Traditional Crafts Research Articles

Challenges on the Inheritance of Traditional Wool Felt Making Skills in Zhaotong Dashanbao Loop, China

The Dashanbao Loop is dominated by high mountainous and hilly landscapes and is located on the plateau where the Jinsha River meets the Nilan River in the western Zhaoyang District of Zhaotong City, Yunnan Province. There is a big temperature difference between day and night here. To keep out the cold, people will use wool to make daily necessities such as cloaks, mattresses and insoles. This material can keep moisture-proof and warm, so the traditional hand-made felt technology handed down from generation to generation is still retained. These traditional crafts not only show unique cultural value, but also become valuable local cultural heritage. However, today's globalization and the development of modern technology have brought unprecedented challenges to these traditional processes. The study systematically collects and organizes data on the traditional wool felt making techniques of the Dashanbao Loop from the perspective of intangible cultural heritage preservation, using both observation and interview methods. The study conducted field investigation and interviews with wool felt makers, and through the data obtained analyzed the transmission dilemmas faced by these traditional skills was analyzed, focusing on the challenges to their transmission and their potential solutions. According to the data, these traditional products have major challenges in these aspects: the product categories are not rich and rough, the inheritance method is single, the environment changes and the inheritor's income is low. In order to solve these problems, it is suggested to break through the existing product categories, diversify inheritance methods, improve the inheritance environment and improve the treatment of inheritors, which is more conducive to the inheritance and sustainable development of traditional crafts.

Study the Potential of Tangible and Intangible Folk Heritage in Promoting Tourism in Yamuna River Basin of Garhwal Himalayan Region

In order to develop sustainable tourism in the Yamuna River Basin of the Garhwal Himalayan area, this research explores the possibility of using both physical and intangible cultural heritage. Architectural wonders, traditional crafts, oral traditions, performing arts, and celebratory events are all part of the region's rich cultural fabric, which is explored via qualitative analysis of secondary data sources. The study's overarching goal is to inform policymakers and practitioners on how to best promote culturally sensitive tourism that creates jobs and protects local traditions without compromising the integrity of historic sites.

Modelling and Simulation of Traditional Craft Actions

The problem of modelling and simulating traditional crafting actions is addressed, motivated by the goals of craft understanding, documentation, and training. First, the physical entities involved in crafting actions are identified, physically, and semantically characterised, including causing entities, conditions, properties, and objects, as well as the space and time in which they occur. Actions are semantically classified into a taxonomy of four classes according to their goals, which are shown to exhibit similarities in their operation principles and utilised tools. This classification is employed to simplify the create archetypal simulators, based on the Finite Element Method, by developing archetypal simulators for each class and specialising them in craft-specific actions. The approach is validated by specialising the proposed archetypes into indicative craft actions and predicting their results in simulation. The simulated actions are rendered in 3D to create visual demonstrations and can be integrated into game engines for training applications.

YORGANLAMA ZANAATININ MODA VE GİYİLEBİLİR SANAT İÇİNDE UYGULANABİLİRLİĞİNE DAİR BİR ÖRNEK ÇALIŞMA “BAŞKALAŞIM MUCİZESİ SERGİSİ”

While contemporary production emphasizes speed and technology, it also retains a certain fascination with the traces of craft-centered living from the past. In this vein, designers in the fashion world have been integrating pieces into their collections that reference traditional crafts and reflect the qualities of handwork. These handmade elements, filtered through past traditions, can create design opportunities when handled with appropriate references within contemporary fashion and art. One such element is the art of quilting, a significant part of our culture, which offers contemporary possibilities for fashion with its aesthetics and propositions from the past. This study will examine how the art of quilting is handled within the context of design integrity. The two different lives of the dragonfly, which are featured in the exhibition "The Miracle of Metamorphosis," are expressed through design applications within the framework of wearable art. The study focuses on the first part of the exhibition, which tells the story of the dragonfly's first life, spent hidden under its shell underwater. The shell is conceptually considered as a quilt, a shield, and a shelter, with the meaning of "a covering, hiding, protecting, and sheltering cover." This work, expressed through the art of quilting, reflects the experiences of measurement and form in a way that is consistent with design integrity. It also demonstrates that the art of quilting, which is typically applied to two-dimensional surfaces, can be adapted to three-dimensional garment forms. Keywords: Wearable Art, Fashion, Quilting , Traditional Craft, Slow Fashion.

