The purpose of the study is to determine the specifics of the formation and construction of hybrid structures as original genre forms of Yakut poetry of the second half of the twentieth century. The scientific novelty consists in an attempt to comprehensively study the specifics of genre synthesis in Yakut poetry from the point of view of new methodological approaches to the systematic and typological study of the problem of stable contextual structures. As a result, it is proved that the poetic texts of Ivan Gogolev – "Writing on the tusk of a mammoth", "Song of Lena" are unique examples of synthesized, hybrid genre forms of a cycle-poem and a mounting polycyclic structure. The contamination of the genre possibilities of the poetic cycle and the poem within the framework of an integral artistic structure makes it possible to characterize texts from the perspective of a qualitatively new meta-genre status for Yakut literature
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