Traditional Chinese Pattern Research Articles

Textile-based 3D printing and traditional Chinese geometric patterns for fashion textile development

Here, textile-based 3D printing technology is combined with traditional Chinese patterns to create new effects. Traditional Chinese patterns are the main carrier of cultural heritage and have been widely applied as creative design elements to develop unique fashion and textile products. Two geometric patterns inspired by traditional Chinese patterns are developed through the direct deposition of polylactic acid onto polyester fabric. Then the physical and mechanical performances of the printed patterns are examined under a microscope, along with tensile, tear, and joint motion tests. After that, two garment prototypes are created to explore the design aesthetics of the 3D printed geometric patterns. This research work reports on a comprehensive and practical design process for the creation of 3D printed fashion textiles. The work is expected to provide insights for designers and researchers when reviving traditional elements through modern technology. More applications can be explored based on the results reported in this paper.

The Application of Traditional Plant Patterns in Modern Clothing Design

The development of traditional Chinese patterns is closely related to social development. As a part of traditional Chinese patterns, the application of plant patterns in costume design is also closely related to politics, economy, and culture. The application of plant patterns in costume design in different dynasties has different characteristics. It has become an indispensable part of dress design, and the formed dress culture has a profound influence on modern dress design. The application of traditional plant patterns in modern clothing design can not only increase the beauty and cultural connotation of clothing but also bring the meaning of purifying the soul and edifying the sentiment to the viewers and users. Therefore, based on discussing the development of traditional plant patterns in clothing design, this paper analyzes the meaning of traditional plant patterns in clothing design and puts forward effective strategies to do a good job in the application of traditional plant patterns in modern clothing design.

Exploring the Element of Form Based on Traditional Chinese Auspicious Patterns

Chinese traditional auspicious patterns, which date back more than 5,000 years, are a vital component of national art and traditional culture. These patterns have special meanings and are often associated with good wishes and blessings. Their development reached its peak in the Ming and Qing Dynasties. This research on auspicious patterns focuses mainly on the creation method and classification, with few forms. It seeks to ascertain the features of the traditional auspicious pattern form in China. This study adopts qualitative analysis, specifically in analyzing patterns by observation. Based on Panofsky's theory of iconography, the study selected six common Chinese traditional auspicious patterns and analyzed them to determine their classification, layout, composition and elements. It can be concluded that their form is characterized by various elements, specifically figurative and complete, complex pattern formations, full layout designs, balanced or symmetrical compositions, and single or fit patterns. Thus, this study summarized the pattern form analysis model or the PFC-Model. By addressing this gap in knowledge, the study enhances understanding of auspicious patterns. At the same time, the pattern analysis model can be used to analyze similar patterns, which makes it easier to analyze other pattern forms and brings the study of traditional Chinese patterns to a new height. In the meantime, this research only studies the external form of auspicious patterns. In this regard, as form and color is the first layer of research mentioned in Panofsky's image theory, it needs to be more comprehensive. In the future, researchers can continue to explore its color characteristics and extend the research into the content of the first layer of the theories. Undoubtedly, researchers can also expand the analysis of auspicious patterns using the theory's second and third layers.

INTEGRATING TRADITIONAL CHINESE CLOUD PATTERNS INTO MODERN INTERIOR DESIGN: A VISUAL SYMBOLISM STUDY

Cloud pattern is a typical representative of traditional Chinese patterns, which contains rich cultural connotation and aesthetic value and is widely used in modern interior design. This paper aims to explore the specific application of cloud pattern in modern interior design and its cultural and aesthetic value as a visual symbol. By analysing the history, cultural background and artistic characteristics of cloud patterns, the paper examines the decorative function, semiotic significance, emotional value and global application of cloud patterns in modern design. It is emphasised that cloud pattern not only retains the essence of traditional culture in modern design, but also satisfies modern people's aesthetic needs and emotional experience through innovative application, and demonstrates its cross-cultural communication power globally. This paper provides modern designers with inspirations and methods for integrating traditional cultural elements, and promotes the inheritance and innovation of traditional culture.

Influence of Material and Decoration on Design Style, Aesthetic Performance, and Visual Attention in Chinese-Style Chairs

Abstract Chinese-style chairs are appreciated by many consumers for their elegant design. The material and decoration have a significant impact on the design of Chinese-style chairs. Exploring the influence of these two factors on design styles and aesthetic expressions, as well as the related visual attention patterns, is of great importance for the design of Chinese-style chairs. This study aimed to investigate the impact of material (wood/metal) and decoration (pattern/no pattern) on the design style, aesthetic performance, and visual attention patterns of Chinese-style chairs. Fifty-six Chinese university students wore eye-tracking glasses to view four types of chair designs and completed subjective rating scales. The results show that material and decoration have both independent and interactive effects. Wood chairs exhibit a traditional design style and superior aesthetic performance compared to metal chairs. Traditional Chinese patterns enhance design style and aesthetic performance, particularly when applied to wooden chairs. Visual attention was not significantly different across chair designs, except for wooden chairs with traditional patterns on the backrest, which attracted more attention. These research findings provide reference for designers to design Chinese-style chairs.

