Creative Principles Research Articles

Innovative Design to Control Spartina Alterniflora

In order to effectively curb the rapid growth trend in Spartina alterniflora in coastal cities of China, this study proposes an innovative mechanical equipment design scheme for eradicating Spartina alterniflora. Based on literature analysis and field research, the AHP (analytic hierarchy process) model is constructed to quantify and prioritize the diverse needs of users for control equipment. Subsequently, the House of Quality (HOQ) in QFD (Quality Function Deployment) is used to analyze the key components and structure of the equipment to ensure its performance and feasibility in practical applications. Finally, combined with the Theory of Inventive Problem Solving (TRIZ), the potential problems encountered in the structural design of the equipment are analyzed, and the corresponding creative principles are applied to solve the contradictions and complete the optimal scheme design. This study, via the acquisition of user needs and further analysis of the machinery’s structure, proposes a scheme that can address many problems related to Spartina alterniflora in China and provide new technical ideas for the field of wetland environmental protection.

Research on the Creative Principles of Chinese Thriller Films

The Chinese thriller film, as a specific genre, exhibits unique principles and characteristics in its creation, which is also significant in terms of cultural heritage and creative expression. Nevertheless, the current systematic investigation of the research principles and creative connotations of the sample remains inadequate. The objective of this paper is to analyze the research principles of Chinese thriller-horror films and identify the sources and evolution of the narrative materials underlying them. The analysis employs both the literature analysis method and the case study method. The former is used to examine the expression of the combination of thriller imagery and traditional Chinese cultural symbols in the film, while the latter is employed to explore the cultural elements belonging to the Chinese nation's tradition. Additionally, the analysis considers the distinctive characteristics of the film in terms of artistic scene layout, sound, and color, as well as the significance and role of such films. By examining the fundamental principles of Chinese thriller film-making, it is possible to gain a deeper understanding of the distinctive appeal and artistic nuances of Chinese thrillers, offering insights that can inform and inspire the creation of Chinese films.

THE EDUCATIONAL ENVIRONMENT AS A FACTOR IN OPTIMIZING THE TRAINING OF A CREATIVE TEACHER IN A HIGHER EDUCATION INSTITUTION

THE EDUCATIONAL ENVIRONMENT AS A FACTOR IN OPTIMIZING THE TRAINING OF A CREATIVE TEACHER IN A HIGHER EDUCATION INSTITUTION

Creative principles for managing innovation projects in BANI environment

In the dynamic landscape of innovation, where environments are increasingly characterized as Brittle, Accelerating, Nonlinear, and Incomprehensible (BANI), traditional project management approaches fall short of addressing the complexities and uncertainties that arise. This abstract explores a set of creative principles tailored for the effective management of innovation projects within BANI environments. Drawing inspiration from agile frameworks, design thinking, and open innovation, these principles aim to navigate the brittleness, acceleration, nonlinearity, and incomprehensibility inherent in such contexts. Adaptive leadership, rapid prototyping, and scenario planning emerge as key components, fostering a culture of continuous learning and cross-functional collaboration. Emphasizing innovation metrics beyond traditional KPIs, the abstract advocates for an ecosystem thinking approach to holistically comprehend the intricate interplay of factors within BANI environments. By integrating these creative principles, organizations can position themselves to not only adapt to the challenges presented by BANI but to thrive amid uncertainty, turning it into a catalyst for innovative growth. The world of innovation is facing unprecedented challenges. The acronym BANI – Brittle, Anxious, Nonlinear, and Incomprehensible – aptly captures the current environment characterized by fragile systems and interconnectedness. A single event can trigger cascading disruptions across industries and continents. Heightened uncertainty and anxiety. Rapid change and unforeseen events create constant pressure and require agility in decisionmaking. Non-linear trajectories and emergent phenomena. Traditional planning becomes obsolete in a world where cause and effect are blurry and unexpected outcomes arise. An incomprehensible information landscape. The sheer volume and complexity of data make it difficult to discern truth and make informed decisions. By embracing these creative principles, we can transform innovation projects from rigid endeavours into dynamic journeys of exploration and discovery. In the face of the BANI environment, embracing creativity, learning from failures, and pivoting quickly are the keys to unlocking ground breaking ideas and shaping a better future.

