Cultural Creative Industries Research Articles

Retraction Note: Evaluation of mangrove wetland potential based on convolutional neural network and development of film and television cultural creative industry

Convolutional neural network is a deep learning network, which is more suitable for image and speech processing. Image classification is one of the main research areas of visual artificial intelligence, with many applications, such as scene detection and robot vision enhancement. This paper proposes a new convolutional neural network to evaluate the potential of mangrove wetlands and discusses the development of the network in the film and television cultural and creative industries. Mangrove wetland is a special type of marine wetland centered on mangrove plant communities in tropical and subtropical coasts and intertidal zones of estuaries. They play an important role and play an important role in providing food, protecting wild germplasm resources, and population survival. Over the years, due to population pressure and economic development, the quality of mangrove wetlands has declined, the area has shrunk, and the restoration of mangrove wetlands has become a global hot spot. The development of the film and television industry is an important way to promote China’s cultural innovation. It is essential for strengthening the country’s soft power and improving China’s international image. However, due to the influence of many factors, the development of China’s film and television cultural creation industry is slow, and the development process is lagging behind. In recent years, the country has considered the development level of the cultural industry as an important development strategy, and has been taking various measures to promote the development of the film and television cultural industry. The creative film and television industry should be aware of its responsibility for cultural dissemination, actively learn from foreign industry development experience, and explore a scientific development system that meets China’s development needs and actual national conditions.

Indicators for Cultural and Creative Industries’ Impact Assessment on Cultural Heritage and Tourism

Cultural heritage is an important factor in ensuring regional development. Practice has demonstrated that first sustainability of heritage sites needs to be ensured and tourism they generate should also be re-visited as current over-tourism models are unsustainable. The assumption is that cultural/creative industries (CCI) can be a powerful tool for heritage livability as well as for sustainable tourism based on experiences. In order to stimulate regional development, specific CCI measures are often introduced in public policies but results of policy interventions are rarely monitored. Their performance can be measured against the pre-set indicators. Research studies focusing on such indicators are scarce. This short communication provides a possible conceptual framework alongside concrete indicators for cultural/creative industries’ sector impact assessment on cultural heritage and sustainable experiential tourism on the policy as well as on the project level. Desk research and brainstorming methods were applied to design the indicator sets resulting in a tool which is to be further tested and used in practice.

RETRACTED ARTICLE: Evaluation of mangrove wetland potential based on convolutional neural network and development of film and television cultural creative industry

RETRACTED ARTICLE: Evaluation of mangrove wetland potential based on convolutional neural network and development of film and television cultural creative industry

Optimization of Cultural and Creative Product Design Based on Simulated Annealing Algorithm

This paper introduces the basic principle and application process of simulated annealing algorithm and improves the simulated annealing algorithm so that it can converge faster to get the new parameters of cultural and creative product design and make it more in line with the reality of engineering optimization. In the cultural creative industry, it is necessary to use the creatorʼs creativity and technology to derive and develop the original cultural resources with the help of various materialization means, to refine the abstract and profound contents of cultural resources to make them more visualized, and to produce products with both spiritual and economic values through the multiple development and utilization of their intellectual property contents. By studying the feasibility analysis of the cultural and creative design, the design positioning of the cultural and creative products is determined. In this article, we use the simulated annealing method to simulate and analyse the condition values in the design process of cultural creative products. As the Internet era progresses, people have more diversified requirements for cultural and creative products, and they need to have innovative ideas to follow the trend, so the design of cultural and creative products can spread culture through different design expressions and media. As one of the important pillar industries for future development, cultural and creative products are characterized by a wide range of styles and practicality, which meet the aesthetic needs and fashion trends of modern people.

Developing Art Market Desain in Medan (With a Neo-vernacular Approach)

Abstract. Medan is a historical and multi-ethnic city which is one of the tourist destinations in Indonesia. Medan has many cultures that produce a lot of arts and crafts from each culture. However, the facilities and infrastructure for culture are still lacking. Only Cultural Park and PRSU are cultural spaces facilitated by the government. From the private sector, several galleries sell creative cultural industries that are managed privately. Therefore, this study aims as a boost where it is necessary to build a centre for a complete arts and crafts shop as a medium for art artisans to explore their talents and to help the economy of the surrounding community. Data collection in this study relies on secondary data obtained from libraries, related offices related to urban planning such as the Medan City Planning Agency and online sources. Then proceed with observing the location of potential sites as art markets. These observations emphasize apart from the location of the site as well as on the environment and infrastructure around the site. The results of the study show that: the right location for designing an art market in Medan is on Palang Merah street. This location is considered suitable because of its strategic location, close to the city centre and close to culinary spots. With this art market, it can become a workshop or marketing place for the creative industry in Medan.