An Aesthetic Emotion Model for Chinese Ming-Style Furniture Patterns

Ming-style furniture patterns hold significant cultural importance within traditional Chinese heritage. Despite being frequently integrated into modern Chinese product design, a comprehensive scientific investigation into the psychological framework governing people's appreciation of these patterns has been lacking. Therefore, this article employs structural equation modeling analysis to delve into the aesthetic structure of Ming-style furniture patterns. The results found that: (1) Emotion, as the dependent variable, is influenced by perceptual and cognitive factors, with familiarity being the most crucial influencing indicator. (2) The model proposed in this article exhibited no variations across age and gender groups, but did demonstrate differences based on individual expertise. These research findings not only bridge the void in empirical studies on the aesthetics of Chinese traditional patterns but also establish a theoretical foundation for enhancing the decorative impact of traditional patterns in product design.

The Difference of Chinese High School Students' Attitude Towards Chinese Traditional Learning Pattern and Project-based Learning

The exam-oriented Chinese education has a long history in China. After the introduction of Project-based learning, an educational method contrary to Chinese education, into China, many scholars and even parents began to compare the two methods and analyze their advantages and disadvantages. As the subject of education, students' opinions on educational methods are crucial. This study collected 31 participants who had experienced two educational methods, Chinese education, and project-based learning, and investigated their approval and affection of these two educational methods, as well as the effectiveness of their learning and their preference between the two methods through questionnaires. participants were asked what they thought were the advantages and disadvantages of the two methods of education using multiple choice questions. The survey results show that participants generally prefer project-based learning because of its relaxed classroom atmosphere. However, some of them think that in project-based learning, there are always team members who will delay the progress or quality of the project.

Integrando padrões tradicionais chineses à estética moderna: um estudo de teoria enraizada com base na “Coleção de Padrões Chineses”, de Pang Xunqin

Abstract: This study employs grounded theory methodology, utilizing open coding, axial coding, and selective coding techniques, to conduct a systematic analysis of Pang Xunqin’s “Chinese Decorative Pattern Collection.” A theoretical framework is constructed to explore the fusion of traditional Chinese patterns with modern decorative art design. As a pioneer in this domain, Pang Xunqin’s oeuvre not only bridges historical gaps in Chinese decorative arts, but also offers innovative insights for the progression of contemporary Chinese art and design. The coding analysis of the study reveals the adept integration of traditional patterns into modern design practices by Pang Xunqin, thereby enhancing cultural identity and artistic vigor. Additionally, a dynamic model is introduced, charting innovative pathways for the modern evolution of traditional patterns and fostering their global cultural dissemination and innovation. This model enriches our comprehension of the amalgamation of tradition and modernity and presents a novel perspective for the observation and application of traditional culture in contemporary settings.

Application of Traditional Chinese Patterns in Modern Restaurant Space Design

With the development of the economy and social progress, people's demand for health and leisure is increasing day by day. Food as a culture has risen from survival to the spiritual and cultural level of demand, so food culture has become a hot topic of modern food space design. Bronze is one of the most important representatives of traditional Chinese culture, and now food culture and arts and crafts have also become hot spots of contemporary food space design, which have important value in the development. Furniture has become a classic element of traditional cultural heritage in modern food space design, for example, various tableware is painted with Taotie patterns that symbolize "eating". At the same time, it is also a positive response to the national policy of promoting traditional culture, so the study of the application of traditional patterns in modern food space design has important theoretical and practical significance. Traditional patterns, as a form of Chinese culture, skillfully combine traditional culture with modern dining space design, providing people with a form of dining. At the same time, it helps to feel the charm of traditional culture and create the overall atmosphere of the dining space.

Analysis of the association between dietary patterns and nonalcoholic fatty liver disease in a county in Guangxi