Pemberdayaan terhadap Usaha Produktif Umkm melalui Pendekatan Digital Marketing di Desa Ledokombo Kabupaten Jember

Ledokombo Village is one of the villages in the eastern part of Jember Regency, East Java Province. This village is within the administrative area of Ledokombo District. The area of Ledokombo Village is bordered by the areas of neighboring villages, such as Sukogidri Village, Ledokombo District, and Cumedak Village, Sumberjambe District. One of the elements of society that drives the economy is MSMEs in Ledokombo Village. The MSME players in Ledokombo Village are the "Banana Chips" MSME, which is committed to having a productive business but does not yet have a business network and knowledge about optimizing product marketing and has experienced a decline in orders from consumers. This is because the product marketing system is still conventional. The location of the service was Ledokombo Village, Jember Regency. The method of implementing the service uses the survey, FGD, socialization, training, and mentoring methods for Banana Chips MSMEs. Therefore, it is necessary to carry out appropriate empowerment efforts through counseling and training in optimizing business by utilizing marketplaces and social media. The results of the service show that the program that has been implemented has been well adopted by the Banana Chips MSMEs in Ledokombo Village. This is demonstrated by the packaging of products sold to consumers using packaging that has been recommended by the service implementation team. Improved service to consumers is based on innovative, creative principles and what is needed by the market.

Novalis:The Blue Flover of Romanticism

The essay is devoted to the reconstruction of the philosophy of art of Novalis, one of the prominent German Romantics, who presents it in his writings in a fragmentary way. Research of this type appears in scholarly literature for the first time; it utilizes a complex philosophical-aesthetic method of analysis of texts of the German thinker. Novalis appreciates art as one of the highest achievements of humanity, which elevates the human being from ordinary life to spiritual heights. Art is a free expression of the artists' Ego. Art is simultaneously a “self-contemplating and a self-creating nature.” The creative principles of nature are transformed within the spiritual world of the artist and express themselves in art. The secrets of nature are revealed to the artist. The artists sees something great in the least significant things. The beautiful is the object of art and this creates kinship between all types of art. Artists (including painters) do not imitate the external world but they create by means of their internal world. All types of art gravitate towards mutual harmony and foreshadow a synthesis of the arts of sorts. Novalis positions poetry above all other arts. This is because according to him poetry establishes heavenly wisdom on earth, elevates the human being over everyday life, and serves as the foundation for all other arts. Philosophy is internally linked to poetry and serves as its theory. The philosopher must be a poet. The poet lives a special, contemplative life and is a wise and prophetic person. Novalis imagines the future Romantic age as fabulous, magical, poetic, ironic, alogical. “Intelligent chaos” will play a specific role in it. All earthly will be elevated to the heavenly. Novalis considers the novel as one of the principal forms of Romatic poetry and presents its chief characteristics.

Рецензия на монографию Д.В. Кротовой «Поэзия В. Шаламова: идейно-образные константы и художественная генеалогия (модернистский аспект)»

