Woven Craft Research Articles

Strategi pengembangan kerajinan anyaman Purun untuk meningkatkan daya saing

This research aims to recognize the ability and formulate a strategy of developing woven handicrafts Purun as the flagship product of Banjarbaru City. The approach is based on Porter's intensive strategy. The population in this study was all craftsmen-woven Purun while the sample was two groups of 45 craftsmen woven Purun in Kampung Purun Banjarbaru City. Data collection techniques with interviews, observations, and documents. Analytical techniques with descriptive analysis and SWOT analysis. The results showed that woven handicrafts Purun in Kampung Purun Banjarbaru city have considerable potential to be developed because it is a superior product. Increasing aspects of production, labor, marketing, capital, business management, and organization is an important aspect in the management of business development woven crafts Purun. While the political and regulatory, social and cultural aspects and technology is an aspect that can be an opportunity for the development of woven handicraft business Purun. Development strategy so that woven craft Purun becomes a superior product and can compete in the market is with incentive strategies, namely market penetration strategies, business strengthening strategies and product development strategies.

Strategi pengembangan kerajinan anyaman Purun untuk meningkatkan daya saing

This research aims to recognize the ability and formulate a strategy of developing woven handicrafts Purun as the flagship product of Banjarbaru City. The approach is based on Porter's intensive strategy. The population in this study was all craftsmen-woven Purun while the sample was two groups of 45 craftsmen woven Purun in Kampung Purun Banjarbaru City. Data collection techniques with interviews, observations, and documents. Analytical techniques with descriptive analysis and SWOT analysis. The results showed that woven handicrafts Purun in Kampung Purun Banjarbaru city have considerable potential to be developed because it is a superior product. Increasing aspects of production, labor, marketing, capital, business management, and organization is an important aspect in the management of business development woven crafts Purun. While the political and regulatory, social and cultural aspects and technology is an aspect that can be an opportunity for the development of woven handicraft business Purun. Development strategy so that woven craft Purun becomes a superior product and can compete in the market is with incentive strategies, namely market penetration strategies, business strengthening strategies and product development strategies.

Development of handicraft in Watunggere and Nida Village: Ende Regency

This article explores the development of woven crafts in Watunggere and Nida village, Sub-district Detukeli, Ende Regency. It raises the issue of how the people of Watunggere and Nida developed the woven crafts such as nyiru, bags, baskets, and boxes. These local products have benefits to improve the incomes of the local communities in that area. As well as those products can be promoted to be one of the cultural tourism objects in Ende Regency. To collect the data, this research used the descriptive qualitative and quantitative approach which was completed with several methods such as interview, observation, study documents, and descriptive statistic analysis. Moreover, the analysis of descriptive statistics is used to describe the frequencies of respondents’ answers. The results of the research indicate that product design is not regularly done or gained from training, but got from the experiences derived from the ancestors. That is why the model of the product is different from the modern trend. Related to the capability of the workers to design the product is just supported by primary school background.

Parametric Design Used in the Creation of 3D Models with Weaving Characteristics

The art of weaving is an ancient and beautiful technique that never fades. Various weaving techniques and various totem patterns contain rich cultural connotations. The development of cultural and creative industries often uses existing environmental materials to deconstruct and use them in innovative ways to reinspire and present another style. With the rapid progress of computer-aided design technology, digital applications in the design practice has become an important element, and parametric design is the best popular design method in recent years. This paper is mainly in view of the weaving crafts in the traditional culture of the world occupies an important role, and the precious traditional weaving crafts gradually lost. Therefore, it is planned to construct a 3D model with knitting characteristics through a parametric design method, and print out the prototype through the 3D printing mechanism, that is, the traditional craftsmanship is integrated into the modern manufacturing process with innovative techniques, to show the new style of this weaving craft culture that is different from the past, so that it not only retain its inherent spirit, but also can promote this ideal of cultural creativity.

The Digital Protection and Practice of Intangible Cultural Heritage Crafts in the context of New Technology

Based on the protection and inheritance of intangible cultural heritage crafts, this paper takes Dongyang bamboo weaving as an example,introduces Virtual Reality (VR), 3D digital programming and other new digital technologies to the protection and inheritance of bamboo weaving crafts. From the three following aspects: experience, application and infection, this paper summarizes the digital protection and inheritance methods and processes of intangible cultural heritage, finds out the meeting point with the modern consumer market, and makes the cultural heritage "live" in the present and into the future.It helps to better understand the traditional crafts, promote the inheritance and development of bamboo weaving crafts and provide references for the protection and inheritance of intangible cultural heritage.