BackgroundThis study aims to investigate the relationship between different dietary patterns and non-alcoholic fatty liver disease (NAFLD).MethodsResidents over 30 years old in the ecological longevity cohort in Gongcheng Yao Autonomous County, Guangxi Province were the research objects selected from 2018 to 2019. Physical examination, baseline population survey, and food frequency questionnaire (FFQ) survey were conducted. Dietary patterns were analyzed by factor analysis. Influencing factors of NAFLD were analyzed by multiple logistic regression.ResultsNAFLD was diagnosed in 241 of 2664 participants based on ultrasonography, and the detection rate was 9.0%. Factor analysis yielded a total of three dietary patterns, namely, traditional Chinese, Western, and cereal-potato dietary patterns. Results of multivariate logistic regression analysis showed that after adjusting for confounding factors, participants in the highest quartile of the Western dietary pattern exhibited a higher prevalence of NAFLD (OR = 2.799; 95% CI: 1.620–4.837; p < 0.05) than participants in the lowest quartile. Participants in the highest quartile of the cereal-potato pattern exhibited a decreased risk of NAFLD compared with those in the lowest quartile (OR = 0.581; 95% CI: 0.371–0.910, p < 0.05). The traditional Chinese patterns did not show any association with the risk of NAFLD.ConclusionsThe Western dietary pattern increases the risk of NAFLD, whereas the cereal-potato dietary pattern reduces the risk of NAFLD. It is important for the prevention and control of NAFLD to adhere to the cereal-potato dietary.

CHINESE TRADITIONAL PATTERNS AND TOTEM CULTURE IN MODERN CLOTHING DESIGN

The purpose: explain the concept of totem in traditional Chinese patterns, and introduce representative totem elements and their implication. Analyze the traditional Chinese patterns that appear in modern clothing design.&#x0D; Methodology. A systematic approach was used in this research to project contemporary modern clothing design: history-analytical, literary-analytical, morphological, and comparative analysis of the creative primary source, associative means of its adaptation to the actual fashion trends. The methodology of the research is based on the systematic analysis of the design projects using elements of traditional patterns in China.&#x0D; Results. Studies have shown that not all widely used traditional Chinese patterns are totems, and totems are patterns with more symbolic meaning. Several representative traditional Chinese patterns are displayed. The cultural connotation of Chinese style patterns widely used in modern clothing design is revealed, and the innovative methods of patterns are also considered.&#x0D; The scientific novelty of this research lies in its compilation of prior studies, which help differentiate between traditional Chinese patterns and totems. Additionally, the study introduces the concepts of totem worship, reproductive worship, and soul worship that are embedded within these patterns. Practical recommendations for integrating traditional Chinese patterns into modern clothing design are also provided.&#x0D; Practical significance. of this study lies in its potential application to the practice of incorporating Chinese traditional patterns into contemporary clothing design. By understanding the cultural heritage and totemic elements within these patterns, designers can create innovative and culturally rich fashion pieces that pay homage to China's rich artistic history.

Evolyuciya i sovremennoe vyrazhenie tradicionnyh kitajskih ornamentov: na primere ornamentov v vide vody i oblakov

The article is devoted to the China’s ornamental pattern art. Among a vast array of traditional Chinese patterns, water patterns and cloud patterns are most popular. Even today, they are still widely used in different design activities, being given new historic meaning.

Exploring the redesign value of Chinese traditional Auspicious patterns in the context of modern design

Chinese traditional auspicious patterns have a history of thousands of years since primitive times. After the Ming Dynasty, auspicious patterns with multi-element combinations appeared and were widely used in people's lives, but nowadays, their application in life is very scarce. Because their style no longer aligns with the modern aesthetic, they must be redesigned. This paper studies the transformation from traditional Chinese auspicious patterns to modern patterns, mainly using qualitative research, expert interviews, studio research, and questionnaires. The three principles of Chinese traditional auspicious pattern redesign and the APR four-step method summarized in this study can provide a reference value for other auspicious pattern redesigns. It is conducive to their promotion and application to promote the application of auspicious patterns in daily life.

The Characteristics of Chinese Traditional Auspicious Patterns in Design

This study identifies the design characteristics of traditional Chinese auspicious motifs. It studies frequently used auspicious patterns in Chinese daily life, mainly after the Yuan Dynasty, i.e., those with multiple element combinations and with symbolic meanings. Qualitative research, purposive sampling, and descriptive statistics were used to complete the analysis of about 50 auspicious motifs. According to the basic steps of the design, the characteristics of the auspicious patterns are summarized by their innovative, formal, and color features, respectively. It is concluded that the standard creation methods for designing auspicious patterns are the symbolic method, harmonic method, and schematic method. The common forms are full versions, balanced and symmetrical compositions, suitable and separate patterns, and more number and variety of elements, mainly figurative and complete, so the patterns are very complex. The color is rich and bright colors. The study of the characteristics of auspicious pattern design expands the scope of their study and deepens their comprehensive understanding. It also provides some reference values in the field of auspicious pattern design.

Innovation and application of traditional Chinese floral patterns in jewelry design

Traditional Chinese floral patterns have evolved from 7,000 years ago to the present, and the evolution of each dynasty has been closely related to the social, economic, cultural, political, and religious beliefs of human beings at that time. The paper explores the traditional Chinese floral patterns. This paper explores the application and possibility of traditional Chinese floral patterns in jewelry design by analyzing the changes of traditional Chinese floral patterns through the dynasties and generations, from which we learn that the progress of the craft of making floral patterns and the development of science and technology also affect the use of traditional Chinese floral patterns in jewelry design and the way of their realization. The techniques and materials used in modern jewelry are also inextricably related to the style and meaning of traditional Chinese patterns. Only through better understanding of Chinese traditional patterns and current jewelry techniques can we better integrate the national culture into modern jewelry design.

