Walt Disney: Conversations Kathy Merlock Jackson, Editor. Jackson: University Press of Mississippi, 2006. I'm kind of simple and corny at heart, and I think the majority of the people are on my side.-Walt Disney, 1960 The Atlantic's 2006 Top 100 Most Influential Figures in American History ranks Walt Disney next to the top quarter at number twenty-six in the list. He is cast as entrepreneur, yet the Disney effect on and understanding of American life goes far beyond business and entertainment. He is credited with an unmatched influence over our childhood, yet his real gift was in understanding and expressing the essence of our shared history and culture-first as children, then as adults, traversing a lifetime of learning and experience keynoted to American values. Disney actively disliked the cult of celebrity, picking for his title just head producer. Burbank's ethic was always distant from Hollywood, though the studio won more Academy awards than any other. This collection of archival profiles and personal interviews presents a primary-source profile of the man and the iconic organization that shaped entertainment to take both a signature artistic vision and social influence far into the world beyond. The Disney brand of arts, music, storytelling, and themeing is perhaps the world's preeminent. Kathy Merlock Jackson, who has documented the Disney oeuvre in Walt Disney: A BioBibliography, offers another volume to illuminate the creativity and ingenuity that drove the man and his enterprise. Spanning forty years from the late 1920s up through his death in 1966, this is the record of America's greatest art studios and its head, compared as they have been to DaVinci for both creativity and molding of talent-and of artforms themselves. At the same time the Disney life chronology and film record traces American social history, the popular arts, and the temper of the times across the mid-century decades. What emerges through Disney's own words and those of others is a complex voice both of visionary and tough realist, even pessimist, raised in the heartland, turned per force into a businessman by his driving need to implement his vision. Through film and theme park, he distilled the common values that his audience most liked in themselves, an outcome of a keen respect for the public. Disney's highest ambition was not to create fine art for the few but to meld art and commerce for a midcult market. In this aim he intuitively developed an art uniquely American as a branded enterprise, one yet to be equaled in scope or output. In light of Disney's huge successes, it is difficult now to recall that Disney was fired by a newspaper for lacking ideas, went bankrupt before he built Disneyland, and was once praised by the Left for his anti-establishment attitudes via the start-up Mickey of the 1930s. Innovator in all areas of media, he approached animation as a system to be perfected through innovation. The consummate polymath, he explored every art form by diverse and multifaceted pathways into animation, filmmaking, and then place-making tin theme park design. …
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