Reorienting Cultural Policy: Arts Industries’ Approach in South Korea

The debate on the industrialization of the arts arose from a need for rationalization strategies in the creative arts field. This article examines South Korea’s industrialization of the arts initiatives and related discourse during 2004–2018. Highlighting the polarized policy development of the creative arts and cultural industries as an obstacle to the growth of arts fields, the study proposes reorienting the cultural policy from simple distributive arts policy and beyond industrial policy that considers arts a subset. An arts industries’ approach is suggested as a more inclusive policy stance that accommodates nonprofit arts fields, entrepreneurial arts businesses, and related industries.

Cultural and Creative Industries: Is the ‘Giant of Africa’ Relevant in the Global Sphere?

Globalization is now linked to economic advancement; the position of Nigeria in this regard through the creative and cultural industries is not in doubt. This paper attempted to create awareness on the place of Nigeria in the global creative and cultural industries. It is of the essence to create consciousness in this neglected area by the government and entrepreneurs alike, hence the contributions in these sectors of economic development of the country go unrecognized. Thus, this paper did a study of the position of Nigeria music and film industries in the planetary space and contributions to the national economy. It was observed that Nigeria occupies an enviable location in the global index in these areas, though there are no clear policies in these lucrative fields. Regardless of the neglect, the creative and cultural industries have managed to fill a position in the world through the individual persistence of the practitioners. This study created awareness on the carelessness of that sector and the need for all to pay attention to enable Nigeria to sustain her position in this ever-expanding and lucrative sector. Keywords: Globalization; entrepreneurs; cultural creative industries DOI: 10.7176/JCSD/63-06 Publication date: February 28 th 2021

INHERITANCE AND INNOVATION, ADJUSTMENT AND ACCUMULATION:ON THE MODERNIZATION THINKING OF CHINESE TRADITIONAL CULTURE FROM THE DEVELOPMENT OF THE CULTURAL AND CREATIVE INDUSTRY OF THE FORBIDDEN CITY

General Secretary Xi Jinping put forward in the report of the Nineteenth National Congress a new era topic of creative transformation and innovative development of Chinese traditional culture, which put forward higher requirements for the modernization of Chinese traditional culture. The modernization of traditional culture has always been an important part of building a socialist modernization country in an all-round way, but in the process of modernization, cultural modernization, especially the modernization of traditional Chinese culture, has been shackled. Cultural industry, especially cultural creative industry, is an important model for the development of cultural modernization. Its development course provides an important experience for the modernization of Chinese traditional culture. Starting from the symbol cultural creative industry of the Palace Museum, this paper analyses the process of innovative development and creative transformation of Chinese traditional culture, focusing on the realistic dilemma of Chinese traditional culture. What is it, how to develop the modernization of Chinese traditional culture and how to guarantee the modernization of Chinese traditional culture are discussed in order to promote the modernization of Chinese traditional culture.

Development of Art and Culture Creative Industry Using FPGA and Dynamic Image Sampling

The TVPS146’s digital video processor is used for digital video processing and image output on digital signal processing (DSP) ports. The following is a summary of the field programmable gate array (FPGA) features and programming principles. FPGA is designed by the ping‐pong operation, including serial to parallel conversion design, pipeline operation, and data interface synchronization. A dance video screenshot analysis microsystem is composed of it and video dynamic image processing. Finally, according to the number of dance culture performance institutions based on the internet from 2014 to 2018, the development strategy of dance culture and creativity based on the internet is put forward. The results show that the image sharpness of the video screenshots processed by the system is improved, and the effect of enhanced processing is achieved compared to the unprocessed video screenshots. In addition, after the video screenshot processed by the system is compressed, some details are lost and the outline of the image is blurred. The combination of internet immediacy, mass, grassroots, and interactivity can accelerate the development of China’s dance culture and creative industry and provide an effective practical foundation for innovation in the development of art and culture.

Research on the Development of Jingdezhen Art Porcelain from the Perspective of Consumer Culture

As the main category of handicrafts, ceramics have also been continuously developed with the progress of society. In the long years, countless ceramic products gleamed like pearls. This article takes Jingdezhen craft porcelain as the starting point, analyzes market consumption behavior and market psychology, and considers the relationship between the cultural creative industry and the development of craft porcelain. In view of the current development of Jingdezhen craft porcelain, some opinions and opinions are put forward.<br/>

The Construction of the Derivative Value of Heritage Tourism on the Basis of Symbolic Consumption

As a part of creative cultural industry, heritage tourism combines cultural, historical, artistic and scientific values. It includes both spiritual consumption and material consumption. It is not only a social and cultural phenomenon, but also an economic phenomenon, upgrading from sightseeing to purchasing goods and then to cultural experience. The process of heritage tourism experience is actually a process of encoding symbols. The attraction of heritage tourism derives from the symbolic significance of tourism itself. In essence, tourism consumption is a kind of symbolic consumption, which forms tourism motivation based on the attraction of indicative symbols, and then evolves emotional satisfaction in a symbolic environment. When tourists obtain emotional satisfaction through symbolic consumption, the premium ability of tourism commodities will be enhanced and the derivative value of tourism will thus be formed. Therefore, excavation and utilization of symbol consumption is the core factor of sustainable tourism construction.

