Characterization Of Type Research Articles

Interpretable feature extraction and dimensionality reduction in ESM2 for protein localization prediction.

As the application of large language models (LLMs) has broadened into the realm of biological predictions, leveraging their capacity for self-supervised learning to create feature representations of amino acid sequences, these models have set a new benchmark in tackling downstream challenges, such as subcellular localization. However, previous studies have primarily focused on either the structural design of models or differing strategies for fine-tuning, largely overlooking investigations into the nature of the features derived from LLMs. In this research, we propose different ESM2 representation extraction strategies, considering both the character type and position within the ESM2 input sequence. Using model dimensionality reduction, predictive analysis and interpretability techniques, we have illuminated potential associations between diverse feature types and specific subcellular localizations. Particularly, the prediction of Mitochondrion and Golgi apparatus prefer segments feature closer to the N-terminal, and phosphorylation site-based features could mirror phosphorylation properties. We also evaluate the prediction performance and interpretability robustness of Random Forest and Deep Neural Networks with varied feature inputs. This work offers novel insights into maximizing LLMs' utility, understanding their mechanisms, and extracting biological domain knowledge. Furthermore, we have made the code, feature extraction API, and all relevant materials available at https://github.com/yujuan-zhang/feature-representation-for-LLMs.

Boarding house blues

ABSTRACT The article discusses the London boarding house as setting and trope, in film, on stage and in literature, during the silent period. It identifies recurrent character types – notably, parsimonious and resentful landladies, resourceful skivvies and residents, both temporary and permanent, who are down on their luck and down at heel. Significantly, the boarding house recurrently displays a particular mise-en-scène. Films covered include Patricia Brent, Spinster (1919), Tilly of Bloomsbury (1921), Not for Sale (1924), Underground (1928), Daydreams (1928), The Vagabond Queen (1929) and A Cottage on Dartmoor (1929). Patrick Hamilton, this article suggests, is the pre-eminent figure in boarding house literature, from Craven House (1926) to Slaves of Solitude (1947). It also discusses returns to this London territory produced retrospectively and subsequent treatments of boarding house material, reinforcing an already established pattern.

Two types of universal characters and the integrable hierarchies

In this paper, we propose two types of universal characters corresponding to partition shapes π = (3) and π = (2, 1) and construct their vertex operators realizations. It is proved that (3)-type and (2, 1)-type universal characters can be derived by the products of vertex operators acting on the identity. Furthermore, we investigate (3)-type and (2, 1)-type universal characters by means of Hamiltonian and fermions expectation values. In addition, based upon bilinear equations, we present the (3)-type and (2, 1)-type universal characters hierarchies whose τ functions can be derived from (3)-type and (2, 1)-type universal characters.

Коммунальная квартира (коммуналка) в референтном поле современной художественной литературы для детей и подростков