Qualitative Analysis of Making Traditional Costumes, Weaving Crafts and Wood Sculptures - The Cultural identity of Kalash Valley

Qualitative Analysis of Making Traditional Costumes, Weaving Crafts and Wood Sculptures - The Cultural identity of Kalash Valley

SENTRA GALERI KERAJINAN TENUN KALIMANTAN BARAT DI KOTA PONTIANAK

Local residents of West Borneo have expertise in producing variety of traditional crafts, one of which is woven fabrics, which is no less competitive with other regions. But there are several problems regarding the lack of facilities and infrastructure, such as less productive weaving processes, exhibitions that are held irregularly, difficulty of marketing products and no place for discussion. Therefore, the need of a place to product, exhibit, and market the products of West Borneo woven fabrics called "Center of West Borneo Weaving Craft Gallery in Pontianak" is essential. The design process starts from the analysis of functions which are divided into 3 groups, such as the main function group is commercial function, the extension function group is to produce recreation, education and performance function, while the other support function group is to produce management and service functions. The design applies theme of contemporary architecture as an approach that will support the creation of spaces that have harmonization, interactive, innovative and iconic concepts. The appeal of the idea design building shape is the philosophy of the analogy from winding’s tool which is divided into three parts and produces the main building, workshop building and multipurpose building. The number of floors for each building is almost the same which is two floors, except for the multipurpose building, which is one floor. The line movement from height of the building mass illustrates the existence of sustainability by creating an environment that represents aesthetic value and the harmonization of local culture to modernization.

Kerajinan Anyaman Bambu Di Sanggar Kreatif “Bunga Matahari” Kelurahan Rambung Barat Kecamatan Binjai Selatan

This research aims to "know the manufacturing process, applied motifs, and colors used in bamboo woven crafts products". The method of research done is a descriptive method. Samples are used only 5 types of products, of each 5 of these types are taken 2 samples of the product. Up to 10 total samples. The population in this study totaled about 1 million products from 15 product types produced. Data collection techniques using observation techniques, interviews, and documentation. The results of this research show that the process of making crafts woven bamboo in Sanggar creative "Sunflower" Village Rambung Barat, District South Binjai in the outline has 4 stages, namely the provision of tools and materials, processing of raw materials, process of workmanship, and finishing process. Motif applied to the handicrafts woven bamboo is a motif of a single base (sasaq), a motif of the double basic woven (braid), and hero eye motif. The color used in bamboo woven crafts are bamboo color (basic natural color), red color (primary color), green color (secondary color), a combination of red and green color (complementary color), as well as black color (the color is produced from mixing thinner and grand flour).

ETHNOMATHEMATICS EXPLORATION: NUMBER PATTERNS IN BAMBOO WOVEN CRAFTS IN TULUNGAGUNG

Woven craft when viewed from its form will form a regular and even repetitive patterns, so that it contains mathematical concepts. The mathematical concepts that exist in woven crafts are number patterns. Number pattern is a number that has certain rules that will form a regular sequence of numbers. This study aims to determine the pattern of numbers in woven crafts in Tulungagung Regency, especially in Sepatan Village, Gondang Regency. This study uses a qualitative approach to the type of ethnographic study. Data collection techniques in this study are the study of literature, observation, interviews, documentation, and field notes (field notes). The results showed that there were three number patterns in the process of making a solid. First, if the process of making an area starts from K1 B1 the number pattern formed is 1-1-2-3-1-1-2-3. Secondly, if the process of making an appearance starts from K3 B2 the pattern formed is 3-1-1-2-3-1-1-2. Third, if the process of making an area starts from K1 B3 the number pattern formed is 2-3-1-1-2-3-1-1. While the number patterns that are formed in the making process besek there are three patterns that are the first if the manufacturing process starts from K1 B1 the pattern formed is 2-3-1-1-3-2-1-1-3-2-1-1-2 -3-1-1. The two patterns that are formed when the manufacturing process starts from K2 B5 are 3-2-2-4-3-2-4-2-2-3. The three patterns that are formed when the manufacturing process starts from K4 B8 are 1-1-3-1-2-3-1-1-2 Secondly, if the process of making an appearance starts from K3 B2 the pattern formed is 3-1-1-2-3-1-1-2. Third, if the process of making an area starts from K1 B3 the number pattern formed is 2-3-1-1-2-3-1-1 etc. Keywords: Exploration, Ethnomatematics, Number Pattern, Woven Bamboo