Research on the Green Economic Development on the Basis of Cultural and Creative Industry

Green economy is a new economic development mode characterized by energy saving, environmental protection and harmonious development. It is proposed to solve the increasingly prominent global ecological problems and the deterioration of ecological environment quality. Green economy aims to adjust the direction of economic development, with information technology and creation as the breakthrough point and the knowledge economy as the focus of development. Cultural and creative industry is centered on intangible capital or resources such as creativity, knowledge, culture, information science and technology. It occupies little and has low energy consumption, strong extension and high technical content, which naturally makes it the focal point of green economic development. This paper discusses the development path of green economy from the aspect of cultural creative industry.

Researchon Resource Reuse in the Industrial Site Regeneration - Taking the CulturalCreative Industry Park of "Hangyang Zhao" as the Example

During the 18th century, the Industrial Revolution achievedaccumulation of capital through continuous technological improvements. The urbanindustrialization was thereby booming but finally came to an end, leaving a greatamount of industrial heritage in cities. With the improved quality of life, themasses have paid increasing attention to the ecological environment, so theregenerated industrial heritage has come under the spotlight. Following the growingeconomic development around the world, the resource recycling of industrial heritagehas become a global hot topic. This paper expounds the formation and regeneratingmeans of industrial heritage, and analyzes the development history and regeneratingforms of the three mature industrial heritage parks, including the Pocheon Art Valley,Beijing 798 ArtDist and the Ashio Copper Mine.<BR> Due to the complicated spatial and time spans of industrial heritageregeneration, this paper takes the Hanyang Zao Advertising Creative IndustryPark in Wuhan, China as an example. It analyzes the status quo of “Hanyang Zao”through data investigation and file query and conducts an interactivecomparison with the North Duisburg Landscape Park, a successful transformationof industrial heritage by Peter Latz. Through studying the German version designmethods of resource recycling, this paper puts forward a feasible design planon the resource recycling of the Hanyang Zao Advertising Creative Industry Park,hoping to provide it as an easy reference for industrial heritage regenerationin many cities of China.

RETRACTED: Visual design of cultural and creative product based on microprocessing system and computer-human interaction

Culture is globally recognized as an important driving force for a sustainable creative economy. The importance of participation in the design and cultural creative industries is sufficient research, especially from the perspective of emerging economies. Therefore, designers need a framework to guide them on creating sustainable culture-appropriate products that reflect their users. From cultural memory, integrated design is a new design method to embed users, beliefs, and expectations based on computer Field Programmable Gate Array (FPGA), and Machine Learning (ML) provides products design and services with performance values. Gradually in the global market, the focus on local styles has become a trending style of the current economic development strategies of various countries promoting cultural and creative industries. The advent of creative design applications has changed the global competitive culture's creative product design advantage of the industry. Cultural creative product design emphasizes art, the humanization of creative life and aesthetics has gradually become the emerging economic force. Design technology products, cognitive psychology, information technology, and design a combination of computer application technology, object, and the standard model of the present invention have been designed and developed according to the product's characteristics.

Beyond Dualism? Exploring the Polyphonic Dimension of Cultural Productions

The purpose of this paper is to explore the nature and interplay of the logics that inform the day-to-day work of small cultural productions. Positioned in the literature on cultural and creative industries, it embraces a discourse perspective and in particular the concept of “polyphony” as an analytical lens. Empirically, the paper draws on a case study of a music association, in which the authors especially followed the production of a music festival. What emerges is a situation of pluralism of discourses, a variety of relations among these discourses, and fluidity of discourses across actors and roles, which lead the authors to question, at least in part, the presupposed artistic vs. business dualism within which cultural productions and creative industries are instead typically framed.