Representation in the modern culture of the Soviet past is associated with such a phenomenon as a communal apartment, which is also in demand in modern literature for children and adolescents. In the article, based on the material of the Corpus of Russian Prose for Children and Youth, as well as the most representative examples from the works of the last decade for children and adolescents, an attempt is made to determine the specifics of the topos of a communal apartment, which has become a “system sign” (referent) of Soviet childhood. The vectors of interpretation of a communal apartment set the ideological and spatial “us vs them” and “individual vs common” oppositions and their assessment. At the same time, various attributes of a communal apartment are significant for artistic modeling, defining the subject organization (neighbor, family member, etc.), the organization of space (room, corridor, kitchen, etc.), subject realities (bell, door, etc.). Modern writers’ work with the topos of a communal apartment is based on the tradition that developed in children’s literature of the Soviet period. The child hero, reproducing the stable components of the associative field of the concept “communal apartment” necessary for the objectification of the attribute, translates a potentially conflict situation associated with the concept of neighbor and determined by a stable set of plot situations and motifs into a comic one. In children’s and adolescent literature, the process of blurring the boundaries between anomaly and norm under the influence of communal life is reflected (the character type “crazy old woman”, zoomorphic images of neighbors, the acquisition of supernatural significance by things, the process of segmentation of “our” space, etc.). The transformation of the binary opposition “us vs them” can occur due to the inclusion of the element “nobody’s”, fixed in the definition of a unique type of character - “nobody’s grandmother”. In modern children’s literature, the situation associated with the marginal position of “nobody’s” old people in communal apartments, due to inclusion in the context of children’s play, loses its negative assessment, due to the functional connection of the types of “nobody’s grandmother” and “nanny”, which leads to the correlation of “nobody’s” and “common” in the picture of the communal world. The semantics of the “common” is more often manifested in relation to referents defining the spatial organization. The allocation of certain loci in a communal apartment that transmit ideas about one’s own and someone else’s or about one’s own and common, returns us to the description of relations with neighbors in the apartment, more precisely, to the predominance of emotive characteristics of the topos in question, objectified through the motif of quarrels and conflicts over the use of common places and property. “Common” loci (kitchen, corridor, restroom), being a boundary space, can, depending on the plot situation, actualize the “own” or “alien” semes. For example, a corridor, in accordance with the strategy of mastering and appropriating someone else’s space during the game, can also act as “own” space. The representation of the topos of a communal apartment in children’s literature, of course, reflects the realities of the Soviet era and the everyday life of the “inhabitants” of the communal apartment, with its “conflict zones”, but the child’s consciousness, acting as a focalizer of the narrative, allows emphasizing the semantics of the common. We can talk about the transformation of the opposition “us vs them” according to the laws of dialectics. The realities of the time, seen through the eyes of a child, allow us to consider the topos of a communal apartment/kommunalka as a “system sign” (referent) of Soviet childhood, as a dialectical image expressing the collectivist pathos of Soviet culture and metaphorically reflecting Iosif Vareikis’ idea of a communal apartment as the USSR. The authors declare no conflicts of interests.

An Archetypal Reading of The Arabian Nights: Mythic Hero and Monomyth in Selected Stories

The Arabian Nights is a literary masterpiece that has captivated readers for centuries with its magical elements, mythical creatures and traditional patterns of archetypes. This study delves into the underlying similarities and differences among the types of archetypal characters depicted in two tales, “Three Apples” and “Ali Baba and the Forty Thieves”. The focus is on the notion of mythic hero, exploring the use of archetypal symbols, images, characters and protagonists’ quests to identify the principles of heroism central to their characterisation. The study draws upon Joseph Campbell’s theory of Monomyth, which entails a pattern for the hero’s journey that includes three rites of passage: separation, initiation and return. By examining the journeys of Ja’far and Ali Baba through this lens, we find that both possess essential qualities of a hero in accordance with the tenets of monomyth. Despite their idiosyncratic differences, they are portrayed as ordinary men without any supernatural heroic powers who are urged to reclaim their social status by embarking on an adventure where they go through rebirth, face death and triumph over evil. The findings highlight how the use of mythical elements such as magic and traditional patterns contribute to the perennial appeal of the collection

Художня реалізація радянських ідеологем у повісті Олександри Свекли «Надломлені серцем»

The article attempts to analyse the novel «Brokenhearted» in terms of its ideological, thematic, figurative and stylistic dominants in the context of social realism. Social realism as a style was primarily created for political, non-artistic needs, such as the construction of people of the new era, for which art became a tool. That is why in the work of many authors of the period we can observe the development of themes and techniques that meet the objectives of the ruling party. Therefore, the purpose of the study is to examine the elements of Oleksandra Svekla’s textual creation as those that show a strong influence of the ideas of the Soviet era, but are mastered and transformed. The study examines the rejection of the past as a characteristic temporal category for socialist realism works, the separation of private and collective spaces. An attempt is made to describe the types of characters in the story as part of the textual element of a socialist realist work. It is revealed the author’s modelling of the inherent canonical image of the «new man», which is realised through the characters of the Soviet Pantheon of heroes: the warrior hero, the worker hero, the party member hero. Through the image of a new woman, Iryna, who is the centre of the whole story, the author describes the idea of female emancipation, which is realised not only through the rejection of marriage, highly paid female labour, and the desire to raise a child on her own, but also at the plot level: the protagonist’s journey, which is an important part of personality formation. The study revealed a spontaneous ideologisation of the semiosphere. That is, in our opinion, Oleksandra Svekla consciously/unconsciously reproduced ideology in connection with her own political position and an attempt to describe the socio-historical reality.