The review provides an analytical assessment of the monograph of D.V. Krotova, dedicated to V.T. Shalamov. It demonstrates the large-scale nature of the approach, relevance, and deep scientific study of the topic. The review shows the methodology of the unity of synchrony and diachrony in the disclosure of the Shalamov phenomenon, reflected in the very structure of the work. So, if in the first part, a systematic analysis of the crucial motifs of the lyrics is proposed, then the second part examines the poet’s spiritual ties with his contemporaries, whose creative principles somehow found their refraction in the poetics of Shalamov. The main thread in the research is the idea of inheriting the traditions of modernist aesthetics of the Silver Age, especially acmeistic poetics. The reviewers also note the value of the principle of antinomianism, which reveals itself in considering the synthesis of multidirectional vectors of the embodiment of the motifs of nature, such as stone, light, and snowstorm. Antinomianism as a methodological aspect of literary analysis also appears while considering the category of tragic in Shalamov’s work: life in the poem appears as an unbearable ordeal, as a fatal dehumanization, but at the same time paradoxically coexists with faith, with a creative principle, with catharsis. The book presents the poetic creativity of V. Shalamov in his systemic synchronous-diachronic integrity and unity. Referring to documents, letters, notes, and memories makes the study multifaceted and scientifically convincing.

Сигизмунд Кржижановский как переводчик «песенок» Шекспира

The article is devoted to a comprehensive analysis of the creative principles of Shakespeare’s texts translation by Sigizmund Krzhizhanovsky (1887–1950). Krzhizhanovsky was a writer, an art historian, an original thinker, whose legacy was published mostly only after the 1980s. Being a prominent researcher of the theater philosophy, Krzhizhanovsky dealt with the problems of Shakespeare’s work; while in the 1930s he dealt with the more global problems of his heritage, and in the 1940s he focused on narrower topics. One of such local themes was Shakespeare’s “songs” contained in his plays. Krzhizhanovsky not only studied them as a system, classified them, but also translated them, as it became known from newly discovered archival documents. This article introduces five texts of Shakespeare’s songs translated by Krzhizhanovsky into scientific view and offers an analysis of all his translations (three songs were previously published as part of his articles), in the context of his reflections on the principles of translation. Krzhizhanovsky developed his own concept of the translation of Shakespeare, which he managed to partially implement in the translation of “songs”. The principles of his translation, striving for accuracy, were: attention to the phonetic side of the original, up to the use of transcribed interjections-exoticisms; attention to the figurative component; the possibility of varying the poetic size: almost always Krzhizhanovsky changes the size and lengthens the lines; introduction to translations of his own figurative accents, conjecture and completion of the translation almost to the author’s lyrical poem.

Изучение феномена региональных фортепианных школ: к постановке проблемы

This article discusses the issues of studying the phenomenon of regional piano schools related to the traditions of Russian musical art and professional education of pianists. Analyzing the contribution of outstanding musicians-teachers to the development of performing and pedagogical skills, the importance of the creative principles of the formation of the personality of a musician-teacher, aimed at achieving a highly artistic learning outcome, is emphasized. The fundamental approaches to the study of the dynamic processes of formation and development of piano schools in various regions of Russia are revealed. The definitions of the concept of school are revealed, uniting around the main idea — the specifics of the performing and pedagogical experience of the Master, who creates a unique piano tradition, which becomes the basis for the further development of the creative activity of students and like-minded people. The specificity of the formation and functioning of regional piano schools, associated both with the development of the traditions of domestic musical art, and with the uniqueness of the national characteristics of the cultural traditions of the regions of Russia, is emphasized.

창의성과 윤리성을 표상하는 패션 텍스타일 디자인의 현대적 창작원리 연구

This study aims to examine principles of artistic creation through Aristotelian poetics and to derive the creative principles of modern design through a discussion of creative and ethical design activities contemporary fashion-textile designers and students must engage in. The activities have the same potential as poetics’ aim of providing the public with ‘spectacles’ and arousing their feelings. Analyzing contemporary fashion design processes and poetics led to the following results: research on imitation, reproduction, appropriation, and borrowing, which happen in digital space, should be utilized considering the appropriate market level. For a creative collection, researching and investing in traditional and innovative technologies is necessary. A designer must research expressive techniques by borrowing and appropriating the descriptive principles of art to derive ideas that go beyond universally recognized and static structural forms. While these design techniques aid a designer, it’s important to creatively experiment within the design process to avoid compromises that weaken a designer’s innovative ideas and original identity. This study suggests that in order to obtain good design results in the closely interconnected fashion and textile world, it is necessary to trust the creator's design thinking and expression and have the patience to constantly experiment, which is a way to represent creativity and ethics.

