Abstract
Traditional cultural industry theory is confined to a specific historical context, and the theoretical level of simple denial and criticism of cultural industry phenomena has lost its historical significance. The development of the cultural industry is the inevitable result of the development of the market economy. It enables people to recover from their values in the spirit of humanism. This article was aimed at studying and evaluating Adorno’s cultural industry theory based on the development environment of the Internet and using literature review techniques to obtain, collect, and summarize research related to Adorno’s cultural industry and its subject critical theory, analyze, summarize, and classify their views and opinions, as well as data on gender significance and limitations, and compare and extract. In the research stage of the thesis, firstly, the background and conditions of Adorno’s critical theory of cultural industry were systematically investigated with a complete historical and logical method. Then, it combines theory with practice and uses Adorno’s critical theory of contemporary Chinese cultural industry to find problems and defects. Finally, based on the difference between Adorno’s living environment and the current environment, it is logical to compare Adorno’s theory with comparative research methods in modern China, but it needs to be improved and perfected.
Highlights
Adorno’s cultural industry is Western Marxist ideology and culture, but Western Marxist ideology is essentially a beacon of my country’s classical Marxism, which can be used as a reference to enhance my country’s national experience [1, 2]
The Chinese cultural industry appeared for a short time in the 1990s, but it has successfully penetrated into modern society [3]
How to use scientific popular culture criticism to guide the development of popular culture and improve the aesthetic connotation of serving the people is an urgent problem to be faced and solved in our country’s popular culture criticism circles
Summary
Adorno’s cultural industry is Western Marxist ideology and culture, but Western Marxist ideology is essentially a beacon of my country’s classical Marxism, which can be used as a reference to enhance my country’s national experience [1, 2]. The Chinese cultural industry appeared for a short time in the 1990s, but it has successfully penetrated into modern society [3]. Its tremendous influence on Kannada-speaking society forces us to think about and explore cultural industries. The commercialization and popularity of music in modern Chinese society and the unification of TV and literary creation kitsch programs have increased the awareness of cultural institutions in the fields of education and politics [4]. The cultural industry pushes culture and celebrities to the limit and opposes that culture affects people’s lives and undermines public opinion. It is very important to learn about the cultural industry on a regular basis. Revisiting Adorno’s cultural industry and understanding the roots of his suspicion and important attitude towards the cultural industry will certainly help our cultural research [5]
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