Матеріали до словника традиційних народних промислів (гончарська лексика подільських говірок)

The article analyzes lexical material for the Dictionary of Traditional Folk Crafts. The proposed materials reflect the peculiarities and regional differences of the pottery terminology of Podillia. The relevance of the article is due to the fact that many problems of dialect lexicology have not yet been solved, in particular, a national dictionary of dialects and a dictionary of individual regions of Ukrainian dialects have not been created. The nomination of phenomena and concepts of traditional folk culture is poly-informative, and their fixation and preservation remain an urgent task of modern dialectology. The sources of the factual material are recordings of live folk speech made by the author in 12 (twelve) settlements of Podillia in 1998-1999. The purpose of the research is to review the history of Podillia pottery as a folk craft, as well as to present a fragment of a dictionary of pottery terminology, and to introduce a name to denote the realities of pottery into scientific circulation. The article uses general scientific methods of research: analysis, synthesis and observation, which made it possible to identify and systematize colloquial material; the descriptive method was used in the process of analyzing the vernacular speech. Special linguistic methods of research: questionnaires and interviews contributed to the recording of dialect speech, contextual and interpretive analysis allowed to identify transformations of the semantic scope of lexemes functioning in the live speech of speakers of Podillia dialects, linguo-geographical method made it possible to illustrate the habitat of the recorded names. The result of the research is the introduction of lexical material collected during the expedition into scientific circulation. The work on the dictionary of pottery terminology is planned to be continued, streamlining the previously collected vocabulary. Originality. Studying the cultural characteristics of Ukrainians allows not only expanding general knowledge, but also passing on the nation's invaluable experience to future generations. The vocabulary of traditional crafts is a unique basis for enriching the language, a part of cultural and social memory. It is also important to compile dictionaries, as the recording of traditional folk culture concepts is an urgent issue not only for ethnology but also for linguistics. Conclusion. The pottery vocabulary of Podillia dialects is a complex multifaceted system with a clear structure. The study of this vocabulary proves that in terms of area, it shows tendencies towards spatial opposition: some of the lexemes are not found in neighboring dialects (brashne, bohonok, vedrovyi pot, veselce, etc.). We see the prospects for further research in the continuation of work on the compilation of the Dictionary of Podillia Dialects.

Automatic Tea Ceremony Teapot Robotic Arm Design Based on TRIZ Principle

With the accelerated pace of modern society, there is a contradiction between the tedious steps of traditional tea ceremony and the convenient lifestyle. In order to solve this problem, this study applies the TRIZ theory to optimize the design of the fully automatic tea ceremony teapot robot arm. Through the "nine-screen method", the traditional tea-making process was comprehensively analyzed, the key steps were identified, and the cultural significance and technical requirements of each step were discussed in depth. Using the "technical contradiction matrix" and "physical contradiction" analysis, the potential contradictions in the tea-making process were revealed, and the "physical field model" was applied to construct the problem model and explore the possible solutions. The problem model was constructed by applying the "Physical Field Model", and possible solutions were explored. The study proposes a fully automated tea art teapot robotic arm design program that integrates several key technology modules such as heating and temperature control, plane movement, lid operation, and pouring and dispensing of tea. The program ensures the quality of tea soup and the experience of traditional tea ceremonies through the well-designed robotic arm structure and improves the efficiency of tea brewing at the same time. The structural safety of the design scheme is verified by stress analysis of the connecting plate of the robotic arm and the connecting plate of the teapot base. Finally, the feasibility and effectiveness of the proposed scheme are verified through kinematic analysis, prototype testing, and user experience evaluation. This study is of great practical significance for the modernization and transformation of the traditional tea ceremony and also provides a reference for the automation of other traditional crafts. With the continuous progress of technology, we expect more innovative products combining traditional culture and modern technology to appear in the future so that traditional art can be revitalized in modern society.