“Nothing was solved, only accelerated”: Contemporary Berlin Novels as Gentrifictions

ABSTRACT: As a contribution to the growing scholarly debate on literary representations of gentrification, this article explores a tendency of contemporary, Berlin-set fiction to depict accelerating gentrification processes as an imminent apocalypse. While earlier gentrification fiction frequently centered on the struggles of a male character, this article turns to recent female-authored and female-centered narratives of gentrification, thus highlighting the relevance of gender for literary gentrification studies. Based on readings of four novels by German and US-American authors, the main contribution of the article is the delineation of a new hybrid subgenre of gentrification fiction and dystopian fiction—the accelerated gentrifiction . A further major finding is the identification of a standardized female gentrifier character type as an essential feature of this subgenre. The relative flatness of these protagonists results from their shared lack of action and emotional response when facing the consequences of complex social and ecological issues such as accelerated gentrification.

Identifying Peking Opera Roles Through Vocal Timbre: An Acoustical and Conceptual Comparison Between Dan and Laosheng

Chinese jingju (Peking opera) typically distinguishes several stock character types differentiated by narrative function, appearance, and vocal timbre. Though aspects of jingju music and dramaturgy have been thoroughly mapped by scholars, the contribution of timbre to the differentiation and characterization of dramatic roles has not been theorized. Here we sampled 20,000 excerpts of a cappella recordings of dan (woman) and laosheng (old man) singers from a large corpus. We analyzed the acoustic characteristics of the two roles both qualitatively and computationally, extracting and comparing relevant acoustic descriptors including spectral centroid, roughness, inharmonicity, and spectral fluctuation. We found statistically significant differences between the roles in spectral centroid (controlling for differences in fundamental frequency), roughness, and spectral flux (16­00­–3200 Hz). Lower normalized spectral centroid and reduced roughness in dan timbre is semiotically congruent with this virtuous and gentle female role; higher normalized spectral centroid, roughness, and spectral flux in laosheng timbre are congruent with an elderly, powerful, and educated man, indicating the contribution of vocal timbre in communicating identification and narrative information to audiences. These timbral attributes also reflect traditional Confucian ideals for music, gender, and age. These patriarchal and filial hierarchies are reiterated through Peking opera vocal timbre, displaying the effectiveness of music, and timbre specifically, in reflecting and reinforcing cultural and societal scripts.

