City Of Dead Research Articles

The colonialism of the Modern Movement and the post‐USSR reaction in Central Asia

AbstractPolitical scientists and historians often credit the intangible heritage of language for the development or manufacturing of national identities. By controlling language through printing and media, it is possible to impose a common identity representing a political, diplomatic, and economic unity. This paper aims to illuminate the often‐unstated influences of urban and architectural language on the impact of cultural production, and to show how modernist syntax and vocabulary were hijacked into a colonial system through the control of the urban fabric, as an attempt to displace primary identity markers such as empire and religion. However, the socialist ideals of the Modern Movement that developed in the USSR after World War I, were a critical tangible component in this melting pot. At time of its ratification of the World Heritage Convention, the USSR did not nominate any properties in Central Asia, perhaps as a reaction against local identities. An exception was Itchan Kala which was nominated for inclusion as an “open‐air city museum.” ICOMOS in its evaluation of the long‐term risks involved in transferring all the settlement and artisanal areas beyond its borders, warned that Itchan Kala would become a dead city with the local population cast into the role of “benign traditionalists” (ICOMOS, Evaluation of the Nomination – Historic Centre of Itchan‐kala, Khiva. Paris: ICOMOS, 1990, 39). Following the fall of the Soviet Union, the entire Russian bloc faced issues arising from changing values and renewed identities, the speed of change and active vestiges of the past. The post‐USSR reaction in Central Asia was through a regenerated Timurid narrative in the inscription of World Heritage properties in Uzbekistan, particularly in Shakhrisyabz, Bukhara, and Samarkand. The shift from an emphasis on architectural monuments toward a broader recognition of the social, cultural, and economic processes in the conservation of urban values comes together with the need for integrative sustainable development. This is matched by a drive to adapt existing leftover planning policies from the Soviet regime by creating new tools to address this postcolonial national vision.

Revitalisasi Dinding Melalui Pembuatan Mural dengan Narasi Sejarah Jamblang, Cirebon

Jamblang Chinatown, Cirebon was once known as a trading city during the Dutch colonial period, as a place for buying and selling and stopping by traders from various regions through the river that flows nearby. The river is a means of transportation that brings ships from the interior of Cirebon to the Java Sea, and vice versa. However, the current situation is reversed because Jamblang is like a "dead city" that is almost forgotten. The government and the community have a dream to revive the Jamblang Chinatown area. Through this PKM activity, a team of lecturers and students of the Faculty of Fine Arts and Design at Maranatha Christian University seeks to revive Jamblang Chinatown by making murals with the surrounding community, as well as providing education as well as performances for the surrounding community through PKM activities. The attraction of making murals containing the historical value of Jamblang. The approach taken is a participatory collaborative workshop with local residents, through mentoring and education. The result achieved is a mural with the theme Mural History Jamblang, which is located on a 90-degree wall and is located in front of Vihara Dharma Rhakita, Jamblang, Cirebon Regency. They participate in the process of making murals. Other residents are interested in knowing the meaning contained in the visualization of the mural. And many are just selfies with a mural as a background. This mural-making attraction is also quite successful as one of the activities that attract public attention during the 2022 Jamblang Festival.

Architecture as a tool for unifying divided cities; A case study of Nicosia

Globally the world witnesses several efforts towards uniting cities. Majorcities are almost heterogeneous in terms of culture and ethnicity; this implies thatevery city is divided to certain extent. Many reasons may cause city division, wheredivision occurs due to less negotiable aspects as nationality, sovereignty, ethnicity,or religion. Although these affecting aspects may be few, but they allow greatinsight into how division can ruin a city. Many people around the world may besuffering of living in divided cities, where sometimes there are no and in other timesthe borders may exist in a line, a buffer, or even mentally. Segregation will alwayslead to a dead city at the end, while urbanists and architects are seeking sustainablecities. Yet, there is neglection for the architecture solutions although that it couldbe a tool for gathering the divisions socially, economically, religiously, orculturally. Hence, when they are gathered, they may generate one revival city.Accordingly, this study focuses on a case study that suffers from the concept of“Divided Cities”, and highlight how social aspect, through the architecturalsolutions, could directly help on solving economical, touristic, and even politicalissues to achieve a unified convivial city. Moreover, the study is acknowledging theimportance of governments and politicians believes towards architecture as a toolfor unifying divided cities.