Market participation as livelihood and safeguarding intangible cultural heritage: A case of Chăm ethnic minority pottery households in Vietnam

This study examines the extent of market participation among Chăm pottery producers in Vietnam and the factors that influence this extent. The research utilized the total market participation index to assess the level of market participation and Tobit regression to examine the factors influencing market participation. Primary data were collected from a sample of 150 pottery households. The study demonstrates that pottery households are involved in the market to varying degrees. Factors such as family size, hired labourers, production space, self-owned transportation, average distance to customers, amount of advertising, and credit accessibility positively affect their participation in the market. Shipping damage, government assistance, non-pottery income, and education level of household head have a negative effect. The findings indicate that government assistance should consider the requirements of pottery households to develop efficient support measures. The research serves as a useful reference for policymakers and managers in devising strategies to promote both the growth of traditional craft production and the sustained well-being of ethnic groups. This, in turn, would contribute to the overall economic advancement of the country.

Architectural Design Styles and Case Studies from Different Countries

Through the appreciation and comparison of the various architectural styles of the East and the West, this paper studies the architectural form and structure produced in the context of different cultural differences and analyzes them in detail in various aspects. The essay takes the evolution of ancient and modern architectural styles of various countries in the East and West as the background of the study and explores the differences in architectural styles between different geographical countries and the factors that lead to these differences. Through the appreciation and analysis of typical architectural styles of these countries to compare the similarities and differences between the derivation of architectural styles, to explore the details of the characteristics of the architectural structure, to better derive the development trend of architecture and how to effectively help the future progress of architecture, which requires the mutual learning of the art and culture of each country, a joint effort. The exploration of architectural design requires more in-depth understanding and research, more refined through the integration of modern technology and traditional craft art.

The Historical Development and Literacy of Jiarong Tibetan Embroidery in Education

This study delves into the intricate tapestry of Jiarong Tibetan embroidery, exploring its historical development, cultural significance, and educational implications in heritage preservation and sustainable practices. The primary objective of this study was to investigate the historical development and literacy of Jiarong Tibetan Embroidery in education. Conducted in Xiaojin County, known for its cultural significance in Tibetan embroidery, the research employed a multidimensional approach, including a literature review, interviews with key informants such as cultural experts and artisans, and thematic analysis of data collected through surveys, observations, and focus-group discussions. The research uncovered profound insights into the origins of Jiarong Tibetan embroidery, its cultural symbolism, educational pedagogy, market dynamics, and strategies for sustainable development. Based on these findings, the study suggests collaborative efforts among stakeholders to integrate heritage education, promote cultural literacy, and preserve traditional crafts like Jiarong Tibetan embroidery in the face of modern challenges.

Characterization of key odor-active compounds in Chinese-style traditional craft beer “Li”

“Li” is a Chinese-style craft beer made from traditional Chinese ingredients including, malt, seeds of Job's tears, millet, broomcorn millet, and lily. “Li” is a masterpiece of the ancient Chinese alcoholic beverage culture. This study aimed to analyze the odor characteristics and key odor components of “Li”. Solid-phase microextraction and liquid–liquid extraction with comprehensive two-dimensional gas chromatography–olfactometry–mass spectrometry were used to analyze the beer, and 106 odor-active compounds were identified. Fifteen key odor-active compounds were identified by aroma extract dilution analysis. Sensory evaluation indicated that floral, fruity, malty, and mellow odors were the main odor characteristics. Through aroma recombination and omission experiments, 9 compounds were identified as contributing to these odor characteristics, which were: phenylethanol (floral, OAV=797), isobutanol (mellow, OAV=20), methionol (cooked potato-like, OAV=29), octanoic acid (sweat, OAV=234), hexanoic acid (sweat, OAV=19), ethyl octanoate (fruity, OAV=55), phenethyl acetate (honey-like, OAV=31), ethyl hexanoate (fruity, OAV=1), maltol (creamy, OAV=30).