PROFIL KERAJINAN TANGAN ANYAMAN NOKEN DAN AKSESORIS DI KABUPATEN MANOKWARI PROVINSI PAPUA BARAT

The focus of this research is the handicrafts of woven Noken and accessories typical of the people of Papua with the aim to study the raw materials, processes and production produced by Noken craftsmen and accessories. The method used is a qualitative method by understanding and explaining the phenomenon of Noken woven crafts and accessories. The results of the study concluded that (1) The raw materials used in the manufacture of woven bags consist of 3 types, namely ganemo wood fiber (Gnetum gnemon SP), manila yarn, beads, and bia biklen. As for the earring accessories, the main material is Chinese bamboo, (2) The production process of Noken woven is divided into 2 parts, traditional and modern. (4) Products produced in the form of fiber noken, bamboo combs, earrings and bia biklen necklaces

Role of the Local Government and Participation of Micro, Small and Medium Enterprises (UMKM) In the Development of Plastic Craft Industry

This study aims to describe the role of local government and the participation of Micro, Small and Medium Enterprises in the development of Plastic Woven Crafts in Karanggebang Jetis Village, Ponorogo Regency. The theory used in the formulation of the first problem regarding the role of local government uses the theory of Gede Diva (2009) which divides the role of government in three ways, namely the role of government as a facilitator, the role of government as regulator and the role of government as a catalyst. Second, the participation of UMKM actors uses the theory of Cohen and Uphoff in Distianto (2016) into four forms of participation, namely participation in planning, participation in implementation, participation in the utilization of results and finally participation in evaluation.This research uses the descriptive qualitative method. The technique of determining informants using purposive sampling techniques and data collection techniques carried out through interviews, observations, and documentation. The results of this research in the efforts to develop UMKM Plastic Weaving Crafts in Karanggebang Jetis Village, Ponorogo Regency, in general, there has been no interference from the government and UMKM entrepreneurs. So far, plastic woven crafts are still not developed. To develop UMKM especially plastic woven handicrafts located in Karanggebang Jetis, it is necessary to have the role of government and participation of UMKM actors.

Majuli Weaving Cluster: A Study on Weaver Dropout Using Industry Competitive Analysis and Concepts of Behavioral Economics

Weaving in addition to being one of the oldest art forms is also one of the most prolific employment generating industries in India. However, of late the Industry has faced a significant amount of weaver dropout. “Dropout” here is defined as the phenomenon of deserting weaving as a key full time career option for other avenues, after they have learnt the art of weaving or have practiced it for a certain length of time. The current study specifically focuses on the weaving cluster of Majuli, a culturally rich river island, based out of Assam, a fast developing province of India. The study uses Porter’s Strategic Five Forces Model of Industry Attractiveness to examine the potential competitive advantages and disadvantages of the Majuli Weaving Industry. It then goes on to briefly look into some policies meant to enhance the weaving (craft based) scenario in India, and relating it to the aforementioned competitive disadvantages faced by the weavers of Majuli. The discussion on the policies and scope of potential improvement is primarily looked into from a Behavioral Economic perspective.

ETNOBOTANI BAHAN KERAJINAN ANYAMAN DARI HASIL HUTAN BUKAN KAYU OLEH MASYARAKAT SEKITAR HUTAN DESA LANDAU GARONG KABUPATEN MELAWI

Forest is a stretch of land that contains biological natural resources and has the potential to meet the various needs of human life. One benefit is taken immediately from the forest are non-timber forest products in the form of plants for woven handicraft materials. The utilization of non-timber forest products as woven material in the village of Landau Garong has not been documented. This study aims to record and document non-timber forest products that are used by the community around the forest as raw materials for woven crafts and to know the use of plants as traditional woven materials in the Landau Garong Village Pinoh Selatan District Melawi Regency. The study used a survey method with PRA data collection techniques. Data obtained through observation and interviews. The results showed there were 9 plants species that are used, namely sega rattan (Calamus caesius Blume), jempayang rattan (Plectocomia elongata Martiue ex Blume), tajam rattan (Calamus egregius Burret), lingkau bamboo (Gigantochloa hasskarliana), buluh bamboo (Schizostachyum brachycladum), kinyel bamboo (Schizostachyum flexuosum), pandanus (Pandanus tectorius), resam (Dicranopteris linearis), coconut leaves (Cocos nucifera). Produces as many as 16 shapes plaits include bakol, semangang, pemansai, ronjong, ragak, bubu, kelongkang, entungap, rojut, lengkak, layan, timpak, capan, ketupat dan kampel.Keywords: Ethnobotany, Woven Craft, Non-Timber Forest Product, Landau Garong Village