The Pre-Raphaelite city and the trap of modernity

The poetic and pictorial works of the “Pre-Raphaelite galaxy”, as one might call the group formed by Dante Gabriel Rossetti, the Pre-Raphaelite Brotherhood, and their artistic kindred, exhibit an ambiguous relationship to Victorian modernity and 19th-century technical and political “progress”, especially British urbanisation. As urban-living people, the Pre-Raphaelites were always in direct contact with the modern city and its evolutions, and if the urban context is not their one major topic, the paintings and poems that come to grasp with it from the late 1840s onward are the strongest proponents of what could be called an alter-modern philosophy: the acceptance of some aspects of modern society, combined with the rejection of its dehumanizing and alienating excesses, to form a via media, an alternative to untamed Progress and unchecked urbanisation. The return to Nature they advocate is not just a nostalgic look backwards, but a real way of life based on simplicity, common decency, and the equality of all mankind – a vision which comes to life in the 1880s in William Morris’s socialist pamphlets and proposals for a new city. We shall base our demonstration on a set of four poems: Christina Rossetti’s “The Dead City” (1840) and “Goblin Market” (1862), Dante Gabriel Rossetti’s “Jenny” (1848-1869), and William Bell Scott’s “Maryanne” (1854), and compare them with D. G. Rossetti’s painting The Gate of Memory (1857-1864) and some of William Morris’s essays. This corpus constitutes an ensemble of works answering one another, and openly attacking the alienating artificiality of the modern world and its consequences.This paper will successively focus on three aspects of the Pre-Raphaelite relationship to the modern city. The first aspect is its representation: the city is a fatal beauty which seduces and corrupts, winds its network around the characters, and whose façades hide only death. This criticism opens the way to an attack against urban modernity, characterised by unnatural excess and human alienation. Beings are reified and despised, used and abused, and finally lost in a haze that separates them from any source of meaning – all this the fruit of a capitalist vision of the world. After this criticism comes a proposal: a return to what is the essential part of humanity. The definition of this “human essence” may vary depending on the author, but always centres on intimate knowledge of oneself, God, or others. The modern city is not absolute evil: even its corruption is a thing of beauty. But it is only a half-drawn canvas that the Pre-Raphaelite project tries to achieve, by opening the way for humanity to realize its full potential.

The Melbourne Journey Towards Improved City Liveability: A Revival of a Dead City (Case of Melbourne CBD)

The Melbourne Journey Towards Improved City Liveability: A Revival of a Dead City (Case of Melbourne CBD)

Time-Space Relations in the Concepts of Literary Thinking: a Review of Key Ideas

The article deals with key approaches to the definition of the "time" and "space" concepts both in the general scientific context and in philology in particular. It determines the factors forming the time-space coordinate system of a literary work as well as the factors influencing its realization in each specific text. The article provides the analysis of the peculiarities of the chronotope in the collection of poetic works of Serhii Zhadan "Life of Mary". It is determined that the time-space relation in the poetic texts of the collection is presented as a specific paradigm "home – non-home – anti-home". The chronotope of “home” finds its interpretation through the images of lost but one’s own/native space. In turn, the chronotope of "non-home" is interpreted through the images of other people's apartments, cities, travel suitcases, while the chronotope of "anti-home" can be read through the images of death, an abandoned and dead city, a destroyed church, a grave.

GEOGRAPHY OF DARK TOURISM IN THE WORLD

The article emphasizes that the issue of «dark» tourism is insufficiently studied in scientific sources, but it is already attracting interest in science and society. A short author’s analysis of the materials of modern scientific research and research on theoretical and practical aspects of the development of «dark» tourism in the world by foreign and domestic scientists was carried out. The resource base for the development of «dark» tourism in the world was studied. A list of 57 potentially popular tourist «dark» places and objects («dead cities» and places of alienation, medieval castles, dungeons, catacombs, thematic museums, prisons, barracks, hospitals, cathedrals, ancient settlements, cemeteries, sanctuaries , anomalous zones, places of power, objects or territories of natural phenomena and disasters, battlefields and battles, etc.), which can be used in the development of new tourism products. According to monitoring data, a map scheme of «dark» tourism objects has been completed. Geographical (by macro-regions of the world) and thematic (by objects belonging to specific types of dark tourism: mystical tourism, necropolis tourism, thanatotourism and disaster tourism) structuring of these objects was carried out, and regularities in their geospatial organization were revealed. The most interesting objects of dark tourism in the regions of the world are highlighted and a brief description of several destinations is given. It is noted that the study of objects of «dark» tourism can be useful in the process of forming strategies for the development of tourism in countries and regions, in the arrangement of infrastructure of the appropriate profile (quest rooms, amusement parks, thematic entertainment centers), in the organization of cultural events, contests, quests, festivals , educational excursions in mystical places to popularize them among tourists and attract additional investments, in the activities of tourist enterprises that plan to expand the existing range of tourist programs. The importance of further research on dark tourism is emphasized, as it is designed to stimulate humanity to realize the scale of disasters, to recognize the need for a peaceful relationship between people, science, military and nuclear technologies, which sometimes endanger the existence of the entire human civilization, and which makes clear the errors of these events and tragedies of the past and present.

