Creation Of Contemporary Art Research Articles

The Integration of contemporary art and ethnic culture: Taking the creation of ethnic fiber art as an example

The purpose of this research is to analyze the development trend of ethnic culture from the perspective of contemporary art, focusing on the art form of the expression of contemporary ethnic fiber art on ethnic culture. Through the research methods of questionnaire survey and case analysis of works, it is found that ethnic culture can show its artistic charm through diversified fiber art forms. Contemporary ethnic fiber art will be the innovative carrier of the integration of contemporary art and ethnic culture. In the case analysis of works, it is found that contemporary art and ethnic culture can be integrated into contemporary art creation through traditional handicraft innovation, pattern recombination and deconstruction, color reference, national spirit and other aspects. Therefore, this research proves that the integration of ethnic culture and fiber art is full of contemporary artistic interest, which not only enhances the social influence of ethnic culture, but also helps to enrich the form and content of contemporary fiber art, which is of great significance to promote the development of traditional ethnic craft.

Aesthetic Features of Chinese Freehand Painting from the Perspective of Art History

Chinese freehand painting still has distinctive aesthetic characteristics even today when culture and art coexist and cognition. Understanding the aesthetic expression of Chinese freehand painting from the perspective of art history is conducive to a deeper understanding of freehand painting, thus providing guidance for contemporary art creation and innovation.

The Fusion of East and West in Chinese Painting from the Formal Language of Lin Fengmian's Paintings

Lin Fengmian was a scholar who travelled to France in the early 20th century to study Western art, and he dedicated his life to research and art education on the fusion of East and West in Chinese oil painting. He had many followers who interpreted the creativity of combining East and West in their creative works. Although the concept of integration of East and West has long been introduced into local oil painting and contemporary ink painting through the efforts of generations, the overall standard and artistic value of Chinese oil painting and contemporary ink painting has yet to be improved, and the slow pace seems to be a long way from the ideal. This paper attempts to reconceptualize Lin Fengmian's concept of the fusion of East and West, and to study his artistic ideas in aesthetics and culture in depth, in order to provide a clear idea for the creation of contemporary art.

The Influence of the Integration of Transcontinental Traditional Craft on the Development of Ethnic Culture

This paper mainly analyzes the feasibility of the integration of different ethnic traditions from the perspective of transcontinental. The main research object is the weaving and dyeing craft of the Malay, Dong and She ethnic groups. In order to demonstrate the view that "integration of traditional craft has a positive role in promoting the development of national culture", the researcher used field research, literature analysis, studio research, etc., to make a comparative analysis of the dyeing and weaving craft of the Malay, Dong and She ethnic groups. The research shows that there are similarities in the traditional dyeing and weaving processes of these three ethnic groups. No matter the production techniques, pattern elements or color matching, they can be restructured and integrated in the process innovation. Therefore, through the fiber creation experiment, the researcher demonstrated that the application of contemporary art creation concept can not only improve the artistic taste of traditional craft, but also enrich the transmission channels of ethnic culture and enhance the self-confidence of culture. The integration of traditional crafts promotes the political cultural exchanges of different nationalities and promotes the development of ethnic culture.

A Study of the Value of the Human Voice in the Context of Body Embodiment

The idea that “the human voice has a feature of embodiment” was proposed by Mr. Xue Yibing, a Chinese researcher who belongs to a member of the Institute of Music, China Academy of Art. Such a no-tion is not only strange but also familiar. In this context, this paper will borrow the concept of "the origin of musical beauty is the human voice" and combine it with Husserl’s view of "To the things themselves" in phenomenology. Under this circumstance, the embodiment of the human voice would be understood from the human body and sound itself, and the existence value and aesthetic value of the human voice it brings, that is, from the current value, it proves the subjectivity, spiritual embodiment and emotional preservation of human beings; from the aesthetic value, it recognizes non-real objects, brings dynamic manifestation and embodies aesthetic imagery. The inspiration of the human voice in contemporary art creation is further ob-tained: the understanding of tradition and innovation in the human voice, the use of voice to integrate the single and multiple, the human voice to carry the individual and society, the human voice to coordinate the reality and transcendence, which gives the human voice in the new era more profound connotation and sig-nificance.