STRATEGI PENINGKATAN KUALITAS KERAJINAN ANYAMAN PURUN UNTUK MENINGKATKAN PENDAPATAN EKONOMI RAKYAT DESA PEMATANG PANJANG - KALIMANTAN TENGAH

In the competitive arena of international trade, amplified by the industrial revolution 4.0 and its propagation of seemingly unbounded free trade, business entities are compelled to evolve strategies that influence consumer decisions favorably to thrive. This research investigates the strategic avenues to enhance the quality of purun woven crafts, aiming to augment the economic prosperity of Pematang Panjang Village, a community where this craft has been a tradition for over six decades yet has seen limited development. Utilizing a qualitative research method, primary data was gathered through direct interviews with local craftsmen, supplemented by secondary sources. The findings indicate that the current strategies to improve the craft's quality are underperforming against theoretical expectations. This research underscores the need for innovative approaches in the craft's production processes and market strategies to better harness the economic potential of the local industry, suggesting a pivotal shift towards more dynamic and market-responsive practices. This adjusted abstract encapsulates the research's originality, objectives, methods, results, and implications within the required word count.

PEMANFAATAN HASIL HUTAN BUKAN KAYU (HHBK) PENGHASIL KERAJINAN TANGAN ANYAMAN OLEH MASYARAKAT DESA PANGKALAN BUTON KECAMATAN SUKADANA KABUPATEN KAYONG UTARA

Utilization of non-wood products for woven crafts isone of the pottentials in Pangkalan Buton Village, Sukadana Subdistrict, North Kayong Regency and becomes a raw material in making woven crafts. The research aims to obtain types of non-wood forest products for woven handicrafts and to describe the types of woven handicraft products by the people of Pangkalan Buton Village, Sukadana District. Research using descriptive qualitative methods. Data Collection is done by intetview, observation, and documentation. The results showed that there are 6 types of plants that are used by the community for woven crafts, namely bamboo rope (Gigantochloa apus), coconut (Cocos nucifera), nipah (Nypa fruticans), pandanus thorn (Pandanus tectoris) recam (Distranopteris linearis) and rattan candles (Calamus javensis). These types of planys are used as raw materials for woven crafts. Bamboo Reeds are into baskets and mistaken products. Coconut leaves are made into rattan products. Nipah leaf is made intoa woven roofing product. Pandan thom leaves are made into woven products for table mats, wallets, bags, pencil cases, tissues and mats. Resam rod is made into woven ring and bracelet products. Rattan rods are made into woven basket and cupboard products.Keyword: Non wood forest product, Types of plants, Woven crafts product, Utilization

Designing of Samosir Ulos Weaving Craft Center by Metaphorical Architecture

Ulos weaving craft is one of the most famous cultures of the Batak tribe. And the Lumban Suhi-Suhi Toruan Village in Samosir District is one of the traditional villages that still maintain customs and native Batak Toba village. The residents of Lumban Suhi-Suhi Toruan village especially the women working as Ulos weavers, and Ulos from Lumban Suhi-Suhi Toruan village, have been quite well-known to foreign countries, however, at present, the number of weavers has diminished, and many types of Ulos cloth have become extinct because of losing its craftsman. The Samosir Ulos Weaving Craft Center is present as a tool that can maintain the Ulos handicrafts of the local community and also empower the community as a place to produce various types of Ulos. The research methodology starts by collecting data, literature studies, Surveys to research locations and also design problem-solving. From the research process by the existing one, this building use metaphor architecture theme as its concept. The choosing of the metaphor theme in the building is considered to be able to describe the function and also introduce the culture of Ulos to the community. The Bintang Maratur Ulos pattern and the Mangulosi ceremony is forming the metaphor concept of the building. With the research and design of the Ulos Samosir weaving center, this can be a consideration for the Samosir district government or local community leaders to make this facility.

