This article examines how resistance has been depicted over time in “French Caribbean Cinema.” By “French Caribbean Cinema” is meant all feature-length films directed by French Caribbean professionals (or of French Caribbean origin) working in the film industry, regardless of race. The aim is to examine how French Caribbean societies are portrayed in films from an insider’s stance. While there are definitely a number of Guadeloupean and Martinican film productions, according to the criteria aforementioned, it is necessary to establish that a specific French Caribbean cinema does exist based on a certain unity, determined by distinct thematic, dramatic, or aesthetic features. The article focuses on films taking place, from an objective duration standpoint, in Guadeloupe or Martinique, that is, twenty-five of the sixty films listed. The different strategies of resistance depicted in that cinema range from the resistance fighters and Maroons against slavery and economic exploitation, to the new résistants fighting against political and cultural oppression through the practice of creolization, as proposed by the Martinican philosopher Édouard Glissant.