Abstract
The aim of this research is firstly to analyze and explain in a complex way the meaning of denotation, connotation, and myth contained in the Batara dance and secondly, namely the relevance of the Batara dance to the character of Generation Z in South Sulawesi. The research method used is qualitative from the perspective of Roland Barthes' Semiotics theory. The data collected also used a participatory observation process, structured interviews unstructured interviews, and content analysis which still has a connection and relationship with a dance performance, especially the Batara Munasiah dance. The results of the research explain the explanation of the meaning contained in the Batara Munasiah Dance performance in terms of denotation, connotation, and myth. Explaining the Batara dance starts from the history of the development of the Batara dance itself to its relationship and relevance to the character of Generation Z in South Sulawesi. As for the meaning contained in the Batara dance, as follows: (1) a feeling of gratitude towards God Almighty, (2) happiness when given a good life, (3) the process of approaching oneself with God Almighty, nature, and the social environment around (4 ) Respect for oneself/self-control in behavior and relationships, (5) respect for elders, (6) always involve God Almighty in all our activities both when starting and finishing them. The second covers a relationship or relevance to the lifestyle of Generation Z today: (1) Forms of worship of God Almighty, (2) Forms of socializing with the environment and surrounding community, (3) Maintaining the values of ancestors that are still relevant. and provide a positive reflection of life, (4) Always pray and hope only in God Almighty, (5) a simple lifestyle and character is a good thing.
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More From: International Journal of Multicultural and Multireligious Understanding
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