Reviewed by: Anglican Women Novelists: From Charlotte Brontë to P. D. James ed. by Judith Maltby and Alison Shell Sheryl A. Kujawa-Holbrook (bio) Anglican Women Novelists: From Charlotte Brontë to P. D. James Edited by Judith Maltby and Alison Shell T & T Clark, 2019. xvi + 274 pp. $103.50 cloth. $37.95 paperback. Anglicanism has a rich literary heritage; however, women novelists are often excluded from the canon, or undervalued for their contributions. This compelling anthology edited by Judith Maltby and Alison Shell demonstrates the depth, breadth, and longevity of Anglican women novelists. Each of the chapters in the volume serves as an introduction to one of thirteen Anglican women novelists, offering a nuanced and critical perspective on their legacy and influence. In their eloquent introduction, Maltby and Shell assert that these Anglican women novelists "demonstrate the range of theologies, convictions, and devotional practices that the members of any one denomination can hold, while still being part of the same church" (10). Though their writing is diverse, these novelists address similar themes, [End Page 159] such as the problem of evil and the limitations of traditional gender roles. These Anglican women novelists were also inspired by each other as their literary predecessors. In chapter one, Sara L. Peterson discusses the physical and spiritual presence of the Anglican Church throughout Charlotte Brontë's novels. Brontë was a practicing Anglican who believed the church was a source of stability, yet always located church reform within her female characters. Lesser-known Anglican evangelical Charlotte Maria Tucker is the focus of chapter two by Nancy Jiwon Cho. Cho argues that Tucker, unable to engage directly in ecclesiological controversies, instead advocated for the Protestant identity of the Anglican Church through the domestic sphere of children's literature. In chapter three, Alison Milbank investigates the mystical Christianity found in the works of Margaret Oliphant, including her parochial novels, ghost stories, and supernatural tales. Throughout, Oliphant balances her allegiance to the Anglican Church with the hope for a wider salvation for all of humankind. A nuanced treatment of Charlotte M. Yonge and Victorian Anglicanism is the focus of chapter four, contributed by Charlotte Mitchell. Mitchell argues that Yonge was the Victorian novelist most influential in the Anglican Church, though her reputation diminished during the interwar period. "She was despised for being a spinster, religious, and a conservative. Yet of all the novelists who entered the Victorian debate about the supposed problem of single middle-class women, she was one of the few who genuinely saw their function in society as multiple and satisfying" 70). The fiction of notable English mystic Evelyn Underhill is the focus of chapter five by Ann Loades. Loades recognizes the impact of Underhill's spiritual formation on her fiction; her commitment to "sanctity," through Anglican living and worship; and the evolution of her fiction through her relationship with the church. Jessica Martin writes on the detective fiction of Dorothy L. Sayers, and the limitations of the genre when balancing justice with mercy is the focus of chapter six. In the later years of her life, writes Martin, Sayers breaks from the genre. "The narrative journey on which she settles in the end proves not to be one of detection, not one of the moves from problem to solution. Instead it is an act of divine sacrifice in the person of Christ: and experience of redemptive change which sidesteps neither pain nor death, nor even despair, but which will end in eternal joy" (101). "Anglican Apologist?" is the subtitle of chapter seven on Rose Macaulay by Judith Maltby. The chapter centers on Macaulay's literary conflicts with Evelyn Waugh and her last completed novel, The Towers of Trebizond. Chapter eight is dedicated to novelist Barbara Pym, an unconventional yet practicing Anglican who populated her books with an assortment of characters [End Page 160] from the parish, including spinsters and clergymen. Author Jane Williams argues that Pym most valued the quality of the community within churches, through the depth of love and acceptance she found there. Just as Barbara Pym's characters inhabited a predominantly women's world, in chapter nine Susan D. Amussen addresses the critique of masculinity found in the novels of...