Agglomeration and Development of Cultural Industry: A Comparative Study of Inland and Coastal Zones in China

Liang, J. and Li, M., 2020. Agglomeration and development of cultural industry: A comparative study of inland and coastal zones in China. In: Li, L. and Huang, X. (eds.), Sustainable Development in Coastal Regions: A Perspective of Environment, Economy, and Technology. Journal of Coastal Research, Special Issue No. 112, pp. 152-157. Coconut Creek (Florida), ISSN 0749-0208.This paper conducts a comparative study of the degree of agglomeration and development of cultural industries in 16 inland and coastal regions of China, using LQ as a unified evaluation criterion, and organizing and empirically analyzing the data of China's Fourth National Economic Census. The results show that 1) there is a significant difference in the degree of agglomeration and development of cultural industries between China's inland zone and coastal zone, especially in the cultural information transmission service industry, cultural creativity and design service industry, cultural industry manufacturing industry and wholesale and retail industry; 2) in the inland regions, Hunan is in the leading position; 3) in the coastal regions, Hainan has a weaker overall strength. This paper also provides suggestions to optimize the development path of cultural industries in inland zone according to the comparison of developments in coastal zone.

Design of Creative Products for Marine Tourism Culture

Liu, X.R., 2020. Design of creative products for marine tourism culture. In: Al-Tarawneh, O. and Megahed, A. (eds.), Recent Developments of Port, Marine, and Ocean Engineering. Journal of Coastal Research, Special Issue No. 110, pp. 60–63. Coconut Creek (Florida), ISSN 0749-0208.At present, China's marine tourism development has become an emerging and sustainable industry. With the continuous development of tourism culture, tourism income has shown a rising state. Many coastal cities rely on tourism as an economic support. This article is mainly devoted to exploring the design of marine tourism cultural creative products. First of all, it points out the main research content of marine tourism in China. By analyzing the current status and problems of its tourism cultural products, combined with the situation of the marine tourism cultural creative industry in Dongshan Island, Fujian Province, it finally clarifies its design in detail research paths to promote the active application and development of marine tourism cultural resources.

Beyond Watt Market Roundabout Audiences: Redesigning Tourists Oriented Theatres in Calabar

Calabar, a coastal town in South-South Nigeria, has had a long-standing history of cultural tourist-oriented theatre performances. And today, its image as a tourist city has grown in leaps because of the Christmas Festival (A 32-day entertainment art and cultural events) it hosts annually plus other tourism products or attractions that complement the festival. Carnival seems to be a major attraction. Other attractions are not emphasized. This study explored how tourism-oriented theatres can be developed to add to existing attractions and increase varieties for tourists. The study used a combination of research methods including experiential theatre performances, participant observation, and focus group discussion. Findings show that local culture and arts and creative industries i.e., theatre can be used to promote destinations and enhance their attractiveness. They can help build the image of the city and promote indigenous arts and culture. This research significantly models the utility of theatre in the service of tourism and urban development. Some key recommendations this research makes include, the collaboration of the tourism industry, the performing arts sectors, and private business owners. Creating demand and market for specially packaged theatre products for tourists working with travel agencies to ensure that theatre is taken from the mainstream to the tourists.

Beyond Watt Market Roundabout Audiences: Redesigning Tourists Oriented Theatres in Calabar

Calabar, a coastal town in South-South Nigeria, has had a long-standing history of cultural tourist-oriented theatre performances. And today, its image as a tourist city has grown in leaps because of the Christmas Festival (A 32-day entertainment art and cultural events) it hosts annually plus other tourism products or attractions that complement the festival. Carnival seems to be a major attraction. Other attractions are not emphasized. This study explored how tourism-oriented theatres can be developed to add to existing attractions and increase varieties for tourists. The study used a combination of research methods including experiential theatre performances, participant observation, and focus group discussion. Findings show that local culture and arts and creative industries i.e., theatre can be used to promote destinations and enhance their attractiveness. They can help build the image of the city and promote indigenous arts and culture. This research significantly models the utility of theatre in the service of tourism and urban development. Some key recommendations this research makes include, the collaboration of the tourism industry, the performing arts sectors, and private business owners. Creating demand and market for specially packaged theatre products for tourists working with travel agencies to ensure that theatre is taken from the mainstream to the tourists.

Design and Production of Digital Interactive Installation for the Cultural Theme of the Belt and Road Initiative

Chinese traditional culture provides an endless source of ideas for the digital creative cultural industry. Nowadays, in the cultural industry chain, IP contains a huge potential value. The combination of digital interactive technology and cultural content as well as industry is one of the paths of cultural innovation. This paper takes the Dunhuang caisson patterns under the cultural theme of the Belt and Road Initiative as the subject of expression. By integrating the pattern elements into digital animation and digital interaction, its design and production with the digital interactive installation display form finally show the historical and cultural connotation of the traditional silk road. Through the performance of the interactive installation in the form of digital art display and the application analysis in the design fusion of digital media, this paper explains the construction and implementation of the digital visualization and digital interactive installation of Dunhuang art, aiming to raise awareness. It also hopes to enhance the viewer’s sense of integration and participation with interactive technology of digital media, thus helping the protection and inheritance, dissemination and promotion of traditional culture.