Eugen Ionescu. Personajul rizibil

Eugen Ionescu – a figure long controversial in both national and universal literature – writes in order to express his astonishment at this world. He senses and experiences perpetual amazement at any thing, from the very existence or presence on this planet to performing seemingly banal actions, such as uttering words or eating. But, even more profoundly, he feels the loss of the mundane miracle, the lack of awareness from his fellow men, their estrangement from the light and sinking into the mire. Hence the specificity of Ionescu's playwriting, which, in his view, goes beyond what has generally been established as the theater of the absurd and is, in its essence, more a theater of wonder, of the uncommon, an inquisitive theater . We consider that the nucleus or engine of this artistic universe – which is therefore a projection of existential anxieties – is the ridiculous character, who is the very subject of our analysis, as announced in the title. This character is created, first and foremost, with the help of humor – a harsh, dark humor, which from the author’s point of view, offers no escape, but actually exacerbates the tragedy of the human being: "humor, being an intuition of the absurd, seems to me more desperate than tragedy. Humor offers no way out". Thus, Eugen Ionescu discovers the comic in the tragic and the tragic in the comic, the ontological emptiness in playing, and vice versa. The ridiculous character corresponds to this vision, because tragicomedy is inherent to his nature. In the Ionescian world, both connotations are to be found: first, in the surface layer of the text, the connotation is that which triggers laughter, illustrated by a puppet or a mechanism; then, in its depth, gradually and unsettlingly revealed, the connotation is worthy of ridicule, laughable at – semantics which shows the true nature of the Ionescian character, illustrating not merely the mechanism but also the man, fated to death and sentenced to life by the terror of history and society, or doomed, burdened with the misfortune to be born and powerless in the face of the oppression of time and the Creator. Thus, beyond the persona, the buffoonish style, the clowning with which Eugen Ionescu shocked his audience in a Baudelairean manner ever since his Romanian times, his entire work reveals the reflection of the self in confrontation with itself, with its anxieties. Through the ridiculous character created, the playwright transitions from the particular to the universal, his goal being to figure the non-figurative, to express the inexpressible. In this dialectic where roles change, paper beings come to life through our projection onto their construction mechanism, and can be identified in our profound social self. Under these circumstances, this type of character represents the only solution, the only weapon or shield for living in this absurd universe. It implies only apparent acceptance or tolerance, because its very construction conveys the cry of despair and the author’s revolt against the opaqueness of the world and his awareness of his condition. Could the ridiculous character be an answer to the playwright's questions? We cannot answer this question with certainty, but undoubtedly, by creating this archetype, Eugen Ionescu responds to a way of creating and living because, beyond the resurrection of the tragic – mentioned throughout our presentation – the playwright creates a new style, in keeping with the complexity of the 20th-century man. The loss of the mundane miracle is thus portrayed through a character that simultaneously embodies ridicule, fragility, and grandeur. Laughter turns into a grimace, the true value of the character being self-awareness, in a Camusian spirit. Beyond linguistic and ethnic barriers, transcending time and space, carrying a part of Romanian spirit and culture within, at the same time accessing universality, Eugen Ionescu promotes the idea that we are all actors in the theatrum mundi. Consequently, laughter remains one of the constants of the character created, a hypostasis of an individual who is not necessarily tragic, but rather skeptical and inquisitive.

The Design and Development of Traditional Elements in Visual Communication Design under the Perspective of New Media

Abstract This paper takes visual communication design as the entry point and reduces the complexity of the network model and the number of parameters by a convolutional neural network. The Faster R-CNN algorithm has been improved and is now used as the main algorithm for traditional element extraction and detection. The global detection and segmentation extraction algorithm based on U2-Net is utilized to reduce the depth of the network model, and the VGG16 algorithm is improved according to the characteristics of traditional elements, migration learning and its network structure in order to increase the sensory field and solve the problem of loss of accuracy of the feature maps on the basis of not changing the feature layer. An empirical study of traditional element extraction is conducted by using shadow costume patterns as an example. The results show that in multiple shadow images, the range of hues used for the five character types, namely, small Dan, Sheng, Jingsheng, Chou and old Dan, is H ∈ [0°, 210°] ∪ [345°, 360°], and medium-high saturation is dominant, and the range of brightness of the colors used is also basically the same, which is between 0.5-1. This research experiment verifies the feasibility of the element extraction algorithm, which can realize the feature extraction and classification of traditional elements, and its application in visual communication design can improve the visual impact of the works, provide consumers with more diversified design solutions, and can also effectively realize the innovative application and development of traditional elements.