Re-Engineering Nubi: A Design-Driven Approach to Cultural Sustainability in Korean Fashion/Textile Practice

This study delves into the realm of traditional Korean fashion/textile practice, known as traditional nubi and Tongyeong nubi (t/T nubi), and re-engineers it from a contemporary fashion perspective within the framework of cultural sustainability. Drawing upon the systemic design approach, the project employed specific activities to trace, decode, and reconfigure t/T nubi following the phases of exploration, reframing, creation, and catalyzation, aiming for innovative design in the contemporary fashion space. The paper emphasizes a holistic and iterative process, based on learning the practice of t/T nubi from artisans, understanding and recontextualizing the future envisaged for t/T nubi, and delivering creative outcomes. Utilizing the interpretative model of cultural sustainability through craft, the study also analyzed the outcomes, identifying impacts such as rethinking craft culture, decoding craft roots, and influencing craft culture. Striking a balance between safeguarding the practice and fostering creativity was challenging; however, the approach serves as a valuable reference for designers and/or artisans of traditional craft practice, bridging their knowledge and design thinking process with the enduring sustainability of this heritage craft. It also demonstrates the potential for designers to leverage traditional craft practices to drive innovation in design, production, and business.

Практики хозяйствования народов Республики Хакасия в современных условиях

In today’s limited conditions of the Russian rural labour market, the role of economic activity of the population as an additional or even the main means of subsistence gains an increasing importance. This problem is relevant for people who live primarily in rural areas. The specifics of the existing management of local ethnic communities are established in the culture and presented in the form of ethno-economic structures. Today, their preservation and development is considered to be an opportunity for the growth of regional economies. To what extent have peoples preserved elements of the traditional economic structure at the present stage? The given study was conducted in the Republic of Khakassia, where the Khakass (the titular ethnic group of the republic), the Shors (small-numbered indigenous people), and the Russians (the ethnic majority in the region) live. The article compares the economic practices of these ethnic communities. The results of the study showed that indigenous peoples retain their orientation towards traditional types of economic activities. Khakassians are actively involved in livestock breeding. Compared to Russians and Shors, they have a more numerous and more varied livestock farmstead. Shors are focused primarily on wild capture activities; for many, it is the main type of employment. Russians are less involved in economic activities, but in villages where the Khakass population predominates, they keep a lot of livestock. They are less inclined to consider economic activity as a significant source. Khakassians are oriented towards economic activity; they mainly associate their life strategies with the village. Shors try to preserve traditional crafts, which are the most accessible source of subsistence for them in taiga conditions. In the current conditions, it is difficult to talk about the significant influence of the ethno-economic structures of indigenous peoples on the development of the economy of Khakassia, since these ethnic groups constitute a numerical minority on the territory of the republic.

Design intervention strategies for revitalizing the traditional craft industry through distributed manufacturing

This study explores how design intervention can promote the transformation of the traditional craft industry into the distributed manufacturing model. First, theories relevant to distributed manufacturing and product-service system (PSS) are analyzed. Subsequently, design intervention strategies aimed at revitalizing specific traditional crafts are proposed. Finally, these strategies are explained comprehensively by combining Gourd Play design practice case. The proposed design intervention strategies can help specific traditional crafts achieve distributed manufacturing and improve their sustainability.

Probabilistic Craft- Materialization of generated images using digital and traditional craft

Probabilistic Craft- Materialization of generated images using digital and traditional craft

Multimodal Dictionaries for Traditional Craft Education

We address the problem of systematizing the authoring of digital dictionaries for craft education from ethnographic studies and recordings. First, we present guidelines for the collection of ethnographic data using digital audio and video and identify terms that are central in the description of crafting actions, products, tools, and materials. Second, we present a classification scheme for craft terms and a way to semantically annotate them, using a multilingual and hierarchical thesaurus, which provides term definitions and a semantic hierarchy of these terms. Third, we link ethnographic resources and open-access data to the identified terms using an online platform for the representation of traditional crafts, associating their definition with illustrations, examples of use, and 3D models. We validate the efficacy of the approach by creating multimedia vocabularies for an online eLearning platform for introductory courses to nine traditional crafts.

