ESC 26, 2000 a representative sampling of critical evaluations of the genre by Tolkien, Max Liithi, and Bruno Bettelheim as well as the three critics Rowe, Tatar, and Zipes mentioned above. If Broadview Press plans a third edition, I would suggest that they consider the aesthetics of presentation, the audience for which the anthology is intended, and a new Introduction that shows to advantage the benefits of an anthology combining tales, variations, and selected critical material. BARBARA GARNER / Carleton University Camille R. La Bossiere. The Progress of Indolence: Readings in (Neo)Augustan Literary Culture. Toronto: York Press, 1997. iv, 67. $12.95 paper. As Camille R. La Bossiere argues in this book, indolence is a pervasive yet strangely neglected theme in modern literature. Prom James Thomson’s “The Castle of Indolence” (1748) to the twentieth-century novels of Hugh MacLennan, authors have worked to portray the absence of work, sometimes condemn ing indolence as a moral and economic sin, but as often finding some delight, even truth, in the phlegmatic wisdom of the mod ern sage. For since the eighteenth century, Western thought on indolence has been marked by paradox. Even where the en trepreneurial spirit of Western culture calls for action, its morals and philosophy have preached the virtues of moderation, calm, and doubt. This is the paradox that La Bossiere finds in Thomson’s “The Castle of Indolence,” which, in his reading, ultimately fails to dispel the charms of idleness that it appears to vil ify. As Samuel Johnson observed, the most enchanting part of this poem is the wizard’s lush paean to Indolence at the beginning of the poem. The second canto, where the Knight of Arts and Industry restores ambition and commerce, is com paratively prosaic and unappealing. Ultimately, the glory of a crowded ledger-sheet inspires dull poetry, and there is some thing naggingly sensible, even Christian, about the wizard’s sermon against avarice and ambition. It is “grevious folly,” he 102 REVIEWS intones, to “heap up estate, / Losing the days you see beneath the sun” (canto 1, stanza xix). From classical culture, as well, Thomson inherited an ethic that seems inconsistent with the motivations to industry. The ancient ideal of the via media or golden mean, upheld even at the end of the poem, promotes moderation and calm and, thus, deflates the Knight’s exhorta tions to commercial vigour. In this way, La Bossière deconstructs “The Castle of Indo lence” to suggest its ultimate encouragement of the very languor that it seems to condemn. In his very participation in the neo classical Christian culture of the eighteenth century, Thomson was of the devil’s languorous party without knowing it. La Bossière finds much the same contradiction lurking in the work of other Augustan authors. Jonathan Swift, for example, wrote a sermon against sleeping in church. Yet, like other Anglican clergymen, Swift despised disruptively ardent and demonstra tive piety (what they called “enthusiasm”) even more than the Sunday Christian snoring through the sermon. In his role as satirist, Swift’s scathing attacks on European pride and dog matism leave little justification for ambition or effort. What could be more “indolent” than the placid rational life of the Houyhnmhnms? The same ambivalence characterized the at titudes of Samuel Johnson. Johnson spent his life denouncing idleness and his own constitutional lethargy, yet he had no good answers in his work to the paralyzing question posed near the end of “Vanity of Human Wishes” (1749): “Must helpless Man, in Ignorance sedate, / Roll darkling down the torrent of his Fate?” As urged by Thomson’s indolent wizard, the vanity of all human desire seems to leave no option but torpid inertia. Even travel, ironically, induced indolence. For Goldsmith’s Chinese traveller in Citizen of the World (1761-62), Lien Chi Altangi, the great lesson of travel is the ultimately contra dictory nature of all experience and philosophy, a conclusion that appears to confirm the Confucian goal of achieving a “just equipoize of the passions.” In the face of contradictory motiva tions, what philosophy can there be except to sustain balance and tranquility? Humans reside, as Pope instructed, on the “Isthmus of a Middle State” (Essay on...