The Practical Effect and Positive Influence of Mobile Art Apps in Online Education for Contemporary Art

This study explores the real effect and positive influence of the use of two mobile art apps, The Met and Artnet News, on online art practice on the basis of understanding their cognition of contemporary art development and art apps. The target group for this study is art college students affected by Covid-19 for online learning. The main goal is to determine the daily use frequency of college art students who use mobile art apps to learn online, as well as the cognitive status of college art students and the actual effect of using mobile art apps for online learning based on a comparison of the data from the two research groups and the control group. The researchers used a quantitative study design with a simple questionnaire survey distributed to 90 pre-university students to collect their cognitive state of modern art and frequency of use of mobile art apps. They were then divided into groups to compare the actual effect of these students after utilizing the mobile art app for further study with the test data to the group that did not utilize the online learning platform to obtain the final research results. Through specific data, this study not only reveals the understanding and cognition of art college students affected by Covid-19 on the current situation of contemporary art development, but it also encourages students to use mobile art apps to expand their theoretical knowledge reserve and apply it to the practice of contemporary art creation in addition to online classroom learning in colleges and universities.

Personal Emotion and Material Application in Metal Sculpture Creation

Contemporary art creation forms have begun to move towards a diversified development path, and among the emotions and materials required for artistic creation, metal materials have been elevated to an unprecedented level. In the early stage of contemporary metal sculpture creation, that is, the tendency of material selection, the artists considered more about the expression of emotions and the expression of ideas, and were no longer bound by the frame of narrative with traditional materials, and the expression was not the concept of the self. Contemporary art can express personal emotions, relying on the inherent artistic language of metal itself to perform "return to the original", which is the moving and linguistic charm of the origin of metal.

Research on Application of Stacking Design in Ceramic Art Design

Ceramic craftsmanship has a long history in our country, and it contains rich ceramic culture. However, as far as the current society is concerned, the integration of traditional decorative modeling elements is relatively small, and its development space is limited to a certain extent. The combination of traditional stacked design and ceramic art creation is not only a display of the designer's personal artistic charm, but also a major development trend of contemporary art creation. This article starts from the stacking design, combines it with ceramic art creation, breaks through the consistent expression of ceramic works, creates ceramic art works that are functional, decorative and not lacking in national characteristics, and promotes the development of ceramic art in the direction of national architecture.

Expression of Aesthetic Image of Artistic Concept in Artistic Creation

The beauty of artistic creation in the new era requires a new aesthetic consciousness, and a very important part of the formation of the new aesthetic consciousness comes from the expression of people's own artistic concepts. Modern and contemporary art creation must have modern and contemporary new ways of consciousness, new angles of appreciation, and aesthetic concepts that are in line with the current era. Only such works can reflect the contemporary thinking and viewing angle of the artist. The artist's concept is the creative emotion, intention and orientation of aesthetic cognition. The aesthetic expression of artistic concepts in artistic creation is a proposition that needs to be considered at the moment.

Research on Application and Breakthrough of Artificial Intelligence in Art Design in the New Era

The influence of artificial intelligence on art design is profound and huge, it changes the development pattern of art at an unprecedented speed. With the full involvement of new media and the continuous impact of artificial intelligence, the art field has changed significantly in terms of production, creation, communication channels and acceptance environment. The materials, space, and time required for contemporary art creation are very different from the past, and art creators can no longer treat art problems with the attitude of the past. Therefore, this paper describes the relationship between artificial intelligence and art design, and analyses the changes brought by the application of artificial intelligence in the field of art design. On this basis, this paper discusses the typical application of artificial intelligence in art design, and puts forward some innovative suggestions for the sustainable development of contemporary art.

