations, the nussa and rarra animations contain many preaching messages, one of which is in the episode adab yawning and not sleeping after dawn, by therefore, this research changes peoples’s thingking by analyzing the nussa and rarra animations. this research aims to find out what kind of message of preaching faith, sharia and morals contained in the animated film nussa in the episode of adab yawning and don’t sleep after dawn and to find out the meaning of denotation and connotation using Roland Barthes semiotic theory. this research uses descriptive qualitative research method. the researcher, using Roland Barthes semiotic analysis research approach, to dissect the meaning of denotation and connotation in the episode of adab yawning and not sleeping after dawn. Roland Barthes semiotic analysis which examines the signifier and signified of an object. the results of research on the animated film nussa, the episode of the adab of yawning and not sleeping after dawn, namely that the message of preaching the faith is depicted through dialogue between mother, nussa, and rarra. what speks about everything is the will of Allah which is a form of tawakal. apart from that, the message of syariah da’wah can be seen in the characters played by umma (mother) and rarra (nussa’s sister) who wear the hijab. and finnaly the message of moral preaching which is reflected in the dialogue of maintaining manners, apologizing and saying thank you.

Aligning Sumbawanese Proverbs with Pancasila Learner Profile to Enhance Local Culture-based Character Education

The 2022 Independent Curriculum puts the Pancasila learner profile as one that frames character education. In our local context, Sumbawa Regent Regulation No. 33 2021 stipulates that character education be implemented by embracing the local values together with the national values of Pancasila. Thus, aligning Pancasila values with local values and knowledge is a good way to implement character education that is relevant nationally. For this reason, we have categorized 309 Sumbawanese proverbs into relevant key elements of Pancasila learner profile. The data were collected from a document, which contains the most complete collection of Sumbawanese proverbs each with its denotative and connotative meanings. The data were analyzed descriptively and qualitatively with an element of quantification in grouping the proverbs into good and bad characters and in categorizing the proverbs based on Pancasila learner profile key elements. Our discussion shows how the proverbs strongly enhance the inculcation of Pancasila values through their antonymous metaphors and similes. In conclusion we suggest having selected Sumbawanese proverbs, developed as picture-based character learning materials and resources for use at school.
 Keywords: character education, Pancasila learner profile, proverbs, Sumbawanese

Meaning of Gorga Ornaments House the Parassock Datu Parulas Paultop: Semiotic Study

Titled “Meaning Gorga Ornament House Asparagus Datu ParulasPaultop:Semiotic Studies. Describe the meaning of the symbols found in the House Asparagus Datu Parulas Paultop. The author uses a qualitative descriptive research method and for scientific results the author uses a data collection method by (1) observation (2) interviews with informants and (3) documentation of related symbols. And the theory used to analyze research data is semiotic theory, namely the meaning proposed by Ogden and Ricard. The research location for this article is Harian Village, Onan Runggu District, Samosir Regency. Found the research results, namely 16 meanings of symbols, namely denotation meaning and connotation meaning. Keywords: House, Parsaktian, Datu, Ornaments, Semiotics, Meaning

Analysis of Figurative Language Used in Nine Track Mind Album by Charlie Puth

In writing songs, songwriters often use figurative language. In this study, analyzed the figurative language contained in the album Nine Track Mind by Charlie Puth. The purpose of this study was to determine the type of figurative language used and the meaning shown by figurative language in the songs on the album. This research is a descriptive research with qualitative and quantitative approaches. The data found on this research were analysed by theory of Knickerbocker and Reninger (1963) and supported by the theory of Wellen and Warren (1984). The results of this study showed that there were ten figurative languages used by songwriters, namely 60% hyperbole, 10% allusion, 10% repetition, 20% metaphor. In addition, the songwriter also uses connotative and denotative meanings in the album. Keywords: figurative language, song, album.

Visualization of CSR in the Cigarette Industry: Crafted Imagery, Vague Reality

Purpose:The objective of this research is to analyze CSR photos in annual reports of the cigarette industry in Indonesia based on the semiotic perspective of Barthes.Method: The visual content analysis approach was used to analyze 374 photos of CSR activities from the three largest cigarette companies in Indonesia.Findings: The usage of photos of CSR activities in the annual reports from the cigarette industry has increased from year to year. The economic and social categories were more disclosed in CSR photos, while the environmental category was relatively less disclosed. The denotative meaning of the photos is as images of company philanthropy and responsibility. The connotative meaning of the photos is to improve the image and blur out the negative impact of the cigarette industry.Originality/Value:The research on visualizing CSR activities in the cigarette industry through the Barthes theory viewpoint is the first of its kind.

Analysis of Visual Communication as a Means of Facing the Challenges of Technological Development in a Securities Company

This illustrates that all countries have the same goals in seeking growth, development, progress, and continuous learning to face challenges in the future. The visual emails presented in this study aim to expand the understanding of the denotative, connotative, and mythical meanings believed to be true through the application of the value expectation theory. This theory provides a comprehensive approach to understanding how individuals form and interpret the meaning of a concept or idea, considering the aspect of value expectation. In this research, Roland Barthes' semiotics method is employed for analyzing main interpretations and representations to unravel the denotative, connotative, and mythical meanings in the presented visuals. Data collection techniques involve focus group discussions and structured in-depth interviews aligned with investor feedback. Based on the research results, exploration will be conducted on how individual perceptions of value influence their interpretation of visual understanding. This is supported by the expectation from feedback that investors desire visuals and text to support technical knowledge and portfolio growth based on the visual analysis provided by the securities company.

ANALISIS SINEMATIK DAN NARASI VISUAL FILM ANIMASI “RAYA AND THE LAST DRAGON”

Raya and the Last Dragon is an animated film produced by Walt Disney Animation Studios with the storyline of Raya's adventures as the main character in an imaginary country called Kumandra. This animated film has a cultural style and local identity that is identical to Southeast Asian culture, including Indonesian culture. It is these cultural identities and symbols that encourage this research. Through a descriptive analysis method, the meaning of symbols or cultural identities contained in the visual and cinematic narratives of the animated film Raya and the Last Dragon will be explained based on studies using Roland Barthes' semiotic theory. The results obtained from the analysis using two stages of significance, namely the first level of denotational meaning and the second level of connotative meaning, are the messages contained in several excerpts in each scene of the animated film which show the meaning of Southeast Asian cultural symbols, as well as what is visible from the behavior of each character, as well as the visual and cinematic narrative that greatly influences the animated film.