Notes from a Dead City: Dostoevsky in Leningrad under Siege (1941-1944)

Dans Leningrad assiégé par les Allemands, en plein cœur de la famine et de l’effroi, il arrive que les habitants se tournent vers la littérature, et en particulier vers Dostoïevski. Cette démarche peut s’inscrire dans une quête de repères à même de décrypter la situation hors norme qu’ils traversent. Pourquoi convoquer cet écrivain spécifiquement ? À quelles œuvres font-ils référence ? Les journaux personnels tenus par les assiégés permettent de comprendre le rôle qu’acquièrent les écrits de Dostoïevski en tant que représentation d’une expérience infra-humaine sans précédent et ineffable ; ils peuvent même délivrer, dans certains cas, un code de conduite salvateur dans les conditions de délitement des normes sociales et éthiques. Des similitudes se dessinent entre certains de ses écrits et le quotidien des Léningradois assiégés, mais aussi un décalage qui témoigne des limites – voire de l’impuissance – de la littérature en tant qu’outil de résistance à des contextes de violence historique extrême.

ÇERNOBIL FACİƏSİ VƏ FƏSADLARI

On April 26, 1986, an accident occurred at the Chernobyl Nuclear Power Plant. The accident at the Chernobyl nuclear power plant was perhaps one of the greatest tragedies in human history. The fire, which lasted for nine days, caused great damage. While most of the radioactive cloud that formed after the station exploded was moving toward Eastern Europe, the rest of the "death cloud" was blown south by the winds. In general, the incident caused great damage to the Ukrainian economy. In 12 regions of Ukraine, 50,000 square kilometers were highly polluted. The nuclear accident killed about 15,000 people and affected thousands of others. The largest accident in the history of world energy is the Chernobyl accident. It was decided to mark April 26, 2017 as World Remembrance Day in connection with the Chernobyl tragedy. According to the Society of Chernobyl Disabled People in Azerbaijan, there are currently more than 5,000 participants in the Chernobyl accident in our country. Today, the state is taking necessary measures to strengthen the social protection of Chernobyl victims in Azerbaijan and protect their health. Key words: Chernobyl, Ukraine, AES, Pripyat, “dead city”, tragedy, radiation, “death cloud”

A historical and ethnobotanical study on local botanical knowledge recorded in the book \u201cMongolia and Amdo and the Dead City of Khara-Khoto\u201d

