Traditional Chinese Cultural Elements Research Articles

Application of Chinese Traditional Cultural Elements in Modern Fashion Design

In the long history of Chinese culture, Chinese traditional clothing culture, as one of the main components, has a unique aesthetic appeal because traditional Chinese clothing is rich in variety, bright in color, and has many patterns and unique styles. Therefore, it provides many creative materials for modern fashion art and brings countless inspirations to designers. In modern Chinese clothing design, to have design characteristics and cultural value, it is necessary to grasp the international design language and simultaneously learn from traditional Chinese clothing culture's essence to express national characteristics. Based on this, this paper will discuss in detail the application of traditional Chinese clothing elements in modern Chinese fashion design.

Innovative Practices of Chinese Traditional Cultural Elements in Short Video Platforms

Innovative Practices of Chinese Traditional Cultural Elements in Short Video Platforms

Research on the Application of Chinese Traditional Cultural Elements in Fujian Province

Research on the Application of Chinese Traditional Cultural Elements in Fujian Province

The Application of Traditional Chinese Cultural Elements in Fantasy Costume Drama - A Case Study of “Love Between Fairy and Devil”

The spread of Chinese TV dramas cannot be separated from the strong underpinnings of Chinese stories. Strengthening the multifaceted presentation of traditional culture is an indispensable element in creating quality TV dramas with culture, connotation and Chinese characteristics. With a unique oriental narrative and a unique oriental romantic audio-visual language, the fantasy ancient idol drama “Love Between Fairy and Devil” restores a beautiful oriental fantasy world, which helps to reshape the audience’s visual imagination of Chinese classical mythology, conveys the unique charm of Chinese traditional culture to the audience, and promotes the further “going out” of traditional culture.

The Current Significance of Chinese Excellent Traditional Cultural Elements

The excellent traditional culture of the Chinese nation is an important cultural symbol to express our self attributes in the context of world culture and is the deepest foundation for cultural self-confidence. Therefore, the significance of carrying forward the excellent national traditional culture lies in: providing rich nourishment for the confidence of socialist culture with Chinese characteristics, providing strong support for the confidence of socialist culture with Chinese characteristics, and providing support for the innovative development of the excellent national traditional culture. The promotion of Chinese traditional excellent culture and the display of the value of the times require the innovation and dissemination of modern moral education. This article mainly explains the effectiveness of the integration of Chinese excellent traditional cultural elements and modern moral education from the mutual influence and interaction between the two.

Application Strategies of Chinese Traditional Cultural Elements in Interior Design

In order to further enhance the aesthetics, artistry and culture of interior design, this paper mainly studies and analyzes the application strategies of traditional Chinese cultural elements in interior design, in order to provide reference for future developments.

곡문달(谷文達)의 예술전략에 관한 연구

The purpose of this research is to find out what strategies Chinese artist Wenda Gu (1955~) used to build awareness in the international art world and China. In the early 1980s, the trend of modern Western philosophy and modern art flowed into China following the wave of China's reform and opening up. In addition, global interest in Chinese contemporary art is increasing. Amid this trend, the 85 New Wave, which called for the modernization of Chinese art, served as a turning point in history as a major event that revealed its presence in the global art world. In this study, Wenda Gu, a leading Chinese avant-garde writer, examined the significance of the 85 New Wave through analysis of his work as a person who participated in the 85 New Wave. The 85 New Wave is a kind of cultural movement in which young artists, including Wenda Gu, try to reform Chinese society and art through art, and this completely changed the trend of modern Chinese art. In order to investigate Wenda Gu art strategy, he first visualized China's turbulent political and economic situation, and then went to the U.S. to grasp the characteristics of the expansion of the art world and internationalization factors that enabled artists to succeed. It can be seen that he incorporated elements of traditional Chinese culture into his works and actively utilized elements of literati culture in his works. This study is meaningful because it aims to present another perspective on his work based on his attitude change using traditional Chinese cultural elements depending on his position in China and international art circles.