O. Mishchenko’s button accordion school in metaphors and realities of creative and pedagogical process

O. Mishchenko’s button accordion school in metaphors and realities of creative and pedagogical process

The profile of Lithuanian architects in relation to the professional generations active today

The research focuses on the professional profile of architects by analyzing their identity and creative principles. The aim is to explore the professional community of Lithuanian architects who are currently shaping the built environment, to identify their heterogeneity in terms of professional generations. The problem of the research is shaped by the current controversies in the field of architecture concerning the changing status, activities, and responsibilities of the architect. The relevance of the study lies in several aspects: the lack of in-depth sociological research on the professional community of Lithuanian architects; the attempt to verify and clarify the results of the semi-structured interview study Lithuanian Architects on Architecture, and the reflection on the global architectural situation and the new agenda for architectural design towards a high quality built environment. The study adopted a mixed methods research design. This involved the collection, analysis, and interpretation of both quantitative and qualitative data. This methodology is chosen because the research requires a complex and multifaceted approach to the phenomenon of architecture and the problems of architectural practice. It also allowed a larger group of research participants to be reached (450 respondents). The questionnaire contains 13 questions, each is structured in a multiple-choice format, with one option being an open-ended question. The questions are grouped under several themes: 1) the nature and fields of architectural practice and the concept of architecture; 2) the scope of practice and the allocation of professional time; 3) selfdetermination and professional loyalty; and 4) creative principles. Descriptive statistical methods were used to process the survey data. Content analysis and, to some extent, thematic analysis were used to analyze quantitative data from open-ended questions. The study highlights that the professional generations of architects analyzed follow the general trend of architecture, refuting the hypothesis that the approach of each generation is significantly different. However, it has been observed that the representatives of each generation show a particular attitude in a specific area, which indicates the dynamics of an attitude or predicts a change in the architectural community as a whole. The youngest generation of architects is an indicator of change. It is characterized by seeing a great diversity of aspects in architecture and architectural practice.

The cultural meaning of the concept of "will" in the poetry of K.D. Balmont

The purpose of the article is to reveal the cultural meanings that for the poet were associated with the concept of "will". To achieve this goal, we trace the evolution of the poet's work, in which the cultural meaning of the concept of "will" is revealed through a chain of interrelated and complementary meanings: the boundless desire of the symbolist poet, a rush into the distance and upward, gaining freedom, admiration for the free world and the discovery of the supreme Divine - creative principle in nature. It is shown that the concept of "will" embodies in Balmont's poetry the essence of God's world, turns to the foundations of the Russian cultural mentality, reveals the convergence of Divine and human, free and creative principles as the dominant cultural worldview of the poet of the Silver Age. It is necessary to reveal the many cultural meanings that for the poet were associated with the concept of "will". The methodology of the research is based on synchronic, structural-functional, biographical, historical and cultural methods. Thus, the concept of "will" in Balmont's poetry combines the aspiration to space, breadth and height – to infinity, freedom, the poet's kinship with the Divinely free and eternally changeable elements of God's world and the creative principle as comprehension of the soul of the world and his own "free-spirited" soul. The cultural meaning of the concept "will" embodies the essence of God's world and the poet's soul. The concept of "will" in its versatility is one of the key ones in Balmont's poetry and turns to the basics of the Russian mentality, as well as reveals the convergence of the Divine and human, free and creative principles as the dominant worldview of the poet of the Silver Age. The thirst for will and freedom is inseparable from the formation of the Balmont symbolist with his aspiration from external reality to internal realities and is also connected with the rush into the distance "thirst for will and space".

