Chinese Cultural Industry Research Articles

The Innovation and Development Path of Cultural and Creative Industries in Anhui Province, China: Nvivo12-Based Policy Text Analysis.

The policy planning of cultural and creative industries is the leading factor affecting the development of cultural and creative industries and is also an important factor in driving China's economic transformation. How to combine the policy with the actual industrial development and how to scientifically assess the construction effect of cultural and creative industries and build the corresponding planning system are the key points of the current development of cultural and creative industries in Anhui Province, China. The study first analyzes the regional cultural characteristics and development status of Anhui Province, then uses Nvivo12 qualitative software to conduct grounded research and qualitative text analysis on 20 Chinese cultural and creative industry development policy texts, and summarizes three core elements that promote the development of China's cultural and creative industry: “development task,” “development goal,” and “development guarantee.” Then, according to the three core elements of the text, we propose policy recommendations for the innovation and development of Anhui's cultural and creative industries: focus on “cultural heritage and sustainable development” policy formulation, explore Anhui's regional characteristics and culture; strengthen the development of urban-rural cultural integration and mechanism innovation; optimize and adjust the structure and supply of cultural industries; top-level design to clarify the strategic direction of culture, and coordinate the research tasks to empower industrial innovation. Relying on new media means, it integrates three major development strategies to build a new mechanism for internationalized communication of cultural and creative industries in Anhui Province, develop regional advantageous industries, form advantageous cultural industry clusters, effectively spread local culture, and promote sustainable development of local economy.

Research on Chinese and Foreign Cultural Sector Policies from the Perspective of International Comparison

The cultural sector is an important part of the national economy and an important part of the construction of spiritual civilization. In the international competition of cultural industries, developed countries are in a dominant position, and developing countries are under the impact of foreign culture, and their politics, economy and culture are all threatened. China's cultural sector is still in a weak position, and the share of cultural products and services in the international and domestic cultural markets still lags far behind that of developed countries. Starting from the actual situation of China's current economic and social growth and the characteristics of cultural sector growth, this paper compares Chinese and foreign cultural industries from an international perspective and explores their differences, so that we can more accurately understand the advantages and disadvantages of China's cultural sector's international competitiveness, which also analyzes the advantages and disadvantages of the evaluation indicators, so as to discuss the growth and improvement strategy of Chinese cultural sector, and improve the international competitiveness of Chinese cultural sector to make it clearer, more standardized and more scientific.

Adorno’s Cultural Industry Theory in the Environment of Internet Development

Traditional cultural industry theory is confined to a specific historical context, and the theoretical level of simple denial and criticism of cultural industry phenomena has lost its historical significance. The development of the cultural industry is the inevitable result of the development of the market economy. It enables people to recover from their values in the spirit of humanism. This article was aimed at studying and evaluating Adorno’s cultural industry theory based on the development environment of the Internet and using literature review techniques to obtain, collect, and summarize research related to Adorno’s cultural industry and its subject critical theory, analyze, summarize, and classify their views and opinions, as well as data on gender significance and limitations, and compare and extract. In the research stage of the thesis, firstly, the background and conditions of Adorno’s critical theory of cultural industry were systematically investigated with a complete historical and logical method. Then, it combines theory with practice and uses Adorno’s critical theory of contemporary Chinese cultural industry to find problems and defects. Finally, based on the difference between Adorno’s living environment and the current environment, it is logical to compare Adorno’s theory with comparative research methods in modern China, but it needs to be improved and perfected.

Culture and trade: Chinese practices and perspectives

ABSTRACT This paper provides an evaluation of the main characteristics of Chinese domestic cultural policy and international cultural trade strategy. The objective is to assess whether China has developed a type of pattern addressing the culture and trade issue, and to advance meaningful lessons to reconcile cultural diversity and trade liberalization in the context of international law. This paper starts with a brief introduction of Chinese cultural industries and Chinese cultural laws and policies. The analysis then dives into Chinese international agreements, including WTO agreements, the UNESCO Convention 2005, Chinese FTAs, and the BRI. Chinese international cultural practices can be grouped into cultural trade liberalization commitments and cultural cooperation mechanisms. This paper argues that China takes a cautious attitude towards liberalizing cultural trade while holding a relatively open position towards promoting cultural cooperation. The cultural cooperation approach deserves more attention as an alternative route for reconciling cultural diversity and free trade in international law.