THE VOICES OF THE WAR (“EPITAPHS OF THE WAR” BY R. KIPLING)

THE VOICES OF THE WAR (“EPITAPHS OF THE WAR” BY R. KIPLING)

Seeking the neural representation of statistical properties in print during implicit processing of visual words

Statistical learning (SL) plays a key role in literacy acquisition. Studies have increasingly revealed the influence of distributional statistical properties of words on visual word processing, including the effects of word frequency (lexical level) and mappings between orthography, phonology, and semantics (sub-lexical level). However, there has been scant evidence to directly confirm that the statistical properties contained in print can be directly characterized by neural activities. Using time-resolved representational similarity analysis (RSA), the present study examined neural representations of different types of statistical properties in visual word processing. From the perspective of predictive coding, an equal probability sequence with low built-in prediction precision and three oddball sequences with high built-in prediction precision were designed with consistent and three types of inconsistent (orthographically inconsistent, orthography-to-phonology inconsistent, and orthography-to-semantics inconsistent) Chinese characters as visual stimuli. In the three oddball sequences, consistent characters were set as the standard stimuli (probability of occurrence p = 0.75) and three types of inconsistent characters were set as deviant stimuli (p = 0.25), respectively. In the equal probability sequence, the same consistent and inconsistent characters were presented randomly with identical occurrence probability (p = 0.25). Significant neural representation activities of word frequency were observed in the equal probability sequence. By contrast, neural representations of sub-lexical statistics only emerged in oddball sequences where short-term predictions were shaped. These findings reveal that the statistical properties learned from long-term print environment continues to play a role in current word processing mechanisms and these mechanisms can be modulated by short-term predictions.

O conhecimento da equipe de enfermagem acerca do atendimento na parada cardiorrespiratória em unidade de terapia intensiva

The study aims to identify the level of knowledge of the nursing team about the CPR protocol and its influence on care for cardiorespiratory arrest in the intensive care unit of a hospital in Greater Vitória. The chosen methodology was field research of the observational type of descriptive character with a quantitative approach. To this end, a closed questionnaire was carried out with twelve questions divided into three levels of difficulty with 65 professionals, 21.5% nurses and 78.5% nursing technicians, with a general average of 67.6% correct answers. It was observed that, as the level of difficulty increased, there was a decrease in the number of correct answers. Despite acknowledging the importance of the topic, the team had a deficit in knowledge regarding the current recommended guidelines for cardiopulmonary resuscitation. Therefore, the importance of continuing education is emphasized in order to promote quality care and minimize iatrogenic events.

The Mockingbird and the Lion: Catalysts for Chaos in Game of Thrones

The television series Game of Thrones (2011‒2019) was a cultural phenomenon that aroused great interest among audiences worldwide. HBO’s adaptation of George R. R. Martin’s A Song of Ice and Fire novel series can be deemed as a milestone for the fantasy genre, which has traditionally never been regarded as mainstream. Nevertheless, this level of success was only possible thanks to the brilliance in terms of storytelling with which palace intrigues were handled, most of them being orchestrated by the polarising characters of Petyr Baelish and Tywin Lannister: all of their spine-chilling schemes plunge Westeros into utter chaos, thus enabling plot development indirectly. Therefore, the aim of this article is to carry out a thorough comparative analysis of the aforementioned characters considering the notion of hegemonic masculinity, the understanding of subalternity by Gramsci, and the medieval social implications of hostageship in order to examine how the mayhem they cause inevitably triggers plot progression, thus subverting Propp’s original conception of the helper while overlapping with the character type of the villain.