PENGARUH TINGKAT PENDIDIKAN, KREATIVITAS, PENGALAMAN KERJA TERHADAP PRODUKTIVITAS DAN PENDAPATAN TENAGA KERJA INDUSTRI KERAJINAN ANYAMAN

Abstract: Effect of Levels of Education, Creativity, Work Experience on Productivity andIncome of Woven Craft Industry Workers. The manufacturing industry sector has an importantrole in increasing national development, within two years the woven craft industry in the cityof Denpasar has decreased theh number ofh workers resulting from productivity that is notoptimal in meeting the targets set by the company. The purpose of this study is to analyzethe effect ofh direct and indirect levels of education, creativity, work experience on laborproductivity andhhincome. This research uses path analysis methods. The results of the studystate thathhthe level of education, work experience hasha negative effect andhis not significanton labor productivity, while creativity has a positive and significant effect on labor productivitywith a valuehof 0.338, and direct influence on education level, labor productivity has a negativeeffect and is not significant towards labor income , while creativity has a positive and significanteffect on labor income with a value of 0.118, and work experience has a positive and significanteffect on labor income with a value of 0.819. The results of testing the indirect effect state thatthe level of education, creativity, work experience does not have an indirect effect on incomeand work through labor productivity.

Development of Micro, Small and Medium Enterprises Rattan Woven Crafts in Central Kalimantan, Indonesia

This study discusses the development of small and medium micro enterprises (MSMEs) in Central Kalimantan with rattan woven craft industries being used as samples to represent other MSME sectors. The purpose of this study is to describe the improvement in the performance and strategy of the MSME group covering various aspects such as job training, capital support, equipment/technology assistance, and access to information and communication. The findings of this study indicate that the development of MSMEs carried out by regional governments in Central Kalimantan has gone in the right direction, with several factors still making improvements possible. Support in the form of training should be conducted regularly and scheduled with the topic of continuous training and productive participants. Aid in the form of equipment requires periodic evaluations, such as a reward-punishment system for business groups that have received various support to ensure the support provided is on target. Another strategy is to form the centre of the MSME industry in the Capital of the Province, to facilitate the access of tourists who just want to visit looking for typical Central Kalimantan souvenirs. The easiest way to do this now is to implement a movement of love for standard Central Kalimantan handicraft products to be displayed in various offices, offices, and government agencies as well as different infrastructure and public facilities.

Implementasi PPDM Tahun Pertama bagi Masyarakat Pesisir Danau Limboto melalui Penguatan Sumber Daya Manusia dan Iptek Manajemen Pemanfaatan Eceng Gondok sebagai Produk Unggulan

THE IMPLEMENTATION OF PPDM FIRST YEAR FOR PEOPLE OF COAST OF LAKE LIMBOTO THROUGH ENFORCEMENT OF HUMAN RESOURCE AND SCIENCE AND TECHNOLOGY (IPTEK) OF MANAGEMENT OF WATER HYACINTH USE AS EXCELLENT PRODUCT. Iluta Village is situated in coastal of Limboto Lake and frequently encounters flood problem in the rainy season and also serious problem namely siltation of Limboto Lake as caused by the massive growth of water hyacinth. There were three main problems handled by this program at the first year, namely: 1) effort of reducing siltation of Limboto Lake sustainably through removal and use of the water hyacinth as craft material, 2) empowerment of community economic through capacity building of business management of varied water hyacinth woven crafts, and 3) capacity building of human resource of local community as target group. The applied method encompassed: 1) determining problems priority to be solved and divided them into three-year activity, 2) doing reconstruction and improvement based on the problems gradually for every year, 3) improvement was performed based on local community character approach. The findings showed: 1) use of water hyacinth as handicrafts product could help reducing Lake Siltation, 2) management ability in business management started to grow, and 3) improvement of human resource ability for the coastal community as the target group.

THE ROLE OF WEAVERS WOMAN IN STRENGTHENING NATIONALISM Case Study in Sajingan Besar Frontier, Indonesia

Woven crafts made by women at the Sajingan Besar frontier, besides that it also has economic value, historical value, cultural values that show the identity of the population at the national boundary. The aims of the study were to describe the role of weavers’ women in strengthening nationalism, woven is a culture that is typical of the society in Sajingan Besar frontier, Sambas District. There are two data used in this paper, i.e primary data is field studies, and secondary data is literature studies. The result of research shown that there is an important role from weavers’ women in Sajingan Besar, namely: (1) Utilization of Natural Resources is to strengthen nationalism by utilizing the availability of natural resources in managing them into woven crafts which are a form of expansion of nationalism because woven crafts are a cultural heritage and has local characteristics of Sajingan Besar, (2) The Role of weavers’ women in Sajingan Besar is able to realize a harmonious life with the Malaysian community to strengthen nationalism has become a role model on the frontier whose territory is inhabited by a variety of different tribes, religions and cultures but unity is maintained.