Efficiency Measurement and Heterogeneity Analysis of Chinese Cultural and Creative Industries: Based on Three-Stage Data Envelopment Analysis Modified by Stochastic Frontier Analysis

Industry sustainability plays a vital role in shaping the environment for cultural and creative business development. However, considering the influence of the external environment and random factors on the technical efficiency (T.E.) of cultural and creative industries with the inherent defects of the traditional data envelopment analysis (DEA) model; this manuscript analyzed the operating efficiency of 56 cultural and creative enterprises using the three-stage DEA model from 2012 to 2018. An analysis of the results shows that differences in efficiency exist between stage one and stage three DEA. Furthermore, the environmental elements and statistical noise measured by the stochastic frontier analysis (SFA) in stage two reveal positive and negative influences on the creative cultural enterprises at different stages. As a result, the overall efficiency of the listed cultural and creative industries was revealed to be low in China. Finally, this study suggested effective countermeasures and recommendations for better-operating efficiency systems for cultural and creative enterprises.

Ancient Town Tourism from the Perspective of Chinese Cultural and Creative Industries——Taking Wuzhen Theatre Festival as an Example

In the constantly accelerating process of globalization, how to balance the uniqueness and innovation of different regional cultures has become one of the problems faced by cultural and creative development. Based on the development of Wuzhen cultural and creative industry, this paper combines Wuzhen Theatre Festival to analyze the development of cultural and creative industries in ancient towns in China, and proposes its development.

Research on the Development Strategy of Liquor Culture Industry in China

Based on the development needs of China liquor industry, this paper comprehensively analyzes the necessity and strategic significance of developing Chinese liquor culture industry. Focusing on industrial integration and cultural communication, this paper proposes an integrated development path from multiple interaction dimensions of the liquor culture with urban brand, regional and traditional culture and global consumption structure. This research result has practical significance to enhance the traditional Chines liquor industry development level and promote the integrated development of primary, secondary and tertiary industries.

The View of Chinese Culture and the Imbalance of Cultural Industry’s development from “Nezha: Birth of the Demon Child”

“Nezha: Birth of the Demon Child” has been popular all over China in the summer of 2019, which is a milestone in the development of China's cultural industry. Since the reform and open policy, foreign cultures and cultural industries have taken root and sprouted in China. There are more and more audience groups in China. The age and scope of the audience are more and more wide, which enriches the spiritual life of Chinese people. However, the local culture and cultural industry need to be developed and protected. Today, with the economic globalization, multi polarization of international politics and more frequent exchanges among countries around the world, how to make our own culture and cultural industry occupy a place in the national spiritual world, and play out the signboard of “Chinese culture”, make Chinese culture and cultural industry “blossom everywhere”, and make more and more people in the world identify with Chinese culture and culture Industry will eventually build China into a socialist cultural superpower with strong economy and technology. There is still a long way to go. In this paper, we will discuss the potential and problems of cultural development in China.

The Loss and Dissemination of Core Values with the Analysis of Computer Aid - Reflections on the Development of Chinese Cultural Industry from the Western Cultural Industry

The core values are the most profound implicit cultural system in culture. The core values carry the spiritual pursuit of all the Chinese people, which condenses the essence of the advanced socialist culture. The core values conform to the development direction of socialism with Chinese characteristics. The integration and efficient dissemination of cultural products and core values is the main way of Western cultural industry, which is the core content of Western cultural soft power. The comprehensive cultural industry chain has become an important foreign strategic thought and communication strategy of western developed countries. China’s cultural industry is still in its early stages of development. It has theoretical and practical reference significance in market practice operation and consciousness orientation. Firstly, this paper analyses the lack of core values in China. Then it analyses the construction and dissemination of cultural industry in Western countries. Finally, this paper points out the direction of the Chinese cultural industry development with the help of computer aid.

New Ideas for the Development of Tea Culture Tourism Economy in the Internet Age

Tea originated in China and flourished in China. Tea has a long history for China. Tea has given birth to rich history and culture in the long river of history. Tea culture has become an important part of our excellent traditional culture, which has given birth to countless traditional cultural industries. Although with the development of the times, Chinese traditional cultural industry is facing many challenges. Fortunately, the arrival of the information age has brought new opportunities for the traditional cultural industry. This paper analyzes the new ideas brought by the era of “Internet” for the development of tea culture tourism economy, and discusses how to better use information technology to help the development of traditional cultural industry.