BackgroundThere is a plentiful amount of local knowledge on plants hidden in the literature of foreign exploration to China in modern history. Mongolia and Amdo and the Dead City of Khara-Khoto (MAKK) is an expedition record on the sixth scientific expedition to northwestern China (1907–1909) initiated by P. K. Kozlov (1863–1935), a famous Russian Central Asian explorer. Used as a non-professional biology book, MAKK contains some botanical knowledge. The information noted down over more than 100 years ago is about the traditional knowledge of the Mongolian folks lived on the Mongolian plateau and the Qinghai-Tibet Plateau for the understanding and utilization of plants, which is of a highlighted function for the study of the botany and the history of science and technology. We therefore have carried on relevant collation, analysis, investigation and criticism to Mongolian local knowledge on plants in MAKK, and obtained the status quo of these local knowledge.MethodsThe authors used the literature research method to sort and compare the two versions of MAKK, separating out the Mongolian local knowledge about plant naming and utilization. Then, these contents were verified through literature textual method and were catalogued according to the method of ethnobotany. Based on these, the authors carried out field investigations along with Kozlov’s expedition routes in Alxa in 2019 and 2020, respectively. The methods of key informants interview, snowball sampling, and rational sampling were all used in field investigations. By analyzing the interview data of 34 key informants, we obtained the status quo of local knowledge recorded in MAKK.ResultsBy means of regulation and research, it is found that Mongolian plant folk names of one genus and eight species were recorded in MAKK. Their morphological characteristics and traditional grazing knowledge are crucial naming basis. There are three types on the structures of Mongolian plant name: simple primary name, complex primary name, and secondary name. Corresponding relations between Mongolian folk name and scientific name are existed in “one-to-one,” “multitude-to-one,” and “one-to-multitude” forms. The classification of certain plants by Mongolian people has reached the level of species or varieties.In addition, the Mongols’ usage for nine species of plants was noted in MAKK. These plants are mainly used for edible, graziery, fuelwood, building material, toponym, and belief. With the development and change of the society, it is found that some utilization methods have been replaced or even disappeared, while the remainders still continue to be applied.ConclusionsFirstly, the Mongols have indigenous rules and systems for nominating and classifying plants. Secondly, the Mongolian local knowledge on plants possesses multiform character. Thirdly, the Mongolian local knowledge on plants and Mongolian culture have mutual influence and interdependence relationship. Fourthly, the Mongolian local knowledge on plants urgently needs to be protected in many forms. Finally, it is veritable and reliable for the records of Mongolian botanical local knowledge in MAKK by textual research, and it is valuable for scientific research. The historical notes more than 100 years ago are not only supply dependable information and momentous historical data for Mongolian ethnobotany and Chinese minority science and technology history research, but also offer references for ecology, flora, and botanical history study.

Метафора Мертвого города в музыкальном искусстве (на примере композиции Ираиды Юсуповой «Китеж-19»)

The study aims to present the metaphor of the Dead City in musical art, which realises one of the variants of urban themes in mythology, literature, music and allows the researcher to comprehend relevant issues of our time. Scientific novelty of the research lies in developing a metaphorical approach to studying musical works and for the first time applying it to Iraida Yusupova’s composition “Kitezh-19” (2004). As a result, the researcher has determined nature of interaction between expressive means of two opposite language systems (neoclassical means and electronic ambient), which made it possible to render in an allegorical form the tragic end of the post-technogenic mirage city and collapse of the modern civilisation.

ПРИНЦИПЫ АЛГОРИТМИЧЕСКОГО ФОРМООБРАЗОВАНИЯ В ПРОЕКТИРОВАНИИ ЖИЛЫХ МОДУЛЕЙ ВРЕМЕННОГО АРКТИЧЕСКОГО ПОСЕЛЕНИЯ

One of the special aspects of the Arctic region is the predominance of the rotational settlement. This article studies the types and principles of the formation of settlement systems in the Arctic zones as well as the factors that form the subject-spatial decisions in them. A distinctive characteristic of this form is the "sprouting" of domiciled settlements from temporary settlements as well as the simultaneous appearance of such a phenomenon as "dead cities". This influenced many life areas of the local population: from urban planning plans and housing construction technologies to the peculiarities of formation of subcultures and regional identity. By the example of subject-spatial complexes of temporary mobile settlements in the Arctic region, it is proposed to consider the time cycle as an object of design and its impact on the socio-cultural aspect of the life of the foreign-born population. A design concept for the self-organization of the system in the life cycle was proposed. Methods of spatial modeling were considered on the example of an engineering system for object modeling, where the feature is the presence of unified modular elements with an original mechanical detachable interface.
 The study used the methods of historical, cultural, and systems analysis, a systematic approach to design, scenario modeling, conceptual forecasting based on synergetic theory (theory of self-organization of systems), structural and spatial modeling.

ÇERNOBIL FACİƏSİ

On April 26, 1986, an accident occurred at the Chernobyl Nuclear Power Plant. The accident at the Chernobly nuclear power plant was perhaps one of the greatest tragedies in human history. The fire, which lasted for nine days, caused great damage. While most of the radioactive cloud that formed Eastern Europe, the rest of the “death cloud” was blown south by the winds. In general, the incident caused great damage to the Ukrainian economy. In 12 regions of Ukraine, 50,000 square kilometers were highly polluted. About 15,000 people died and thousands were affected by various diseases the nuclear accident. The largest accident in the history of world energy is the Chernobyl accident. It was decided to mark April 26, 2017 as World Remembrance Day in connection with the Chernobyl tragedy. According to the Society of Chernobyl Disabled People in Azerbaijan, there are currently more than 5,000 participants in the Chernobyl accident in our country. Today, the state is taking necessary measures to, strengthen the social protection of Chernobyl victims in Azerbaijan and protect their health. Key words: Chernobyl, Ukraine, AES, Pripyat, “dead city”, tragedy, radiation, “death cloud”

