Veiled Threats: The Logic of Popular Catholicism in Italy. By Michael P Carroll. (Baltimore:The Johns Hopkins University Press. 1996. Pp. xvi, 275. $39.95.) In Veiled Threats Michael Carroll returns to the study of popular Catholicism in Italy, a project he began with Madonnas That Maim (Baltimore:The Johns Hopkins University Press, 1992). In this study, however, Carroll moves well beyond his interest in Marian devotions to present a wide-ranging account of popular Catholicism in Italy since the Counter-Reformation. Carroll's work is based on an extensive reading of the secondary literature, which he combines with research in Counter-Reformation pamphlets and theological treatises, and with observations based on his own fieldwork. In his conclusion Carroll returns again to the psychoanalytic model he has employed in earlier works to explain his evidence, but the body of the text is by no means a reductive analysis, and roots his material firmly in the historical context of Counter-Reformation Italy. Carroll opens with a chapter in which he defends the concept of popular religion against critics such as Ellen Badone, William Christian, Jr., and Eamon Duffy. Carroll may overstate his differences with these scholars, however, with whom he shares a critical view toward models of religious change that emphasize the power of elites to shape the beliefs and practices of ordinary people. Official and popular Catholicism were not warring sets of beliefs, but mutually responsive systems that produced devotional forms that reflected creative adaptations satisfying to both clergy and people. Carroll's substantive chapters deal with an enormous and fascinating variety of popular devotions. He treats first of all the cults dedicated to powerful images, the most popular of which present the Madonna and the Child Jesus. Carroll reviews the attempts of the Jansenist-inspired Synod of Pistoia in 1786 to reform these cults, particularly those which involved covering images, a device that underscored the great and potentially dangerous power wielded by them. But the Synod's efforts ran aground in the face of popular resistance backed by papal support. The images themselves played a role in this dispute, when two dozen Marian statues in Rome began moving their eyes in 1796,gloating according to Carroll over their victory against Pistoia (p. 24). In the following chapters Carroll argues that such positive responses to popular beliefs were typical of the Counter-Reformation. The bishops gathered at the Council of Trent (1545-1563) were critical of images that represented false doctrines, but did not explicitly attack their invocation for supernatural assistance. In approving local image-cults bishops were motivated, according to Carroll, primarily by a desire to hold on to a popular constituency threatened by the Reformation, and by financial self-interest.The official church did introduce a more Christocentric piety to Italy, however, as Carroll demonstrates in a fascinating chapter that covers the development of processions commemorating the passion which used both living actors and statues. …