Under the Background of Internal Economic Cycle, Wuhan Cultural and Creative Industry Financial Support for Innovation Research

The rise of the tertiary industry has played a great role in the development of the Chinese economy. As the pillar industry, the cultural and creative industry can realize the upgrading and transformation through strengthening the support of new technologies and financial resources, thus bringing higher economic benefits. Focusing on the background of the internal economic circulation, this paper analyzes the financial support status and existing problems of the cultural and creative industry in Wuhan, puts forward the innovative ideas of the financial support of the Wuhan cultural and creative industry in the future, and provides reference for the rapid development of the Chinese cultural and creative industry in the future.

Study on Tax Risk Assessment of Listed Enterprises in Cultural Media Industry

Cultural industry plays a positive role in promoting the optimization of China's industrial structure and upgrading of consumption. As an active subject in the market economy, listed cultural media enterprises are the main force in the cultural industry and bear the burden of developing and growing China's cultural industry. This paper takes 50 listed enterprises in China's cultural media industry as research samples and analyzes the main financial indicators from 2019-2020 through multiple regression linear analysis to examine the factors influencing the tax risk of China's cultural media industry, and finds that indicators such as industry income tax burden, VAT tax burden and gross profit rate are significantly positively correlated with the overall tax burden of enterprises, fixed asset turnover rate and asset burden ratio are significantly negatively correlated with the The relationship between total asset turnover rate and overall tax burden of listed cultural media enterprises is not significant. It has a certain significance for the early warning of the tax burden of the Chinese cultural media industry

International Development of Chinese Cultural Tourism Industry ——Based on the Perspective of Intercultural Communication

In the context of “the Belt and Road”, cultural tourism has made rapid development. The integration of culture and tourism brings new challenges to tourism industry. The major project of cultural tourism communication is how to conduct intercultural communication in the context of foreign cultures. The study analyses the intercultural communication model and the problems of cultural tourism communication from the perspective of culture shock and cultural tourism translation, and presents the specific strategies including improving the quality of text translation of cultural tourism, and strengthening effectiveness of cultural tourism communication, and cultivation of tourism talents, which helps promote the soft power of cultural tourism communication.

IP곡예 무대극 ‘몽지려(梦之旅)’를 통해 본 중국문화산업의 함의

본 연구는 중국의 전통문화를 대표하는 곡예를 현대사회 흐름에 부합하는 무대극으로 창작하여 대내외적 공연을 통해 호평을 얻은 IP곡예무대극 ‘몽지려’의 성공적인 요인을 인문콘텐츠학적 분석방법을 통해 중국문화산업이 갖는 함의를 알아보고자 함에 있다. 연구결과는 다음과 같다. 첫째, 중국의 문화산업은 정부의 적극적 진흥정책과 거대 내수시장을 토대로 양적 및 질적으로 성장 발전하였다. 둘째, 전통문화인 곡예 및 의상에 대한 도전과 변화를 통해 현대 무대극으로서 창작적 표준제시 및 실용적 경험공유를 시도하였다. 셋째, 전통문화의 개혁 및 혁신적인 변화 속에서 동양적 인문사상과 감정을 투입하였다. 본 연구의 결과는 인문학적 관점에서 다양한 자유로운 해석과 확대를 가능하게 할 것이다. 그리고 중국전통문화원형에 대한 분석과 접근 방법을 활용한 신문화 창조 연구를 위한 참고 자료에 활용될 수 있을 것이다.

포스트 코로나시대 中國文化產業의 現狀분석 및 융합발전 展望

코로나19로 인해 인류는 정치·경제·사회·문화 등 영역에 대변화를 맞이하게 된 가운데 특히 중국의 3개월에 달하는 전국적인 도시 봉쇄는 물리적 접촉이 최소화되면서 재택근무·화상회의· 온라인 수업 등이 현실화되고 제3차 산업은 새로운 시대배경아래 부득이하게 변화를 가져올 수밖에 없는 심각한 상황에 직면하게 되었다.<BR> 본 연구는 코로나19 위기 이래 중국 문화산업의 현황분석을 통해 앞으로의 발전 전망에 대한 경로선택 및 가능성을 검토하기 위함을 목적으로 연구되었다. 포스트 코로나시대 중국 문화산업의 발전현황과 앞으로의 발전 방향으로 융합의 필요성에 대해 분석하였고 발전 가능 전략으로