A Study of Traditional Chinese Elements in Balinese Culture: An Acculturation Perspective

Using acculturation theory to study Chinese immigrant culture from the main culture of immigrant places, this paper is presented to interpret the characteristics and reasons for Chinese elements in Balinese culture. The exchanges between China and Bali, Indonesia, have existed since ancient times, and the continuous development of the ancient Silk Road has brought the two places closer together. From 2017-to 2019, the writer went to Bali to conduct cultural field research, observed and recorded Chinese elements in Balinese society, consulted literature, and explored the embodiment of traditional Chinese cultural elements in Balinese culture. The study found that Balinese people integrate traditional Chinese culture into their daily life and work, which is reflected in some aspects of local society and culture. They absorb traditional Chinese elements into Balinese culture with a Balinese style. This produced varying degrees of influence in Balinese religion, art, literature, language, and other fields and reflected the example of cultural integration and cultural co-construction carried out by the Balinese in the face of the heterogeneous culture of Chinese culture. Chinese immigration, the homogeneity of Chinese culture and Balinese culture, the tolerance of Balinese people, and the friendship of Chinese people have created favorable conditions for Balinese culture to absorb Chinese elements

A Comparative Study on Multimodal Metaphors in the Front Pages of Chinese and Western Mainstream Newspaper: The Case of China Daily and The Economist

The study of metaphor has a long history. Traditional metaphor theories focus on metaphor as merely a figure of speech. In cognitive linguistics, researchers believe that metaphor is not only a linguistic rhetoric phenomenon, but a fundamental and universal cognitive way for human beings to understand the world. With the development of the Internet age, multimodal information is becoming increasingly abundant, thus more attention has been paid to the study of multimodal metaphor. However, there are few studies on multimodal metaphor in the context of cultural differences between China and the West at present. Therefore, this paper takes the multimodal metaphors embodied in the images and words reflected on the front pages of China Daily and The Economist as data to analyze the different ideologies and cultural values reflected in them. This comparative study analyzes the similarities and differences between the multimodal metaphors in the front pages of China Daily and The Economist. It is found that the front pages of China Daily contain more traditional Chinese cultural elements and tend to convey positive values, while the multimodal metaphors in The Economist often have abundant connotations, indicating a more political and sarcastic tone. Meanwhile the reasons for the different choices of images are analyzed from three aspects: ideology, culture and context, thus providing some enlightenment on how to further enhance cultural confidence and better construct China's national image for domestic media.

On the application of Chinese traditional cultural elements in modern environmental art design

With the continuous development of social and economic level, China’s science, education and cultural undertakings have gradually improved, bringing new possibilities for traditional culture and innovation in different fields. Analysis of the current field of modern environmental art design shows that in the whole environmental design work, the integration of traditional cultural elements is more and more, which provides many elements for the innovation and development of modern environmental art. However, some design products blindly pursue traditional cultural elements and lack of modern aesthetic integration in actual design work, which will directly affect the creation of design work New developments. As designers, it is necessary to establish a correct awareness of the integration of traditional culture and modern art, and better play the role of traditional culture in modern design work.

Analysis of Chinese traditional elements in Chinese e-sports games Application in International Chinese Education

Honor of Kings is one of the games most concerned and loved by modern young people, especially teenagers. The game contains rich traditional Chinese cultural elements, such as the shaping of heroes, the skin of traditional Chinese festivals, etc. When teaching international Chinese , select appropriate content and integrate it into the teaching process, so that traditional Chinese culture can be displayed in front of students in another vivid and interesting way, reproducing the vitality of traditional Chinese culture.

Innovative research on the animation image under the background of regional characteristics

Huizhou wood carving is a bright pearl of the Chinese folk wood carving art in the Ming and Qing Dynasties, and it is an important part of the fine traditional Chinese culture. This topic takes the connotation and characteristics of the characters in Huizhou wood carving as the starting point, analyzes the strong Hui cultural characteristics of its characters, combines the traditional Chinese cultural elements in the design of animation characters, and creates an animation image that meets the aesthetic needs of contemporary people, The analysis of the feasibility of inheriting Huizhou wood carving characters in the modern local animation character design shows that the dissemination of traditional Chinese culture in the animation works complies with the requirements of national policies and animation creation, and conforms to the trend of The Times .In view of this, the combination of Huizhou wood carving characters and animation design provides rich creative resources for the development of original animation, and its purpose is to help us to build a local Anhui animation brand with "Chinese style and popular with the masses", Will be in the new period of Chinese original animation rooted in the soil of traditional culture, strengthen the animation product audience identity of the national culture, make animation works carrier and go abroad, win the recognition of the world audience, is also for the Huizhou wood carving this regional excellent traditional culture heritage protection and reuse.