EMOTIONAL INTELLIGENCE OF A MUSICIAN-PERFORMER

The purpose of the research presented in the article is to reveal some features of the differentiation and integration of emotions in music and musical performing activities. The article reveals the multifaceted nature of the psychological concepts of “emotional intelligence” in relation to musical performing creativity. An attempt is made to search for the significance of the development of emotional intelligence in achieving the unity of technical and artistic-imaginative, logical-constructive and emotional-sensual, reflective and intuitive, reproductive and creative principles in musical and instrumental performance. It is shown that in the conditions of musical performance, emotional intelligence receives a specific refraction, determined by the characteristics of musical and artistic activity. This is manifested in the development of such qualities as managing own emotions, self-motivation, empathy, etc.

The Artistic Philosophy of K.G. Paustovsky

The article examines the artistic philosophy of K.G. Paustovsky, that implies both a set of creative principles contained in the “Golden Rose” and other essays, and basic semantic structures of his prose. His general creative principle is defi ned as “artistic austerity”. The artistic philosophy of K.G. Paustovsky is based on the understanding of creativity as a special effort of personality formation. At the level of artistic form, this asceticism creates a classical style; and at the level of content, it is a symbol of overcoming death through love. At the level of human relationships model, creativity is the science of meeting, mercy and forgiveness. Death becomes the artistic symbol of the truth fulfi llment. Catharsis is achieved by the reader through communion with the primordial goodness of being, manifested through beauty and mercy in human relationships. The author examines the representative texts of K.G. Paustovsky, which demonstrate these principles at the level of the writer’s refl ections and key plots.

"Borono-lectin"-mediated Crosstalk and Its Application to Bioengineering

Boronic acids are able to reversibly interact with the diol groups, a commonly found motif in biomolecules including sugars, ribose and catechols. For their carbohydrate-binding properties, they can be regarded as a synthetic mimic of lectins and often termed as "borono-lectins." Importantly, the borono-lectins platform can be chemically tailored to manifest a broad profile of binding strength and specificity. Besides the structural versatility, some derivatives can undergo a sharp inversion in the state of hydration in synchronization with the molecular recognitions. This feature, when combined with amphiphilic polymeric backbones, translates into many creative principles for fine-tuning or switching the hydration and more complex molecular assemblies in a way interactive with biology. Here we provide a brief overview of our recent efforts on the related applications with special focuses on smart insulin delivery systems and sialic acid detections relevant to cancer diagnosis and treatment among others.

Leonardo da Vinci's Creation Philosophy of Learning from Nature

Artists are intermediaries between nature and humans, as well as the reproduction of nature's creation. Leonardo da Vinci observed nature and life with a keen eye. He faithfully reflected the image of nature like a mirror and collected materials extensively. He formed a huge library of images in his mind and then made art. The basis of all this was his mastery of perspective, shadows, anatomy, zoology and botany. In addition to recreating nature, Leonardo seeks to reflect real social life and the human spirit. Artists should use reason as a guide to reflect nature, so that the work is both derived from and above nature, rather than "copying nature". Leonardo's paintings fully emphasize the creativity and divinity of art, which should be centered on the expression of man and his inner spiritual world. Obviously, Leonardo's creative principles and Aristotle's "theory of imitation" are in the same line, and he inherited the traditional view of ancient Greek art imitating nature, but did not limit himself to this. Based on his own creative practice experience, he summarized the creative law that art should not only "learn from nature" but also "transcend nature", and dialectically explained the aesthetic relationship between art and nature. This paper aims to analyze Leonardo da Vinci's creative methods and explore his creative philosophy from his works. Leonardo's creative ideas occupy an important place in the history of aesthetics and are worth learning from.