Practice and Discussion on the Innovative Expression of Contemporary Material Language and Chinese Traditional Culture

How to carry forward the traditional Chinese culture in the new era is a widely concerned topic. By analyzing the current application of contemporary materials and the corresponding performance of works, the authors point out that the rich material language derived from the selection of concepts and the integration of contemporary aesthetics has become a mature way of contemporary art creation. Through the analysis of the current situation of Chinese traditional cultural expression works, it is pointed out that Chinese artists are gradually exploring the way to absorb nutrients from the treasure house of traditional culture and find the appropriate way of cultural inheritance through contemporary thinking and technology. Because the contemporary material language with a complete system can adapt to the different needs of emotional and style expression, the exploration of contemporary material language from the perspective of innovation can provide new ideas for the innovation of traditional Chinese culture. Finally, through the innovative practice of material technology and emotional expression, a new balance point between material technology and expression content was found, and a preliminary study on the application of contemporary material language was completed. The Chinese traditional culture with a long history can always find new value in each era, and the contemporary material language provides new inspiration for its inheritance and innovation.

A Comparative Study of Contemporary Chinese and Western Art Criticism Concepts From a Cross-Cultural Perspective

Art criticism is not only the interpretation, but also the vane guiding contemporary art creation. Especially in the pattern of artistic creation influenced by contemporary pluralistic ideological trends, the value and function of criticism have been paid more and more attention. From the perspective of cross-cultural research, this paper makes a comparative study of the values of contemporary Chinese and western art criticism from three aspects: the picture and text of criticism, subjectivity and modernity, in order to explore the construction of a text paradigm suitable for the current context of Chinese art criticism in the review and reflection of the academic system of contemporary Chinese art criticism.

Warp and woof: stalking art from End to End

This article offers an alternative ethnography of Johannesburg by tracking the creation of contemporary art within an inner-city atelier, August House, on End Street and into the world at large (‘from End to End’). The project informs a study about contemporary art as a vector of value: it sought nodes of transfiguration and their catalysts, foregrounding practice and process. In this assemblage, it aspires towards a ‘cultural biography of things’ (Kopytoff 1986). It simultaneously authors an obituary of a particular era in the life of this culturally significant hub: during the research period, the building is put up for sale in a value metamorphosis of its own. This disruption introduces an interregnum of uncertainty that surfaces connections between space and imagination, and flags structural realities operating outside the studio door that help define life inside it. Precarity and how this is variously transformed is key. The initial linear narrative trajectory is upended to become an interwoven cobweb instead, demonstrating through synchronous connections the transversality of its subject matter. The journey to new studios is tracked too, as is the atelier’s reconfigured fate, which speaks to other buildings crafting second lives in comparable cities of flux. A concept of middle space informs both method and exegesis, starting at the building’s elevators. This twinning of form and content is integral to arts-based research, which believes in artistic practice as an alternative form of understanding and revealing new knowledge.

Analogical modification in the creation of contemporary art

The goal of this study was to propose a framework to describe the analogical process in the context of creation. We conducted retrospective interviews with two contemporary artists in their forties using portfolios of their past works so that they could recall their creation processes in detail. We found that the artists often use analogical modification to produce new series of artwork. Analogical modification is a cognitive process used to generate a new target, in the context of creation, by changing values of a source to make differences during analogical mapping. We found three types of analogical modification, namely, subject modification, structure modification, and concept modification. Creative vision, which is formed through many years of creative activity and consists of long-term intentions or goals for creation, plays an important role in guiding the use of analogical modification. The process of artistic creation can be better understood using the framework of the interaction between activities in different time spans, such as analogical modification and creative vision.

Nazori Slavka Osterca o tradiciji v glasbi in o glasbenem nacionalizmu

Nazori Slavka Osterca o tradiciji v glasbi in o glasbenem nacionalizmu