Vasyl Stus and Osyp Mandelstam: on crossroads of poetic worlds

The article focuses on the coincidences in V. Stus’s and O. Mandelstam’s biographies and notes the psychological and typological similarities of their personalities as well as their fascination with the German language and natural sciences (biology, chemistry). Both writers’ literary interests were alike, they were especially focused on the works of such Russian authors as A. Pushkin, A. Herzen, A. Blok, B. Pasternak, N. Gumilyov, M. Lermontov, F. Tyutchev, and others). Among world classical writers, Stus loved the works of J. W. von Goethe most of all, and Mandelstam admired the works by Dante Alighieri. The paper also deals with Stus’s translations from R. M. Rilke and Mandelstam’s translations from F. Petrarca. The critical activity of Stus and Mandelstam is also mentioned, in particular, O. Mandelstam’s essay “Conversation about Dante” and V. Stus’s paper about P. Tychyna “Phenomenon of the Age (Ascension on Calvary of Glory)”.
 Stus’s letters and manuscripts reveal his attitude to the works of O. Mandelstam, whose poetry appeared in Stus’s life at crucial points. Stus referred to it during his imprisonment in the Soviet camps and tried to understand the problem of “poet and power”. A comparative analysis of the fragments from Mandelstam’s poems, cited in the works by the Ukrainian poet, and the original texts written by Mandelstam revealed сertain deviations. Stus used repetitions instead of the ‘forgotten’ words, which is a general characteristic of his own poetics.
 At the textual level, the poems of Stus and Mandelstam are future-oriented. It can be observed in the appeals to the reader used by each of them in a specific way: the Ukrainian poet speaks as a ‘son’, while the Russian one as a ‘teacher’, echoing the practice of Pushkin. Both poets loved their homelands very much and were attached to it; both of them could not imagine their life outside the motherland. In their texts, Mandelstam and Stus created the images of a dead city, a prison state, emphasizing the impossibility of the poet’s existence in his own country.

Development of a digital surface model and a digital terrain model based on ERS data

The paper considers the development methods of a digital surface model and a digital terrain model of the Dead City territory. The work utilizes the Phantom 4 PRO UAV with high flight stability and excellent shooting quality (camera 20Mg/px) with 4K resolution that allows creating qualitative DSM, DTM with a possibility of storage, processing, transfer on various platforms in different formats.

Образ мёртвого города в незаконченном романе уфимского прозаика Светланы Чураевой “Shura_Le” (глава «Чуня»)

The article aims to identify artistic peculiarities of creating the image of a dead city in the first chapter, “Chunya”, of the unfinished novel “Shura_Le” written by the unique Russian-speaking Ufimian writer S. R. Churaeva. Scientific novelty of the study is determined by the fact that for the first time the analysis of the novel’s fragment published in literary journals is conducted and the fragment’s ideological and aesthetic content is revealed. As a result of the research, it is found that the novel’s author, by employing biblical allusions, artistically significant motifs and toponymic details in the chapter “Chunya”, portraying collective characters that embody distorted processes and phenomena of the human soul’s moral decay, creates the image of a dead city destroying any spirited matter .