Development and Evolution of Tuanhua Medallion Patterns in China

Tuanhua Medallion Pattern is a traditional Chinese pattern still used today. This article aims to complete a deep understanding and understanding of the structure and moral evolution of the Tuanhua Medallion Patterns in different periods. The birth of Tuanhua Medallion Patterns records people's pursuit of life and even spirit and can also reflect people's other life concepts, aesthetic characteristics, and social styles at that time.

Analysis of the artistic characteristics of lotus patterns and digital innovative design methods

In the long river of the evolution of Chinese civilization, the pattern is one of the most important art forms of human visual art language. It always loads the spirit and aesthetic consciousness of Chinese traditional culture with its ' symbolic ' characteristics. As one of the traditional Chinese patterns, lotus pattern has become rich and complicated in content, form, aesthetic characteristics and cultural connotation with the development of the times. This paper analyzes the composition, color and implied beauty of lotus pattern through the study of literature cases and pictures. And use digital software and interactive technology to establish a lotus pattern digital resource library to realize its reengineering design and innovative application in digital clothing design. Using digital technology and interactive technology to carry out the design innovation practice of lotus pattern, explore the integration and innovation method of traditional culture and modern design, and provide a new thinking for the innovative design of traditional lotus pattern.

중국 명·청 시대의 전통문양을 적용한 패키지디자인에 관한 연구 ╶ 산시성 핑야오 쇠고기 패키지디자인을 중심으로╶

The purpose of this study is to improve the competitiveness of products by selecting the package design of Shaanxi Pingyao beef as a case and integrating Chinese traditional patterns into the package design through a modern perspective and design method. In order to analyze the existing beef package design and the five design proposals presented by the researcher, the final evaluation criteria were presented through operational definition in accordance with the evaluation criteria of the study. The evaluation items were analyzed centering on aesthetics, attention, reliability, uniqueness, and relevance. Consumers' preference and purchasing degree for beef package design were evaluated and analyzed to identify problems, and consumers preferred and The results were presented in the thesis to see if the purchase rate was high.&#x0D; As a result of the study, most of the 5 designs presented by the researcher obtained relatively higher scores than existing commercial products in 5 evaluation items. Received a significantly higher score. In terms of purchase, works using traditional printmaking techniques received the highest score. In the survey analysis by age group, consumers under the age of 20 obtained the highest scores in both preference and purchase for works that applied the modernization of traditional Chinese patterns.

Cultural Interaction: The Transformation of Textile design for Traditional Cheongsam in the Republic of China

Abstract This paper aims to discuss the artistic characteristics of traditional cheongsam and the transformation that has taken place in cheongsam textile design in the Republic of China. By analysing a collection consisting of 259 traditional cheongsam material samples in various museums such as the China Silk Archives in Suzhou, we explored the transformation of cheongsam textile design during the Republic of China from the perspective of Eastern and Western art cultural exchanges and explored the spread of Western artistic thought in China. Our research shows that, firstly, with the development of industrialization, the traditional cheongsam textile business absorbed new design concepts; secondly, in terms of material selection and pattern style, it widened the range of fabrics used and broke the monotony of traditional Chinese patterns. Moreover, it reduced connotations of social class implied by traditional textile design. Finally, these textile designs reflect the progress that has been made in the development of this artistic trend and the cultural fusion of Eastern and Western arts during the Republic of China.

Problems and Countermeasures in the Inheritance of Chinese Traditional Culture: the example of Chinese traditional patterns

China is one of the world's ancient civilisations and has a long history of cultural forms. These traditional cultural forms are the carriers of the message of civilisation and have played an important role in the inheritance of the message of Chinese civilisation throughout the course of history. Because of the twists and turns of history, the challenges to the development and inheritance of Chinese culture have been innumerable. However, on the whole, the preservation and development of traditional Chinese culture has been relatively effective and successful in the modern era, and with the main force of the relevant policies and measures of the Chinese government, together with the collaboration of various institutions and international forces, traditional Chinese culture is moving into the future with a classical legacy and a new look in the new era. However, in the course of the author's research and study, some improvements can still be found in the system of preserving Chinese traditional culture. Chinese patterns are one of the brightest pearls of traditional Chinese culture, which comes from ancient times and is still very much alive today. However, there are also problems in their development and conservation. Therefore, this paper will use Chinese patterns as an example to study the way in which traditional Chinese culture is passed on and preserved and discuss the problems and propose countermeasures, in the hope of inspiring improvements to the issues involved.