Research on Productive Protection of Dai Ethnic Group of Traditional Crafts in Xishuangbanna

Research on Productive Protection of Dai Ethnic Group of Traditional Crafts in Xishuangbanna

THE VIBRANT TAPESTRY OF PUNJAB: EXPLORING THE RICH TRADITION OF ARTS AND CRAFTS

The vibrant state of Punjab, a land synonymous with cultural opulence and artistic diversity, offers a unique tapestry of arts and crafts that encapsulates the essence of its rich heritage and communal ethos. This paper embarks on an explorative journey into the heart of Punjab's traditional crafts, unveiling the myriad ways in which these art forms serve as a conduit for cultural expression, economic sustenance, and preservation of heritage. Each craft, be it the intricate basketry, the colorful durries, the traditional folk toys, the elegant juttis, the distinctive mud works, the evocative Punjabi paintings, the exquisite Phulkari, the meticulous weaving, the masterful woodwork, the enduring leather craft, or the resplendent metalwork, narrates a story of timeless tradition, meticulous skill, and a deep-seated reverence for artistry. These crafts are not mere artifacts; they are vibrant testimonies to Punjab's enduring legacy, reflecting the creativity, resilience, and the indomitable spirit of its people. By delving into the depths of these traditional crafts, this paper aims to illuminate the intricate interplay between art, culture, and economy, showcasing how Punjab's arts and crafts are not just remnants of the past but are vibrant, living embodiments of the state's dynamic cultural identity.

A Study on the Socio-Economic Development of Western Rajasthan’s Craft Artisans

This paper offers a comprehensive analysis of the socio-economic development of craft artisans in Western Rajasthan, focusing on Jodhpur District. The region, renowned for its rich cultural heritage and traditional craftsmanship, faces significant challenges including inadequate market access, limited financial resources, and lack of modern tools. These issues, compounded by the diminishing interest of the younger generation in traditional crafts, threaten the sustainability of the industry. This research examines the artisans’ socio-economic profiles, income levels, education, living conditions, and gender dynamics. It evaluates the impact of government policies, identifies key challenges, and explores strategies for improvement. The mixed-methods approach includes literature reviews, case studies, data analysis, and stakeholder workshops to provide actionable recommendations for enhancing artisans’ livelihoods and preserving their craft heritage.

COMPARATIVE ANALYSIS OF DESIGN THINKING PROCESS AND TRADITIONAL CRAFT PRACTICES OF RAJASTHAN

Design thinking and traditional craft practices, though seemingly distinct, share common elements of empathy, problem-solving, and iteration. This study explores the interdisciplinary collaboration between these two creative processes, using literature review, case studies, and expert interviews. Focusing on Rajasthani indigenous crafts, it examines how the integration of design thinking addresses challenges faced by the craft community. By investigating the relationship between design thinking and traditional craft, the study illuminates their potential for social transformation. It underscores craftsmanship as a dynamic human activity that, when combined with design, leads to innovative, culturally rich, and socially responsible solutions. The findings highlight the interconnectedness of craftsmanship and design, leads to the emergence of a new model; advocating for collaboration to create products that are both aesthetically pleasing and socio-economically viable, fostering sustainable production and consumption.

The Role of Cepagan Village Weaving in the Development of the Creative Economy in Warungasem District

This study examines the role of Cepagan Village weaving in the development of the creative economy in Warungasem District, Batang Regency, Central Java. Using a qualitative approach and case study design, this study explores the economic and social contributions of the weaving industry, the challenges faced, and development strategies in the context of the creative economy. The results of the study show that Cepagan weaving plays an important role in cultural heritage preservation, product innovation, and cross-sector collaboration. This industry has a significant impact on job creation, increasing regional income, and economic multiplier effects. However, challenges such as competition with modern products, regeneration of artisans, and limited market access need to be overcome. Development opportunities through digitalization, ecotourism, and collaboration with the fashion industry open up new prospects for the sustainability of the weaving industry. This research provides valuable insights into the integration of traditional crafts into the modern creative economy and can be a reference for the development of local wisdom-based community empowerment policies and programs.