Aesthetics is the discipline raised upon the meditations and philosophical experience in general and the study of works of art in particular. Above all, it is preoccupied with beauty and grandeur, the ugliness, grotesque, perceptions, sensitivity, tastes, and the influence that the work of art has on the recipient. Aesthetic thought in other cultures and literatures is ancient and rich, while in our literature this thought developed with some particularities and quite late - from 1555, when the first work in Albanian language Meshari was written by Gjon Bdek Buzuku. So in Buzuk's Meshari we have the first thoughts on the aesthetics of the recipient, closely related to the work as a written text, as well as to the importance of this influence. Pjeter Budi, our first authentic poet and prose writer, in poetry, in the forewords and afterword’s which either proceed or conclude the translated works, “Christian Doctrine” (1618), “The Mirror (review) of Confession” and “The Roman Ritual” (1621), mentions the importance that the recipient of the literary work, biblical and theological work and the influence of beauty has. Budi emphasizes that everything is urged by God, even if something is created through words, in this case through poetry. Budi relied in the contemporary aesthetics, which in Europe was deeply pervaded by the Christian concept. A particular aesthetic approach, whether of an artistic, philosophical or theological literary work, as a meaningful expressive system, both the recipient and the influence on it, especially of beauty as a philosophical and aesthetic concept, is proved in Pjeter Bogdani’s “Ceta e profeteve” published in 1685.