القدر بین أنتیجونی لسوفوکلیس والمدینة المیتة لجابریلى دانونسیو

يهدف هذا البحث إلى توضيح ملامح التأثير والتأثر بين المسرحيتين اليونانية والإيطالية من خلال عرض أوجه التشابه والاختلاف للقدر فى مسرحيتى أنتيجوني لسوفوکليس والمدينة الميتة(1) لجابريلى دانونسيو، من حيث علاقته بالحب، وهل للإنسان القدرة على اختيار قدره أم هو أمر حتمي يجب على الإنسان الاستسلام له دون محاولة تغيره أو حتى الحد من وطأته؟، وهل هناک رثاء للقدر؟ فقد بدأت أحداث مسرحية المدينة الميتة بأسلوب التناص أى بترجمة إيطالية نصية للأبيات اليونانية (781-814) التي تتحدث عن (الحب الذي لا يقهر) “Ἔρως ἀνίκατe μάχαν” /“Eros nella pugna invitto” ، التي تلقيها الجوقة عند سوفوکليس، بينما تقرأها بيانکا ماريا على أنا عند دانونسيو، مما يدل على تأثر دانونسيو بالفکر اليونانى عامة وبفکرة الحب الذي لا يقهره القدر - من وجهة نظرهم- بصفة خاصة. وسوف أوضح ملامح التأثير والتأثر بين المسرحيتين من خلال صورة القدر معتمدة على شواهد من الأبيات المسرحية ومستعينة بالمنهجين التحليلى والمقارن. حيث أوضحت الدراسة المقارنة بين المسرحيتين الآتى: کان الحب الأخوي بالمسرحيتن الدافع لنفس القدر وهو الموت. القدر قوة لا يستطيع الإنسان التغلب عليها أو إيقاف تنفيذها، ولکن يستطيع الحد من وطأتها بتقبلها والتعامل معها بحکمة. أما فکرة رثاء القدر التي تعد فى الحقيقة ضعف بشرى تميل إليه کل شخصية عند حدوث قدر قاسي کما فى شخصية أنتيجوني سوفوکليس، وأحيانا يتحول إلى ندم أى ندم الإنسان على أعماله کما فى شخصيتى کريون عند سوفوکليس وليوناردو عند دانونسيو. وقد تناول الکتاب هذه الأفکار بالمسرحيتين، ولکن اختلفت المعالجة الدرامية بين الکاتبين نتيجة لاختلاف عصرهما. Abstract: This research aims at clarifying features the affect and influence in the Greek and Italian plays, By presenting the similarities and differences of fate in the the Sophocles play and the dead city of D’Annunzio, Through relation to love, Has the human ability to choose his fate or is inevitable. One must surrender to it without trying to change it or even limit it. Is there a lamentation for the inevitable fate? The events of the play Dead City began with an Italian text translation of Greek verses (781-814), About invincible love/ Ἔρως ἀνίκατe μάχαν” / Eros nella pugna invitto, Which was received by the chorus at Sophocles while read by Bianca Maria to Anna in D’Annunzio, Which shows that D’Annunzio was influenced by Greek thought in general, And by the idea of invincible love​​ - in their view - in particular. I will explain the affect and influence between the two plays, through the fate based on evidence of theatrical verses, And using analytical and comparative methods. The comparison between the two plays showed: The brotherly love in the both plays was the same motive as death, The fate is power the human not able to overcome them or stop them, But can limit it by acceptance and wisdom in dealing with them. Lamenting fate is in fact the human weakness, same as in the character of Antigone Sophocles and the human regret for his work, As in the personalities of Creon Sophocles and Leonardo D’Annunzio. The three elements were found in the two plays, But the dramatic treatment between the two writers differed as a result of their different age.

Роман «Зуб мамонта. Летопись мертвого города» Н. Веревочкина: мифотектоника и художественная аксиология

Роман «Зуб мамонта. Летопись мертвого города» Н. Веревочкина: мифотектоника и художественная аксиология

Strategies for Revitalisation of Semarang Heritage Area: a Stakeholders Perspective

The old City of Semarang as a heritage area has a significant historical value. Since Independence Day of Indonesia, that area has been abandoned and unoccupied without maintenance. Lack of activity makes the heritage area become a dead city and broad to some issues, environmental, buildings defects, social and institutional governance. The revitalisation activities of cultural heritage in some countries are unique to the technical, socio-economic and cultural aspects. Often the parties could not be generalised due to issues of the authorities, financial capabilities, readiness of stakeholders, and the complexity of its heritage buildings. The research aims to formulate a revitalisation strategy for the heritage area of Semarang to a World Heritage from the stakeholders’ perspective through a qualitative, descriptive method. The research strategy uses Focus Group Discussion, semi-structured interviews and field observations were involving the parties on old city revitalisation projects. The results provide the strategy for revitalisation of Semarang heritage area. Stakeholders perspectives become a lesson learned for future strategic management in heritage buildings, either private or public property

Between Modernism and Archaism: "The Dead City of Khara Khoto" and Nomadism as an Archaeological Problem in Late Imperial and Early Soviet Russia

Between Modernism and Archaism: "The Dead City of Khara Khoto" and Nomadism as an Archaeological Problem in Late Imperial and Early Soviet Russia