Packaging Design and the Changing Needs of End Consumers

With the rapid development of China’s economy, the society has entered the era of big data intelligence, leading to tremendous changes in people’s shopping methods. From the original way of shopping via traditional channels from street vendors and farmer’s markets to shopping via WeChat, Douyin, Taobao, Pinduoduo, and other digital e-commerce channels, online shopping has become the norm and an integral part of people’s life in the post-pandemic era. The shift from traditional offline shopping to online shopping calls for a change in design thinking, integrating food packaging design, consumer needs, and brand stories, reflecting individual characters and regional cultures, as well as incorporating traditional Chinese style and cultural elements.

INCORPORATING CHINESE TRADITIONAL CULTURE IN PRIMARY SCHOOL CHINESE TEXTBOOKS

"Where there are Chinese people, there is Chinese education". The Malaysian Chinese ancestors practised Chinese education in Malaysia since their arrival and with their efforts, Malaysia has the most comprehensive and systematic Chinese education in Southeast Asia. It is also considered the country that has preserved Chinese culture the best (Qian, 2017). Since 2011, the Chinese language has been offered as an elective subject in the standards-based curriculum for primary school (KSSR) syllabus. Since introducing Chinese into classrooms, there have been two versions of Chinese textbooks for the national primary schools: (KSSR) National Primary School Chinese Textbook from grade 1 until grade 6. Its subsequent revision in 2017 KSSR (Semakan 2017) National Primary School Chinese Textbook has been applied up to grade 5. By studying these two versions of the textbooks, this paper will discuss how Chinese culture is depicted in Malaysian national primary school Chinese textbooks. It will also analyse the elements of Chinese culture and subsequently investigate whether cultural content is necessary to be reinforced in national primary school Chinese textbooks for its text to be enriched. The research objective is determined using integrated studies done within and beyond Malaysia and includes relevant materials, research reports, literature, and dissertation papers. Through literature review, this paper summarises, categories, and analyses content about traditional Chinese cultural elements that can be found in both versions of the Chinese textbooks in national primary school. The traditional Chinese cultures found in both versions of textbooks are listed under seven elements which are: Traditional Chinese Festivities, Traditional Chinese Folk Games, Traditional Chinese Family Appellations, Traditional Chinese Food Culture, Traditional Chinese Arts, Traditional Chinese Customs, Chinese Literature. The collected content is then categorised, arranged, and analysed. A deduction can then be made to provide conclusive recommendations. It can be deduced that the textbooks are pretty packed with relevant and related Chinese cultural elements, but primarily, it is apparent that the Chinese culture is mainly influenced by local cultural elements, which are very close to our daily life. National primary school Chinese language education plays a role in cultural dissemination. It enables pupils of different ethnic backgrounds to learn Chinese and gain a deeper understanding of Chinese culture. As well as can help prevent misunderstandings caused by cultural differences.

Discussion on the Application of Chinese Traditional Cultural Elements in Modern Environmental Art Design

China has a development history of nearly 5000 years. There are rich traditional cultural elements in China. These elements are the witness of China’s historical development. Therefore, cultural elements cannot be abandoned by the public with the development of the times. We should pay attention to traditional culture, inherit civilization and effectively combine modern art and design. When designing environmental works of art, designers should understand the differences between eastern and western cultures, which require in-depth research on the concept of cultural design. They should not blindly advocate oriental culture and abandon western culture, or blindly worship western culture and design western works of art. In art design, to absorb the essence of Chinese culture, this article studies how to bring the domestic excellent traditional cultural elements into the modern environmental art design, and puts forward some strategies.

Refinement and Drawing Lessons from Traditional Chinese Cultural Elements for Cultural and Creative Product Design

Chinese culture has been continuously developing for 5000 years of historical development. Its traditional culture has had an impact on social development, and this traditional culture is rooted in the development of the society. The traditional Chinese culture also has certain significance for the design of modern cultural and creative works, which does not only inject vitality for cultural and creative products, but it also enhances the artistry of cultural and creative products. Therefore, based on this, this paper expounds the concept of traditional Chinese culture with cultural and creative products, analyzes the value of traditional culture in cultural and creative products, and explores how to refine and draw lessons from traditional Chinese cultural elements in the process of cultural and creative product design.