Research on the Evaluation and Promotion Plan of Competitiveness of Chinese Cultural and Creative Industries - Taking Provinces and Cities Along the “Belt and Road” As an Example

Research on the Evaluation and Promotion Plan of Competitiveness of Chinese Cultural and Creative Industries - Taking Provinces and Cities Along the “Belt and Road” As an Example

The next normal: Chinese indie music in a post-COVID China

ABSTRACT This article will discuss the impact of COVID-19 on Chinese cultural industries, in particular independent music based on live interviews with musicians, venue owners, labels and others in the Chinese music industry. On the one hand there are many state employees in the cultural industries, who are somewhat protected from immediate employment impacts; on the other there are many private sector companies, especially in Music, TV and Film, who have been severely impacted. China’s social protections are not high, but at the same time neither are expectations of state help in terms of loss of income. In the music industry, the closing of all venues has had an inordinate impact on the already suffering “independent” sector (mainly due to lockdowns), with many music venues especially not expected ever to re-open. We ask whether the crisis forces the sector to re-evaluate its cultural value positioned in a heightened commercialised music industry.

"IP무대극 “구류란과 두려낭”의 성공 요인에 따른 중국문화 콘텐츠 산업의 특징"

본 연구는 IP무대극 ‘구류란과 두려랑’의 성공적인 공연 요인분석을 통해 중국문화 콘텐츠 산업에 관한 특징을 알아보고자 함에 있다. 인문콘텐트학적방법으로 분석한 결론은 다음과 같다. 첫째, 중국정부는 문화 콘텐츠 산업의 국제시장 경쟁력 강화와 질적 수준 제고를 위해 시장경쟁시스템을 도입하였다. 둘째, 중국문화원형을 토대로 하는 IP무대극의 세계화와 콘텐츠 산업발전을 위한 세계화 정책을 적극 추진하였다. 셋째, 문화금융 시스템의 구축을 통한 클러스터화, IP무형자산의 금융서비스 중개가 가능하도록 하였다. 따라서 중국 IP무대극에 대한 특징과 전통문화 속성이 현대 무대극 콘텐츠 산업에 어떠한 영향을 주었는지를 이해하게 할 것이다. 향후 연구는 성공적인 각 요인별로 세분화하여 중국IP무대극만의 특징을 살펴보는 접근이 필요하다.

중국 실경공연(實景公演) 인상(印象) 시리즈의 인문콘텐츠학적 분석을 통해 본 중국문화산업의 효과와 가치

중국 실경공연(實景公演) 인상(印象) 시리즈의 인문콘텐츠학적 분석을 통해 본 중국문화산업의 효과와 가치

IP무술무대극 선검기협전(仙剑奇侠传)에 나타난 중국문화산업의 특징

본 연구는 무술을 중국전통문화로서 적용하여 성공한 IP무술무대극‘선검기협전(仙剑奇侠传)’분석을 통해 나타난 중국문화산업의 특징을 알아보고자 함을 목적으로 하였다. 중국의 문화산업은 1979년 개혁개방실시이후 관련 법제들을 수정하여 왔고, 2008년 처음 중국법령에 지적재산권(IP)용어가 사용되었다. 따라서 문화가 그동안의 체제유지를 위한 도구적 범위를 초월하여, 경제이익산업으로서 인식과 전통문화 소프트파워 강화를 위한 대표 산업으로 간주되기 시작하였다. 무대극 분석을 통한 연구결과는 다음과 같다. 첫째, 중국문화산업은 국가주도의 관련법제 정비를 통한 중국특색의 전통문화소프트파워 강화와 해외진출을 위한 지원정책으로 인해 발전해왔다. 둘째, 중국문화산업은 고유한 전통문화요인을 포함하고 있으며, 지명도가 높고 많은 팬들을 확보하고 있을 때 성공적인 마케팅 결과를 얻을 수 있다. 셋째, 작품 광고를 통한 관객들의 유입을 위해 기존의 TV, 라디오, 신문 등의 광고보다는 팬들과의 적극적인 SNS소통을 통해 이들의 다양한 의견을 분석과 동시에 국가문화산업정책과 제작자 의견들이 반영되는 활동이 우선되어야 한다.