F. Liszt’s Hungarian Rhapsody No. 12: the Summa of Performance Paradigms

The relevance of the study is determined by several factors: 1. Inclusion of F. Liszt’s Hungarian Rhapsody No. 12 into the number of the most performed works in the concert programs of pianists around the world; 2. Continuous development of principles of performative interpretation; 3. Emergence of new creative individuals in the art of piano interpretation, relentless changes in the understanding of content and form creation.
 The purpose of the article is to provide summa of performance paradigms of F. Liszt’s Hungarian Rhapsody No. 12 based on the analysis of interpretations of prominent virtuosos of the XX and XXI centuries.
 The methodology lies in the interdisciplinary interaction of general and special methods inherent in modern musicology. The historical method is applied to study of F. Liszt’s creative principles of interpretation. The genre-style method is intended to consider genre features of F. Liszt’s Rhapsody No. 12. The interpretative analysis is used to reveal the logic of performance interpretations. Comparative analysis is involved to compare interpretive versions of Hungarian Rhapsody No. 12 and motivate the degree of their objectivity, based on the specifics of their correspondence to the composer’s text.
 The results. The article is devoted to the study of the theoretical, historical, and interpretological aspects of the functioning of the summa of performance paradigms of F. Liszt’s Hungarian Rhapsody No. 12. For this purpose, the analytical parameters of piano interpretation, the principles of F. Liszt’s auto-interpretation of his own piano works, and the attitude of the piano genius to the performance of his own works by his contemporaries, are considered. The comparative analysis of interpretation versions of F. Liszt’s Hungarian Rhapsody No. 12 performed by outstanding pianists of the XX and XXI centuries, was conducted.
 The scientific novelty of the research consists in introducing into the scientific space of musicology the concept of the summa of performance paradigms, which functions as a consequence of the interpretative plurality; construction of a graph reflecting the tempo logic of the performance interpretation of F. Liszt’s Hungarian Rhapsody No. 12 in interpretations of O. Siloti, V. Cliburn, V. Benelli Mozell.
 The practical significance. Conducting a comparative analysis of performances of F. Liszt’s Hungarian Rhapsody No. 12 will be an experimental basis for determining the summa of its performance paradigms on the level of an individual interpreter. Furthermore, new vectors for the analysis of interpretative versions will be created.
 The conclusions. Consequently, the summa of the performance paradigms of F. Liszt’s Hungarian Rhapsody No. 12 is observed in a combination of the following aspects of its interpretation: a degree of applying tempo rubato, additional applying of melismas, variety of dynamics, articulation, pedalization, imitation of symphony orchestra instruments, folk instruments, and elements of “gypsy” singing.

LITERARY AND AESTHETIC VIEWS OF A. Е. KRUCHYONYKH IN THE CONTEXT OF THE PURE ART CONCEPT

The article attempts to reveal the conformity of the fundamental creative principles of A. Kruchyonykh as well as his ideas concerning the essence and aims of artistic creativity, with the basic provisions of the concept of pure art. The features of the interpretation of the key concepts used by the supporters of "art for art's sake", their postulates in the theoretical-literary and literary-critical works of the poet are considered. It is pointed out that the nature of how A. Kruchyonykh interprets the ideas that are the main provisions of the concept of pure art is determined by avant-garde searches of the poet. The subordination of the theory of abstruse language declared by A. Kruchyonykh to the principles of pure art is revealed. The nature of the evolution in the post-revolutionary period of the poet's creativity of his views on the relationship between art and politics, works of art subordinated to the solution of non-aesthetic tasks is comprehended. The role of A. Kruchyonykh in the development of the ideas of pure art is revealed.

Socialization of the Introduction of the Halal Concept and the Legality of Womenpreneurs Products

This community service activity was inspired by small-scale micro-enterprises managed by the Kenanga cooperative which was founded in 2019 supported by PKK women and also by Lecturers who gave educational lectures on the introduction of the halal concept and how to obtain product legality. The purpose of this activity is to provide additional support for scientific solutions for the educational team related to the field of law and entrepreneurship. Train to use media and art materials through creative principles, and be environmentally friendly Produce works that are scientific and educational in nature and ready to be used in life, are knowledge and foundational for development based on local wisdom technology and renewable technology. of the product being developed goes on.