Culture under Complex Perspective: A Classification for Traditional Chinese Cultural Elements Based on NLP and Complex Networks

The cultural element is the minimum unit of a cultural system. The systematic categorizing, organizing, and retrieval of the traditional Chinese cultural elements are essential prerequisites for the realization of effective extracting and rational utilization, as well as the prerequisite for exploiting the contemporary value of the traditional Chinese culture. To build an objective, integrated, and reliable classification method and a system of traditional Chinese cultural elements, this study takes the text of Taiping Imperial Encyclopedia in Northern Song Dynasty as the primary data source. The unsupervised word segmentation methods are used to detect Out-of-Vocabulary (OOV), and then the segmentation results by the THULAC tool with and without custom dictionary are compared. The TF-IDF algorithm is applied to extract the keywords of cultural elements and the Ochiia coefficient is introduced to create complex networks of traditional Chinese cultural elements. After analyzing the topological characteristics of the network, the community detection algorithm is used to identify the topics of cultural elements. Finally, a “Means-Ends” two-dimensional orthogonal classification system is established to categorize the topics. The results showed that the degree distribution in the complex network of Chinese traditional cultural elements is a scale-free network with γ = 2.28. The network shows a structure of community and hierarchy features. The top 12 communities have taken up to 91.77% of the scale of the networks. Those 12 topics of the traditional Chinese cultural elements are circularly distributed in the orthogonal system of cultural elements’ categorization.

Investigating the Relationships Between Cultural Embeddedness, Happiness, and Knowledge Management Practices in an Inter-Organizational Virtual Team.

In light of the considerable disparity in the thinking patterns between Western and Chinese societies, this study seeks to develop a better comprehension of the influences of traditional Chinese cultural elements on knowledge management (KM) practices within contemporary Taiwanese society. To this end, the research draws on the concepts of “guanxi” based on the embeddedness theory concept through the lens of employees’ happiness. A qualitative case study was conducted within a virtual team (in this case, Taiwanese Farmers’ Associations (FAs)), and data were collected from both observations and 36 interviewees. Based on the resulting analysis, the findings show that individuals’ knowledge-sharing behavior results from a complex interplay of a sense of well-being, guanxi, and the Chinese culture rooted within such organizations. The study provides a significant insight into the cultural implications of KM strategies and offers valuable advice for knowledge managers within the context of Taiwanese society.

A Study on Translation of Jin Yong's Novels

In recent years, translation has gradually become an important bridge for communication between China and the West, so it should take greater responsibility in the process of cultural dissemination. At the same time, as a unique Chinese novel genre, Jin Yong’s martial arts novels are full of traditional Chinese cultural elements. The English translation of Jin Yong’s novels has aroused more Westerners’ interest in Chinese culture and found a new path for Chinese culture to go out. Based on this, the article takes the English translation of Jin Yong’s novel Legends of the Condor Heroes-A Hero Born translated by Anna Holmwood as an example. The translation methods of words such as martial arts moves and special nouns summarize the translation strategies of Jin Yong's novels. According to the survey data, there are a total of 41 martial arts maneuvers in Chapters 11-30 of the English translation, with “transliteration “accounting for 14.63%, “literal translation” accounting for 9.76%, and “transliteration + literal translation” accounting for 56.10%. It can be seen that the proportion of translators using foreignized translation combined with domesticated translation to express the meaning of the original word is the largest, and its methods can be used for reference.

현대 패션디자인에 나타난 청대(淸代) 마갑(馬甲)과 마괘(馬褂)의 응용

The Qing Dynasty Vest and Mandarin Jacket are traditional Chinese costumes. However, design elements are used in today"s society and can be found in recent collections in Paris and Milan, including Eastern and Western brands. Qing Dynasty Vest and Mandarin Jacket are originally clothes worn by northern minorities on riding horses. They are exclusively for Manchu nobles in the early Qing Dynasty, but they are gradually passed down to the public and became daily clothes. This study investigated the process and characteristics of the Qing Dynasty Vest and Mandarin Jacket changes applied to contemporary fashion design. In this study, the methodology was to analyze the change process and characteristics of the Qing Dynasty Vest and Mandarin Jacket through literature and internet resources. After extract a design in which traditional Chinese cultural elements were applied to the design targeting the Paris and Milan fashion collections of the last six years, pieces were selected in which elements of the Qing Dynasty Vest and Mandarin Jacket were implied to the design. The differences in Chinese and Western brands" expression styles in the use of design elements of traditional Chinese costumes were analyzed. Finally, 71 out of 1086 pieces from the 2015 S/S collection to the 2020 S/S collection were analyzed by silhouette, color, pattern, material, and detail. Chinese fashion brands such as Heaven Gaia, Guo Pei, Shiatzy Chen, and Western fashion brands Vivienne Tam, Gucci, Armani, Elie Saab, and Prada were included.