Book Review| September 01 2022 Review: Cut/Copy/Paste: Fragments from the History of Bookwork, by Whitney Trettien Cut/Copy/Paste: Fragments from the History of Bookwork by Whitney Trettien. University of Minnesota Press, 2022. 328 pp./$112.00 (hb) ISBN 1517904080, 328 pp./$28.00 (sb) ISBN 1517904099. Anne M. Royston Anne M. Royston Anne M. Royston is an assistant professor of English at Rochester Institute of Technology. Her book Material Noise: Reading Theory as Artist’s Book was published in 2019 by MIT Press. Search for other works by this author on: This Site PubMed Google Scholar Afterimage (2022) 49 (3): 118–123. https://doi.org/10.1525/aft.2022.49.3.118 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn MailTo Tools Icon Tools Get Permissions Cite Icon Cite Search Site Citation Anne M. Royston; Review: Cut/Copy/Paste: Fragments from the History of Bookwork, by Whitney Trettien. Afterimage 1 September 2022; 49 (3): 118–123. doi: https://doi.org/10.1525/aft.2022.49.3.118 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentAfterimage Search As we move further into a digitally assisted and digitally enabled (and sometimes, it seems, digitally dominated) future, we inevitably are compelled to return to the past, seeking older ancestors to make sense of new media. Whitney Trettien’s Cut/Copy/Paste: Fragments from the History of Bookwork carves another path into our current media landscape, this time beginning in the seventeenth century. Trettien, a scholar at the University of Pennsylvania, tends to create work that bridges the critical and the creative, including digitally born publications and the well-regarded digital literature piece Gaffe/Stutter (2003). With Cut/Copy/Paste her project is twofold: not only to add a link in the evolutionary history of the book, but also to suggest gentle revisions to our concept of book historical evolution as a whole. Focusing on bookwork at the margins, largely forgotten and ignored, Trettien gracefully draws out an argument for complicating our idea of book history with... You do not currently have access to this content.
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