EVALUAREA SOIURILOR DE MĂR PENTRU CIDRU ÎN ECOSISTEMUL POMICOL MĂRĂCINENI

Cider apple fruit growing is a special branch of horticulture considering that the varieties for cider are different from other apple varieties by the fruit chemical composition (high polyphenol content), and also by the specific agronomic characters (type of growth, vigor, alternate fruit bearing). Nowadays, at Research Institute for Fruit Growing Pitesti, Romania researches are carried out, in order to identify some cider varieties adapted to the pedoclimatic conditions, varieties that can be extended in commercial plantations. This paper presents the results registered during 2020-2022 regarding vigor, precocity, fruit attributes and behavior of specific disease (scab, powdery mildew, fire blight) for 22 cultivars, with different origin ('Marie Ménard', 'DouceMoën', 'Kermerrien', 'Juliana', 'Judor', 'Jurella', 'Judeline', 'Judaine' from France; 'Dabinett', 'Ellis Bitter', 'Harry Masters Jersey', 'Major' from England; 'Cortland', 'Golden Russet', 'Grimes Golden', 'Gravestein Rouge', 'Norther Spy', 'Liberty' and 'Virginia Crab' from USA; 'Mc Intosh', 'Red Mc Intosh' and 'Geneva' from Canada )grafted on two rootstocks (MM106 and M9). In the first three years after planting, 'Judeline', 'DouceMoȅn' and 'Golden Russet' cvs.grafted on M9, show a low vigor. The total solid soluble content ranged between 12.6% at 'Harry Masters Jersey' cv. and 18.9% at 'Judaine' cv. The highest value of fruit firmness was recorded at 'Judaine' cv. (8.21kgf/cm2), 'Virginia Crab' (7.98 kgf/cm2), 'Jurella' (7.97 kgf/cm2), and 'Dabinett' (7.84kgf/cm2), and the lowest value was recorded for 'Cortland' cv. (6.12kgf/cm2) and 'Judor' (6.55 kgf/cm2). 'NortherSpy' cv. show a high sensitivity to apple scab, 'Cortland', 'Grimes Golden' and 'Liberty' cvs. to powdery mildew, 'Harry Master Jersey' and 'Dabinett' cvs. to fire blight.

Going beyond Chat: Designing Connotative Meaningful Line Stickers to Promote Road Safety in Thailand through Participatory Design

Road accidents are a leading cause of death in Thailand, with increasing fatalities. Despite road safety campaigns during holidays, consistent communication is lacking in daily life. This research aimed to create Line application stickers, a top chat platform for Thailand, using the participatory design (PD) approach. PD was implemented in two steps. Firstly, 100 participants outlined character types, moods, tones, and communication objectives. They recommended lively animal characters with diverse texts, such as greetings, work, travel, and emotions. Then, through a focus group, the tortoise was identified to represent cautious drivers who follow traffic rules, the rabbit to represent fast and risky drivers, and the zebra to represent vigilant and disciplined traffic police officers as characters for Line stickers. Subsequently, using the semiotics approach, 40 Line stickers were designed, and embedded with denotative and connotative road safety messages. Secondly, feedback from the focus group, integral to the PD process, led to refinements. After launching, a survey of 50 users showed “Benefits Received”, “Text and Messages”, and “Meaning” dimensions received “Very Satisfied/Strongly Agree” ratings. The “Character” dimension received a “Satisfied” rating. The results for “Benefits Received” can also be analyzed in the context of the Knowledge, Attitude, and Practice (KAP) theory, which revealed that K and A were at the highest level, while P was at a high level. This suggests that the Line stickers designed in this study effectively conveyed road safety messages to the receivers. This research constitutes the pioneering exploration within the realm of Line stickers concerning road safety, signifying the originality and unique contribution of our research to the existing body of knowledge in this domain. The PD process in this research can serve as a guideline for creating safety-promoting media in diverse fields.

The Sociocultural Characteristic Peculiarities of Liberalization in Contemporary Societies

Key words: mass society, liberality, social behaviour, free competition, institutional system, liberal culture, democratization, social-cultural principles The formation of democratic institutions, market economy and the development of a prosperious society are the premises for the transition from a traditional system to a liberal-democratic sociocultural system and economic, political and cultural transformations. On the personal level the liberal-democratic project means formation of new opportunities, new relations and a new social type of character. Due to internal transformations of the liberal-democratic society, contemporary society has achieved an undeniable growth of prosperity and general educational achievements. Just due to those achievements the structure of society was qualitatively improved, and the previous notions of social inequality were recomprehended. In particular, as a result of radical transformations occurring in the entire structure of social relations, social inequality is no longer perceived as an unchanging status and way of life: people start to consider material prosperity as a personal achievement, instead of class identification

Analysis of Character Types and Maslow’s Theory on Emily Bronte’s Wuthering Heights

The elements of Victorian literature found in the novel Wuthering Heights were the greatest effects loved by the characters in the novel Wuthering Heights. The purpose of this study was to describe a reflection of the character types and Maslow’s hierarchy of needs theory in Emily Bronte’s Wuthering Heights Novel. The author uses a qualitative method to clearly describe the results. The theory used in this study was Edgar V. Roberts' character analysis and Maslow's theory of need hierarchy. First, the author identifies the characters and then classifies all the data into the type of hierarchy of needs. The author analyze of the Heathcliff’s, Catherine’s, and Hindley’s on Emily Bronte's Wuthering Heights, how could Abraham Maslow's theory analyze the characters in Heathcliff’s, Catherine’s, and Hindley’s on Emily Bronte's Wuthering Heights. Based on the research, the author’s describe five hierarchy of need in Emily Bronte's Wuthering Heights. They were physiological needs, safety needs, love and attribution needs, respect needs, and self-fulfillment needs. The characters were Heathcliff, Catherine, and Hindley. Heathcliff was arrogant and humble in the lasting fame and popularity of the novel. Catherine's Earnshaw is bohemian, beautiful, spoiled and often arrogant. Hindley relinquished control of family and arrogant.

Analysis of Main Character in Film the Wolf of Wall Street

The title of this article is to The Analysis of Main Character in Film the Wolf of Wall Street. It mainly aims to find the types of main characters and characterizations of the main characters. This topic was selected through research by using the theory developed by Kenney (1996) which was used to analyze the main character types. This research used descriptive qualitative. The data were collected from the main character's speech in the film and the data source is from the film script. Data were analyzed qualitatively and presented descriptively. Based on the theories adopted in this study, the results of this study indicate that there are several types of characters in this film, one of which is the protagonist. In showing the type of character and the main character, the analysis used is the scene from each film's dialogue. There are two aspects found from the film, namely: physiological aspects, and sociological aspects.

국문 장편소설 속 역사 기반 선협형 악인 여성의 존재 서사

The purpose of this article is to examine the narrative characteristics of the female character of the Seonhyeop(仙俠, hermit martial arts) type, which became popular in the 18th century, and to examine the meaning of the appearance of this type of character in terms of the narrative grammar and genre possibilities of Korean full-length novels. If we look at the history of Korean classical novels, we can discover the phenomenon of meaningful character types being developed in earnest around specific genres in each era. Representative examples include ‘fantastic existence’ in biographical romance novels that appeared after the 10th century and ‘evil woman-type characters’ in early full-length novels after the 17th century.
 In the 18th century, Korean full-length novels with a large volume were popular, and one of the newly emerging character types at this time was the Seonhyeop type character. This character can be further classified into good and evil people, Confucian and Taoist people, civilized and martial people, internal and external, Taoist and martial arts practitioners, and so on. However, one character does not embody only one type, but is embodied by combining several types of personality.
 Among them, if we divide the narrative of the existence of Seonhyeop female character character based on history into the image of Taoist and martial arts, the narrative of the loser of history, and the discourse of loyalty in rebellion. Each shows the characteristics of combining peripheral properties, recalling memories of others, and aiming for the voice of non-relationship and marginal members. These character characteristics form one of the important narrative grammars of Korean full-length novels, and reveal the possibility of genre expansion in that they are connected to the epics of heroism and martial arts novels that appeared in later generations. In particular, we can discover the early aspects of martial arts novels that are still popular to this day. Representative examples include the way of revealing the ability for Seonhyeop, the establishment of relationships centered on factions, and the nature of the argument between right and evil.
 The highlighting of the character of the Seonhyeop type can be said to be a discourse event in that it discovers and embodies an object that had not been seen and a voice that had not been heard in previous novels. The world expressed in language makes invisible beings visible and reorganizes the proportion and division ratio of voices participating in the world we live in. It is a self-organizing method of the novel that is unrelated to the author’s conscious intention. Among the voices aimed at by the author, the novel’s expansion of the voices of new characters testifies to the situation at the time and at the same time reflects the voices distributed among members of society. It can be said to be an event that brings about a change in the share of.